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In times of old, The Furies protected Mother Right. If a mother (or any woman) was harmed, The Furies swooped down and took their vengeance. They were one of the last vestiges of a world that existed before the patriarchy. When we feel righteous anger, it is The Furies who are calling out to us to make what is wrong right again.
Tuesday, March 11, 2008
First Chapter of My Little Angel
Chapter One
If you think the world is a good and decent place, you haven’t been paying attention. Either that or you’re a moron.
And I’d know. About the world I mean. I’ve seen a lot of it. At least those cities served by that greying hound of hell called the bus line. Onward and downward. Mom usually in the seat next to me, snoring, sleeping off a drunk or the ‘mares. Always on the lookout for a place to settle, to call home.
We’d been doing this for my whole sixteen years as far as I could remember. Me and Mom. We hardly ever stayed in a place for longer than a few months. Once we got settled, the Shadow Woman always showed up and then we went on the run again.
One year I got to stay in the same school for almost nine months. Ann Arbor, I think. They’ve got a university, right? And a Natural History Museum. I spent hours inside that museum, mostly staring at the skeleton of a T.Rex, wondering what it would be like to be that big, to be able to really kick ass. I was just a kid then. Ten maybe.
This last time, we were in Phoenix for six months. At least I want you to think it was Phoenix. Let’s get this straight right from the outset. I’m changing the names, places, and facts about everything. Well, almost everything. The truth as I know it will remain the same. So we were in Phoenix. We lived in this huge house that looked like it was out in the desert but it was right in the city. It had a long driveway with cactus and desert-looking shrubs on either side it. The driveway was brick. Melissa swore that one day when her parents weren’t home she was going to paint it yellow. The house was so big I kept getting lost in it when we first moved in.
Melissa’s parents owned the house. Mom and I lived in the back in the maid’s quarters—because that’s what my mom was. Their maid. Or housekeeper. What’s the difference anyway? She cleaned up after them, answered the door, and sometimes cooked for them. It was a full-time job, believe you me. I don’t know how these three people—yep, three people in that big old house—ever got along before they hired my mom. I helped out, too. When they weren’t around, I folded the laundry, vacuumed, stuff like that.
I was never sure how Mom scored that gig, but it was one of the best places we had ever lived. No dregs of society. No great unwashed, as my mom liked to call our compatriot travelers. Just rich people with their measly problems. Plenty of food. A clean house. And Melissa.
The daughter Melissa. Every once in a while we went up to her room and hung out. I liked being in her room. She was nice, but she was a little too cheerful—or something. Like she had never had a bad day in her life. I think taking me up to her room was the worst thing she had ever done. Maybe she was nasty at school. I didn’t know. I went up to her room because I liked her smell. I liked the smell of her room. Kind of flowery and sweaty. It smelled like home. Like how I imagined home should smell. A real home.
But none of this has even the tinge of importance on it. Because we don’t live in the big fancy house with the big fancy dumb rich people any more. Not that I think all rich people are dumb, but sometimes they don’t seem all there, you know what I mean? Same with street people. A lot of them aren’t all there either. The rich and the street should get together and have a party. Wouldn’t that be something to see? A gathering of zombies, some better dressed than others.
I won’t tell you which I thought was the better dressed, the rich or the street. Or which had their own personal style. After moving from city to city, town to town, my whole life, I learned never to try to dress like someone else or be like someone else. Never try to blend. Never try to stand out just to stand out. Decide who you are and be that person. That was the way to survive and thrive.
My mom told me we needed to be like everyone else; we had to remain unnoticed. Otherwise she would find us. But it was never me who caused a stir or a stink or made someone blink. Mom could not help but call attention to herself. She studied a place, watched how people talked, walked, dressed, ate. Then she recreated herself to be like that conglomeration of people in her brain. And she never succeeded. Something was always a little off. The black nail polish in one town, strange pink lipstick in other, or her fake accent in another.
Not that it was her fault we had to leave. No. Mom was the one who saved us. Who saved me. Every day. It was the other woman, the woman who had been chasing us since forever, the woman who was trying to kill me, to kill us, she was the reason we had to run. You thought there were no crazy people in the world? Wake up and smell the psychos. I’ve had one on my tail for fourteen years. Maybe sixteen. I’m not sure. I remember a time when I was real little, when life was fuzzy cozy, when Mom held me in her arms and sang to me, called me “my little angel.” I don’t think we were running then.
Hard to see her doing that now. Mom was not what you would call a hands-on mom. She made sure I had the basics though, one way or another. And the basics were breathing room. Actual full on breathing room: life. She kept me alive by keeping us away from the crazy woman. The Shadow Woman. That was what I called her. I didn’t know her real name.
I was feeling almost comfy in Phoenix a few days ago. I was walking home from school on one of the service roads that runs behind these big old houses. I liked it there because some trees and the fences made for shade. Hardly anyone went down this road except for maids, landscapers, or garbage trucks. Which was fine with me. I was by myself. I was always by myself. Not that kids at school didn’t try to be my friend. They did. I never had trouble in that department. But I figured: why get attached? That led to no good.
So I was walking and thinking about stupid stuff, like how my mom had promised me years ago that we would be able to settle down. She was going to find us a nice little house with a backyard where I could have a dog and a tree big enough for a cat to climb up and get stuck in and then I could climb the tree to get the cat while the dog barked below me, and I’d get stuck and Mom would come up to get me, and the three of us—me, Mom, and the cat—would sit in the tree looking over the neighborhood and be completely happy because we knew we were home.
The house would be yellow. With blue trim. Or blue with gray trim. The color varied, depending upon where we were. When we lived in Albuquerque, Mom decided all the doors would be blue because blue meant good luck and we sure could use us some of that. I was thinking all this when I saw a man on the ground with a woman kneeling over him. I stopped. I knew that man. He was a homeless guy I’d seen wandering around the ‘hood the last couple of weeks. The woman was looking through his pockets. It was kind of a frozen picture, like when you see something you don’t want to see and you know you should run but you can’t or you don’t want to.
The woman looked over at me. Her eyes were black or hollow, and I felt cold right to my heart, as though I was starting to be dead but my mind didn’t want to face it. I knew the woman. It was her. It was the Shadow Woman. I had never seen her so clearly before. But I was certain. She seemed frozen in place too. I knew I had to run. I knew it. I didn’t want to. I wanted to have the strength and energy and guts to stand up to her, to tell her that she had ruined our lives and that I was stronger than she was now. I could protect myself.
I was going to do that. I was. But I remembered what my mother had told me about this woman. She was different. She wasn’t like other women. Or other men. No matter how big or how old I was, this woman would always be stronger than I was. And if she got me, she’d come after my mother next. I had to run if I saw her, my mom had told me again and again; I had to run.
So I ran.
Labels: first chapters, My Little Angel, writing
3 comments
Tuesday, February 19, 2008
Started Again
As I mentioned, I'm also working on a project for the library. And I'm getting a new website. I have hired a web designer. (It's a great design team in Portland, Needmore Designs. Check out two of my faves of their designs, Saint Cupcake and Dolcezza Artisanal Gelato.) Working on this new website is taking my time, too. My pledge that I would come home and make relationships my priority has gone to the dogs. My relationship with my creativity is going well. Perhaps the core relationships in my life will be with my husband, my family, and my imagination.
Finally tonight I curled up on the couch, pulled one of my father's quilts over me, and moaned for a little while. My way of grieving? At night I dream of my mother. Sometimes I hold onto her as tightly as I can. But she's still dead.
The rain has stopped. We've been able to walk. It's been great. It's still cold, so I still have trouble with my breathing, but at least I'm out of doors. At Catherine Creek, the grass widows are out.
Some days I can even smell the rosemary outside my door.
The website will go live in sixty days. Yeah! I wonder where I'll be then?
We'll find out more on Thursday about when/if my father will have surgery.
So I'll probably continue to do short posts every once in a while until I slow down a bit. Once the website goes live, I intend to add to it nearly every day, either on Furious Spinner (which may be called something else) or on the Old Mermaids blog. (Yes, my new website will have both.)
Have a good one! 0 comments
Wednesday, February 06, 2008
Three Oracles
This is how it happened.
While sitting in the Hawthorne Fish House waiting for dinner, I read that Ursula Le Guin skewered corporate publishing in this month's issue of Harper's (Staying Awake). In an interview about the article and herself in the Oregonian, Le Guin said that she wrote what she wanted to write, even when no one would buy any of it.
While flipping through Natalie Goldberg's book on writing a memoir, I read her admonishment, "You cannot be told enough that when you write, slow down."
While sitting in a darkened theater, Mary Oliver said to me, You do not have to be good. You do not have to walk on your knees
for a hundred miles through the desert repenting. You only have to let the soft animal of your body love what it loves."
Every poem she writes is a love poem.
I wrote her a love note that said, "I love you, I love you, I love you." Mario handed it to the usher and the usher handed it to Mary.
Later Mary Oliver asked me, "What is it you plan to do with your one wild and precious life?"
I wiped away tears.
Did you know she and her love Molly had to scrounge around for food? Her answer was to cook rice and imagine it a feast. Her answer was to work. Her answer was to love.
I have listened today.
Work.
Slow down.
Love.
Not necessarily in that order.
Labels: Mary Oliver, writing
1 comments
Saturday, February 02, 2008
Clarification About New Blogs
First, it's not transforming into a MySpace page or a LiveJournal blog. Second, I've gotten lots of email from people who love FS just the way it is, and I appreciate that. I love the simple look of it, too. I purposely made the font bigger so that most everyone can read it, and I picked the simple template for readability, too. But blogger doesn't offer that template any more, so it's difficult to make any changes and often archives don't work, etc. So I'm talking with designers about creating a website that includes info about me and my work, but mostly I want it to be a portal to beauty and (my kind of) humor and humanism, and it'll probably revolve around the Church of the Old Mermaids. I want to have a blog on it where I talk about all kinds of things, like I do here, and it will be readable, not-flashy, with no ads, much like Furious Spinner is now, only better.
But I also need to find places where the people are who buy my books. My work is my writing. I've got to sell books. And that's not happening with what I'm doing now. I haven't had an adult novel out for a few years. Although adults would love my teen novels, too, the teens are the ones who are buying them. Book tours don't generally work for YA novels. (I'm not convinced they work for adult novels either, unless you're already a bestselling writer.) And at my level, publishers aren't doing much marketing beyond sending out advanced reading copies (ARC) to reviewers. I need to go out and find my readers. I wish they'd just come to me, like manna from heaven, but that ain't happening. Many teens readers like to interact with the writers, so I'm going where the teens are. I want to see what they're reading, who they like, what they're talking about. Word of mouth is how books like mine get sold. I've got to get the word out.
MySpace is one of the places teens go. For me, there are way too many ads, it's very flashy so my brain hurts when I'm there, but it's also great because people are connecting online. So I'm trying to zone that stuff out while I have a tiny conversation with those who come there. Less than 24 hours after I set up my space on MySpace, I had 30 people writing to me and those thirty people saw my name, saw the cover of Ruby's Imagine, and now they know a little bit about me and I get to know more about who my readers are. I love that. I may have to set up a space on Facebook, too. But I'll wait to catch my breath first! I've got the place on LiveJournal, too, but I haven't heard from anyone yet, so I think the teens tend to go to MySpace more—which is what the research indicates, too. (Although I haven't figured out how to tell people on MySpace or LJ that I'm there.) The instant connection is great on MySpace, and I'm sure it must be kind of addictive. Right now I'm stumbling around there because I don't know what I'm doing!
This is the thing, I write because I love it and it's how I'm trying to make a living. If people don't buy my books, I have to go out and get a fulltime job again, which means I won't be able to write as much. I wouldn't be able to write as many books, and I probably couldn't do the blog. There's a reason some writers only do one book every few years or so: They got other jobs!
I want to keep writing because I love it and because I think I'm good at it. So this year I'm really stepping up and out and I'm going to find me some readers, one way or the other!
So, I will go where I need to go, but I promise I will keep a place that is quiet and beautiful where everyone can come and read my work, like Furious Spinner (maybe even called FS, we'll see).
A friend of mine recently warned me, "Kim, you know the stuff you write on FS, it's never going away. Things stay on the web forever." Of course, she's right. I write about things on FS that most people don't write about. I know—from reading emails from readers—that me writing about my struggles with depression, my grief, my angst, and my joys has helped other people walk through their fire, and being able to write about such things helps me walk through mine. I read other blogs and websites, and there are some nasty people out there. That doesn't happen here. I cherish the readers of FS. You is my kind of peeples.
So, knock wood, I ain't going any place that I won't take you along with me. You don't have to go to LJ and MySpace. No, no, no. I'll be here (or near) too. And I hope to post more regularly. I'm longing to sit down and write about something I cooked, or the way the snow looks coming down outside right now, or how I just went outside to shake off the snow from my sacred Rosemary (poor thing!). And I will do that soon. Today, I'm going to work on The Blue Tail. I hope!
I hope this post helps clear things up.
May You Spin in Beauty, Babies!
Labels: writing
1 comments
Friday, February 01, 2008
Ch-Changes
That will take a couple of months, however, and you know how I'm not the most patient person in the world. While I wait, I made a Livejournal. I've called it Stenographer to the Conjured World. I got that title from a letter I wrote to my agent. I had been driving him crazy with 10 million emails asking "why isn't this or that book selling," "where are my movie options," and "why aren't my books getting the notice they deserve?" And more. Finally I got some sleep and rest, and I settled down a bit and I wrote to him, "As I'm slipping down from the stress and grief and craziness, I am allowing my writing and my characters to breathe again and they are telling me many things and I'm writing them down. I have become a stenographer to the conjured world again, and that's where me and my stories soar."
After I wrote "stenographers to the conjured world" Mario kind of oohed and aahed over it, and I liked that phrase too. It's a great title. So I'm using it. At least it seems great in the middle of the night. We'll see when morning breaks.
So this is fair warning: FS is going to shapeshift soon. I'm not sure what it'll turn into. But it'll be grand. I promise!
In case you don't want to go to my livejournal, the posts will probably be the same as the ones here for a while. I'll let you know if that changes. LJ is new to me, so I don't know how to do a lot of things. Like I don't really understand how you get "friends..." Or even what that means.
But I'll eventually figure it out and then probably move on.
Sara Zarr is my inspiration, by the way, as I try to make my work more visible. She is present on the web everywhere, tastefully and beautifully. Her new book Sweethearts debuts today, and I can't wait to read it. (What an auspicious and sacred day for this debut!)
I'm up too late again. Time to try to sleep again.
May You Sleep in Beauty!
P.S. Sleeping didn't work so I wandered over to MySpace. It still drove me bat wing crazy, but I made myself a quick and dirty page. (Took about four or five hours to get it looking...less like a sign in a casino.) I won't do much with it. I'll just leave it there and add links to my books when they come out. Or else I'll delete it immediately. You can check it out and make fun of me of you like here.
And by the way, since I've been up all night and was up most of last night, I am once again crazy. I really should do drugs. Maybe drink. Maybe I'll go watch the debates. That'll put me to sleep.
Labels: writing
4 comments
Saturday, January 26, 2008
Snow Clad
I'm listening to Annie Lennox. I had decided since I have chronic depression and am prone to morbid thoughts that I should really start listening to more cheerful music. Hasn't happened yet. Although I did slap my hand when I started to pull out my Robert Johnson blues collection. (Yes, but his songs are soooo beautiful. They've got a beat and you can cry to them.)
So it's been quite a week. You? Shall I retrace my steps? We got back from AZ safe and sound. (Thank you, thank you.) Soon after we got back, Mario got sick. I have been off my program (no meditation, eating crappy, not sleeping), so I definitely didn't have my groove back yet. So my obsessive worrying lassoed me right down to the ground. By the second night of Mario's illness, I couldn't sleep at all. I kept thinking of my mom having what they thought was a cold or flu and then the next day she was dead and I was motherless. I'd creep upstairs, sneak into our room, and listen for Mario's breathing. Then when he got a fever, I was just crazy. It's not a rational thing. It's as though my body is inhabited by a freaking crazy person. The me that is me says, "But a fever is good. It will burn off the virus." The crazy person says, "Unless it goes up and up and then fries his brain and he's dead, dead, dead, and it's all because you didn't do this, that, or the other." One night I thought I would just go insane. Any of you who have had anxiety or obsessive worrying know that it really does feel crazy. That's an understatement. It is utterly debilitating. I wanted to run, run, run away. But I can't run away from my own brain.
So I've just got to get my brain back on track. Make new neural pathways.
Mario is on the road to recovery, knock wood. In the meantime, my body has been ravaged with adrenaline so my muscles ache, I feel like I'm on speed, and I've gotten an incredible amount of work done. (Anxiety peppered with mania can do that.)
I am so behind in my work that it's difficult to imagine I'll ever get through it. But that's part of the pathology. Molehills become freaking mountain ranges. Entire continents of mountains.
I'll get the work done. Or I won't, and it won't be the end of the world.
I can't tell you how many baths I've had to try to relax. My skin feels like it's falling off. I think I keep trying to get back to the Old Sea. After my last bath an hour or so ago, I put on Beau Jacques and then Santana and I danced around the house skyclad. (Or would that be ceiling-clad?) I recommend dancing for depression, for anxiety, for whatever ails ya. And dancing sans clothes is even better. It felt so decadent. Outside it is butt-freezing-off cold, and I'm dancing around as though it's the middle of August. Love, love, love it. It all feels better without clothes, as many women of my age understand. Easier than constantly pulling off and putting on layers. (I would find it all almost entertaining if I could concentrate on Mario's face when all of a sudden I have to pull off most of what I'm wearing—in a hurry, in the middle of whatever is going on. He always looks so perplexed and surprised. He's trying to talk or something and I'm saying, "omigod, omigod, omigod, GET THESE THINGS OFF OF ME!") I was in the co-op the other day and I took off a pair of pants. Mario looked at me. "What?" I said. "Am I embarrassing you?" He laughed. "No, not a bit."
Okay, now I'll add that I actually had on two pair of pants, so when I removed one, I still had one to go.
I had on two pairs because it was butt-freezing-off cold. Still is.
Anyway, I have gotten some writing work done. I started The Blue Tail. I came up with the characters and plots while I was in Arizona. This week I wrote about forty pages. And I rewrote them. I'm crossing my fingers. My last few novels have fallen apart in so many unpleasant and depressing ways. I mean, hell, if I can't write, what am I going to do?
I talked to my father yesterday. Whenever he talks about going home again, alone, he can't speak. He loses his voice. Just like he lost my mother. Therein lies the risk of loving, I suppose: losing. So often when I think of my mother now, I see her as I last saw her: in that damn casket. And that just pisses me off. Dead she looked nothing like my mother. Only her hands. Only her hands. My father took off her wedding ring and kept it. My sister took off her family ring, the one with all our birthstones in it that we got her when we were children.
Only her hands.
Oh. It's cold in this house. I want to take another bath.
Talked to my youngest sister today. After I told her what had been going on in my life, she said, "I think AA would do you a lot of good." I laughed. "But I don't drink." She's right, though. I could use a place where I could go to talk about what is truly happening in my life, a place where I could say my deepest darkest thoughts, a place where people would listen to me and I could listen to them.
It's called a freaking community!
And I'm still looking.
"Everyone has a broken heart...Remember this." (Ahhh, Annie. I gotta give you up.)
What else did I do this week besides have several nervous breakdowns? I started a novel. I outlined said novel. (My outlines really consist of summarized plot points with estimates of how many pages each "point" will take.) I did a plot synopsis of another maybe-novel. In my new novel I wrote a difficult scene where the main character is abused by her boyfriend. I based it on something that happened to me when I was in high school. I don't write about myself in my fiction (I've got the blog for that: me, me, and moi), but I do use my own experiences as fodder, of course.
Anyway, when I was in the last year of high school, I got too drunk at a party (wasn't something I did often) and I went up to my ex-boyfriend who was at the party and somehow we ended up walking out into the woods. Can't remember what I said or he said. As we were walking I got really dizzy and said I couldn't walk, so he picked me up and carried me. That was even worse. So I made him put me down. He dropped me on the ground, and when I wouldn't get up, he started kicking me all over. (I believe he was drunk, too.) I wanted to get up, but I couldn't move. It was very strange. He finally left me there alone in the dark in the woods. I couldn't move, but I could hear really really well. I couldn't speak either. I thought I was going to die there. Somehow, my girlfriends found me and took me home. The next day I was bruised and sore all over, as well as hung over. The worse part was that I called my ex-boyfriend and apologized for making him mad. Even back then, I was a feminist (born one). I always stood up for myself and didn't let anyone push me around. Yet I called and apologized to him. It was one of the most shameful moments of my life.
We got back together, that boy and me, by the way. Almost got married. Fortunately we figured out we would have killed one another. About fifteen years ago I went home and asked for an apology from him for beating me up. He gave it. We still stay in touch. So I put a scene similar to what happened to me in the book, only she isn't me and the boy isn't him. We are all better than our worst moments. I'm glad I'm not a teenager now. It's gotta be rough. Maybe that's why I write stories for them. I needed help getting through those years, and if I can write something which will help, entertain, inspire, or amuse someone trying to ride the waves and not drown, I'm willing.
Let me take a moment for this aside. If you are an adult and you're not reading young adult novels, you are missing some great reads. I wish they'd call them something else, really, besides young adult novels. There is lots of dreck out there, just like there is dreck in "adult" fiction, but there are some truly beautiful, passionate stories in teen fiction. When I write my young adult novels, they're not any different from my adult novels except for two things. One: the main character is a teenager. Two: they're shorter. (Not the characters, the length of the book.) That's it. Coyote Cowgirl could very well be a young adult novel except the protagonist was in her early twenties. (Hey, that's a young adult.) Now those of you who have read Gaia Websters and The Jigsaw Woman might be saying, "What about all that sexual content in your novels?" That was then. I haven't put a lot of sexual content in my recent adult novels. Mostly because I find it really difficult to write sexual scenes. It's sort of like writing about someone eating. How many ways can you talk about your characters dipping their forks in their food and then putting the food in their mouth? You know? And actually, I think every teenager should read The Jigsaw Woman, sexual content or not. War vets relate to it; teenagers will, too.
Okay.
It's getting dark. The snow is getting bigger, coming down even faster. Is it turning to rain? I had more to say, but I think I've lost the thread. I can only imagine how you feel.
I may walk down to the library.
I wanted to tell you that the other night I drove to Hood River to pick up some groceries while Mario was ill. Really it was just an excuse to move, move, move. If I can walk, I always feel better, but it was too cold. (The cold air affects my breathing.) So being in a car is the next best thing. I kissed my sweetheart goodbye and I drove toward Hood River. It was one of those absolutely gorgeous full moon winter nights. The sky was dark dark deep blue. The stars were shaking from cold. And the moon, ah, what can I say about the moon? She was a shining Eucharist wafer in the sky. An edible pearl. The eye of night watching over me. It was light enough in the blue black darkness that I could see the snow-covered gorge cliffs all around me and even Hamilton Mountain on the Washington side, in the distance, looking like some old being holding out his snow-covered arms, saying, "here I am, darlin'!" And in those quiet moments as the car followed the serpentine curves of the river and the road, I was still and full of love, love, love. Fear became just a moment I breathed out long ago.
Wish you could have been there.
May You Dance in Beauty, Babies, Dance in Beauty!
Labels: depression, grief, The Blue Tail, writing
2 comments
Wednesday, January 16, 2008
Das Leuchten Der Sternschnuppen

Came home to two weeks of mail which included the German edition of Broken Moon. I just get such a kick out of foreign editions of my books. The woman on the cover doesn't look anything like a Pakistani teenager. In fact, as my dear agent pointed out, the cover is quite reminiscent of The Little Prince. True. But I still love it. I'm easy.
Which reminds me of the time I made the comment to my parents and baby sister, "I'm very easy going." And they all burst out laughing...
Does anyone know German? On my computer translator, Das Leuchten Der Sternschnuppen is "light up the meteors." Nadira tells her companions (boys kidnapped and forced to be camel jockeys) a story about falling stars. Maybe that has something to do with the title. Maybe I'll write my translator and ask her. Unless one of my brilliant readers knows the answer?
Labels: Broken Moon, writing
2 comments
Help With Setting the Table, S'il vous plaît
Anyway. Anyone know how to tell someone in New Orleans to put plates and silverware on the table? And yes, I understand there are 30 million different dialects etc. in my state of birth. But would it be out of place for a native of New Orleans to tell someone to "set the table?"
Thank you ahead of time, kind readers.
Labels: Ruby's Imagine, writing
0 comments
Saturday, January 12, 2008
Night at the Old Mermaid Sanctuary

I'm sitting in the casita listening to the blues. Love me those blues, darlins. It is dark out, and we've spent most of the evening getting ready to leave tomorrow.
Yep, we'll soon be on our way back to the Pacific Northwest. I wish we could stay here longer, but I'm also looking forward to going home. I've been on the road so much since October that I'm ready to be home. I want to lounge on my couch (which is really a very old futon and not very comfortable) and eat bonbons. I actually don't know what a bonbon is, besides a "good good" so I'll just sit on my couch and eat something good good.
I want to go to Powell's Books. I went to Barnes & Noble, Borders, and Antigone at least twice each while here and I couldn't find anything. I'd stand in these stores and look around and think, "There are no answers here."
I felt like a zombie for the first part of our visit here. I told you about my back, which did get better after I took Will's suggestion to remove the "cushion" to make the bed harder. Isn't it interesting how a hard bed gives some people a backaches and a soft bed gives other people backaches? All right, I admit it: I can be interested in really boring things.
This year two great horned owls hung out in the palm tree near the casita. Did I tell you this already? We woke up to their calls every morning and listened to them wake up and prepare for the hunt every evening. The first few days here, I sat out by the pool with my old mermaid quilt. I walked the wash, too. Every day, Mario and I walked to Saguaro National Park and hiked it a bit.
I never saw the bobcat. We did see coyotes several times. One day at dusk we saw two very large coyotes in the wash. I decided to follow them. Sometimes I'm not too bright. I have such an affinity for coyotes that I sometimes forget they are canines and might not want some little human trailing them. Anyway, we stopped at the fork in the wash and hid in plain sight by an old palo verde, hoping the coyotes would just walk right by us. After a minute or two, we heard this deep, low, guttural sound. We both got chills. Hair stood up on the back of our necks. I said, "That's the javelinas. They've come out for the night." I remembered when I saw them four winters ago, they made a snorting sound; I figured this had to be the same thing. Though really, the sound we were hearing now was freaky scary, like something out of a horror movies, so I was just talking to reassure myself. The noise didn't stop, and I thought, "that can't be the javelinas." I stepped into the wash to see if I could see anything. Just then a dog started to bark. I realized the sound we had heard was a growl, which was exactly what it sounded like. The dog barked and barked. Mario said, "Well, that's gonna scare away the coyotes." I yelled, "Shut up!" The dog kept barking. We looked around and couldn't see this dog even though it sounded like it was only a few feet away from us. Dusk was threatening to turn to darkness. "Shut up, shut up, shut up!" I said. And suddenly the bark turned into a "yip-yip-yippppp." It was a coyote.
I had told a coyote to shut-up. Geez Louise.
I immediately apologized to the wild thing. The coyote did not stop barking or yipping. We decided we had violated some kind of unknown (to us) territory agreement. We were allowed the wash in the daytime, but at dusk it belonged to the wild things.
We went back to the house and sat on the porch. The coyote continued to bark, alone. I kept apologizing to it. I said I was sorry I had told it to shut-up (and secretly promised not to tell dogs to shut-up any more). I encouraged it to let its voice be heard. As we sat on the porch in the dark, the barking continued and seemed to get closer. It was rather unnerving, the whole thing. I'm not sure why. Maybe because I had so misjudged the situation—and I still didn't know what was going on.
The coyote continued barking until our housemates came home.
A couple of nights we waited under the palm tree to watch the owls take off for the evening. It was great fun. The owls watched us too. I waved. Did you ever notice how owls act a lot like cats? The way they look at people. The way they move their heads (okay, except for the Exorcist rotating head thing).

And then some days I was so filled with regret and grief about my mom that I didn't know what to do with myself.
So I ate too much. I wondered if I would just keep eating until I was the size of two people, then three, then more. Then I'd carry around my sadness as extra weight, unexpressed, unfelt.
One day we were driving toward an art gallery/chapel on the north side of Tucson, toward the Catalinas. I stared at these beautiful mountains and felt such awe and love for them. On the radio, Paul Carrack was singing "The Living Years," and tears started flowing down my face. I wanted more than anything just to fall to my knees on the sweet hard earth and curl into a ball. Thinking about touching the earth made me feel better. I thought what I want to do with my life is to be able to stand my ground no matter what happens in my life. I want to be able to face life, look at it and know what it is and not pretend it is something else.
Mario and I walked in the desert a lot. We talked about life, work, love, and death. We talked about how, in our view, the Universe is neutral to us and our existence. I didn't believe some omniscient being was out there looking down (or up) at me ready to help me, save me, or destroy me. And the randomness or the meaninglessness of death and life...made me wonder about every thing. What was the sense of doing anything? We're all going to die.
We're all going to become nothing.
That's very disconcerting.
One day I had a conversation with my agent. We talked about one of my novels that hasn't sold yet. He told me that the market for fiction was really tough right now unless you were a well-known "commodity." Publishers had started determining a book;s success or failure based on the first week of sales, like movie producers. He was essentially saying that the fiction market was dead.
Kind of like a devout Christian hearing god was dead.
I suppose. Or maybe it was like a devout person hearing that god only hung out with famous people.
He said non-fiction was doing well right now. I started thinking of creative nonfiction books I could write or put together from my FS posts. Maybe my travel experiences or adventures at the Old Mermaid Sanctuary. Maybe a childhood memoir. (Already got a title, Brighton Girl Drowns in Bathtub.) He said to do a memoir I'd need a hook: abuse, crazy parents, something. Made me think of that song in Gypsy, "You Gotta Have a Gimmick." Shall I attach blinking lights to my breasts while I write?
He also talked about one of recent books not having the "Kim magic." He had mentioned this before, but I didn't really know what he was talking about.
When we got off the phone I was even more depressed than I had been before.
One night we had dinner with our housemates at Maya Quetzal. It was good to be with them and to stop by Maya Quetzal and see the people there. The next day, I felt like I was a bit more grounded. I got out my galleys for Ruby's Imagine and went over them. In fact, I read the book all the way through without stopping. (Not really the way you're supposed to look over your galleys.) But I loved this book, loved Ruby. She was full of magic. As I read it, I understood what my agent had meant. I realized that for the last couple of years or more I have been so sad and so filled with grief. And after Linda died, I just couldn't muster up any...magic. Maybe my books after Ruby's Imagine had been lacking something.
And then, as I was sitting in the Quail House, I came up with an idea for a new novel, a young adult Old Mermaid novel, The Blue Tail. (Yes, something about me and the color blue. Or the word blue.) The idea felt beautiful, lovely, magical, mystical. Now we'll see if I have the heart and soul to write it.
My father and sister and bro-in-law arrived in Arizona. I drove up to Scottsdale to spend a couple of days with them. It was great to see my Dad. He looked good, his shingles all gone, just a little black eye. We spent the day walking around. Later we had dinner over at my other sister's place next door to my dad's townhouse. Afterward we watched Eddie Izzard's Dress to Kill (again) and I laughed so hard it hurt. When we went back to my dad's townhouse, I was standing in the kitchen when I saw my dad spray something into the hepa fan. I thought it was some kind of air freshener, but I haven't been able to smell anything in about three weeks so I couldn't tell. Just then my brother in law came in and said, "Is that pesticides?" It sounded like he was kidding. And then I realized my father was spraying pesticides into a fan that was then dispersing it into the air. And he was spraying it near my phone and purse and all my things.
I couldn't believe it.
I said, "Dad, is that a pesticide?"
He didn't say anything. I said, "Fuck, Dad. That stuff makes me sick."
You know how you go into those states of total disbelief and utter fear and panic all at the same time? I went into one of those. Anyone who knows even a tiny bit about me knows that I'm pesticide sensitive and I've been working to eliminate (or reduce) the use of pesticides pretty much everywhere. I don't travel without finding out if the hotels use pesticides. I don't go any place where I know they've used pesticides. And here my father had these poisons in his house and was using them.
I couldn't believe my father had done that. And I immediately fell back into my paranoid mode of "my family doesn't understand me." I went outside. I was so angry and hurt. I can't articulate how upset I was. I didn't know if I was going to have an asthma attack. I didn't know what was going to happen to me. I didn't know if I'd have to throw out all my stuff—including a brand new phone and my computer. I said to my brother in law, "They must just think I make this shit up." He said, "I don't think he did it on purpose." And he was right, of course. I was sure my father felt terrible. I stayed outside in the dark and the cold and watched him bring the fan outside. I walked around the outside of the townhouses, trying to figure out what to do. I felt so unsafe. So lost. So damaged. My father came out and said he was sorry. I said, "I know but I have to stay out here for a while." I sat in the car, which had a VOC and hepa filter. I called Mario and told him I didn't know what to do. Finally I went back into the house. My father put his arms around me and apologized. I told him I knew he was sorry but I couldn't stay there. I was still so upset. And I didn't feel safe. I knew that he felt bad. I felt like I should do something to make it better for him, but I didn't feel safe. I told him I had to leave until the spray dissipated.
I drove around Scottsdale in the dark. I didn't know where the hell I was. I felt desolate. Homeless. Victimized. Lost. Hurt. Sick. My head throbbed. I felt like my lips were swelling. I called Mario in a panic. He tried to reassure me, told me I was probably just scared. I asked him to call my father and tell him not to worry or wait up for me; I'd be back in a couple of hours. I drove around wondering if there was any uncontaminated place in the world. Was there anyplace where I was safe, accepted, taken care of, loved, welcomed. Was there any place where I was not adrift?
No. And why should you be any different?
I went into some kind of weird Barnes and Noble or Borders called Bookstar. No one was there except the employees, and they were all laughing and talking about their sex lives. Or something. I didn't find any books that looked even vaguely interesting.
I felt like Homer Simpson at the beginning of the Simpson movie flipping through the Bible and then yelling, "There are no answers here!" There were no answers in that book store. Or in the next book store I went to.
I drove back to the townhouse. My father was asleep with the television on. My sister and bro-in-law were upstairs asleep. It was freezing in the house. He'd opened the windows to air it out. I woke up my father and told him to go to bed. He looked so cold and vulnerable. I got on the couch and pulled some blankets up around me. I didn't want to be there. I didn't feel safe. But I didn't want my father to feel bad. He didn't go to bed. We watched Corner Gas together and then Becker. Then he went upstairs to bed.
I tried to sleep. I think I got about three hours of sleep, off and on. I finally just got up at 4:30 a.m.—after I dreamed my sisters were all doing something that irritated me. I don't know what. I yelled at them. I said, "You're all fucking assholes!" And then I looked at my father and said, "Except you." Thinking of that dream made me smile. (When I told my sister and father the dream later, my dad said, "Gee, thanks, I guess.)
I got up and drove to around Scottsdale in the dark again. It was about 5:30, I think. Found a Starbucks. Sat inside sipping hot water. Felt alone, alone, alone. Lost.
Fuck.
And imagine how my father felt all the time now.
Later...
I went to McDonald's with my father and sister and sat with them while they ate. Then went to Sears and Ace Hardware with my father. I gave him the keys to my car (his old car) and he drove for the first time in three weeks. My sister and I went to Goodwill to get me some clothes while Dad fixed the water heater.
When we came back to the townhouse, my father left to go to Ikea with another bro-in-law. He asked me if it was okay if he went, asked me if it was all right. Of course it was all right. Live your life. Do what feels good. As he hugged me goodbye, he said, "I promise I'll throw out all those sprays."
I wondered if this was going to be the last thing between us. Would I never see him again and this is what we would remember? What I would remember?
It was all too hard and sad.
I sat outside by myself and wondered what the fuck I was doing there.
I wondered what it would be like to be in a place or with a group of people who were always glad to see me, who welcomed me home, whose faces lit up when they saw me. Like Mario when he sees me. Wouldn't it be nice if there was more than one person who really liked me around? Who really valued me?
Who valued each one of us.
My sister and I took at walk before I left. We talked about what a good man my father was. How he just lives his life. How he faces life. Goes through it.
Then I was on the road again. Three hour drive home because of traffic. Mario had spring rolls awaiting me when I got home. I wonder if he will ever know how much I love and appreciate him. I would be bereft without him.
That night, last night, I dreamed I went to a healer. She had all these little gadgets for me to help heal me. I told her I had once thought I would be a healer but it didn't work out. I had too many doubts.
It was a long dream. I think it may have been the end of the world.
Or the beginning.
Ahhhh, I've talked too long. I can hardly keep my eyes open.
This afternoon as a big old coyote hid from my view and watched me, I walked to the Quail House. Once inside, I started a new novel, The Blue Tail.
We'll see what happens.
I had more to say. Or less to say. I'm not sure which.
May the coyotes sing for you. May the owls hoot for you. And I, I will root for you.
Always.
Blessed sea.

Labels: Arizona, grief, Old Mermaid Sanctuary, writing
4 comments
Thursday, November 29, 2007
Got My Freak On
"I can't find the joy within my soul
It's just sadness takin hold
It takes strength to live this way
The same old madness every day
I wanna kick these blues away
I wanna learn to live again..."
Yes, indeed, I've got my freak on again. Wanna dance?
It ain't sadness so much as anxiety, fear. If you could temporarily inhabit my body right now you'd wonder how I was able to exist. One breath at a time, darlin's. One breath at a time. Those of you who've been there (here?) know. Curled up on the couch most of the day. Trying to move from place to place. Trying, trying, trying. Turned on the TV and heard something that sent me further into the freak. Mario talked to me on the phone and said, "Turn that off. Turn that off. Turn that off."
This is one of the reasons we need to turn off our TV service again. It was on when we got home from D.C., even though we had it turned off before we left. You might say, "Kim, don't turn the television set on." Oh come on. I have no willpower. If I'm feeling shitty, I'm gonna try to do something to feel better. Since I don't drink or do drugs, I guess I do TV. Bad TV. Anyway...
It is day dark outside. The winter drearies are here. (My friend Becky calls this time of year here the Drearies. Wouldn't that be a great novel title?) It should feel cozy inside because of the snow. I should be writing. I think I figured out the problem with my novel. As soon as I let it go, as soon as I let it all go, and let the sea come in and take it away, Grace came and sat with me and told me her true story. And some of it broke my heart. She wasn't who I thought she was. She wasn't an Amazon. She wasn't....She just wasn't who I thought she was. But she told me her story, and I said, "I don't know if I can tell that story." And she quoted the first line of Prince of Tides (Pat Conroy) to me: "My wound is geography. It is also my anchorage, my port of call." Ah yes. And Gracie's whole beginning opened to me. How could I have forgotten? Of course. My wound as well. Will that be the epigraph to my memoirs one day? "My wound is geography?" Naw. "My wound is my self." The Buddhists would no doubt agree with me there.
Everybody is an island to themselves.
Very good, Annie.
I just looked up fear on a Buddhist site. There are many things I like about Buddhism, but the following paragraph is an example of what I don't like:
"When we are frightened, we should ask ourselves what we are actually frightened of. Are we frightened of getting sick? But at present we have no choice in that, and so that fear is not constructive. It is wiser to be afraid of contaminated rebirth and the four rivers of birth, ageing, sickness, and death, all caused by our delusions. This fear is constructive, it is called 'renunciation;, the wish definitely to escape from samsara's sufferings, the motivation that will enable us to escape from samsara and all sickness."
Yes, please, give me MORE things to be afraid of. This sounds very close to the Christian view that we are all contaminated because we came through a woman's womb. Hey, that's sacred space; takes your hangups about women elsewhere.
I may have my freak on but ain't I a woman?
I do agree that we can't control most of what happens to us in our lives, so it's more productive to control our minds. And right now, my mind has her freak on. Definitely. So maybe I'll just put a bow on that freak and dance around the room.
I've been lax on doing my mindfulness stuff. My bad.
This too will pass.
By the way, I still haven't actually started the novel again. I'm throwing out the ONE HUNDRED AND FIFTY pages I've already written on it. Once I start writing again, I'll feel better. I always do.
And I always get nervous before I go see my surgeon which is what I'm doing next Tuesday. That's an "always" I'd like to change.
I wonder if I could think of my depression and anxiety as a dress I put on? I always describe it as "having my freak on." Maybe I could just take it off. Hey, I don't like dresses anyway. Except for one little black cocktail dress. Okay, there are a couple other ones I've got that completely hug my bodacious body, but I ain't got the guts or glory to actually go outside in them. One gray. One red. But I digress. I was putting on my freak dress. No, I was taking it off and putting on something that is more to my taste.
My husband is laughing at me. "You think my anxiety and depression is funny?" I asked. "Oh come on," he said. "'Putting your freak on?' That's funny." I stared at him. "I don't think your pain and suffering is funny," he said. Trying to be serious. "All right then," I said. I turned my back on him and smiled. Oh good. I was smiling. This wasn't going to last too long this time.
Just went out into the rain and snow and took a walk. Put my arms around the Big Old Library Oak. Aaaaahhhhhh. Very nice. Then I continued sloshing through the snow and rain and down to the river. Choppy waves. Slightly green. The rain pelted my face. On shore, near my feet, were thousands of shells, mostly tiny mollusk shells. Bones from the Old River.
Then I walked back up to the house. I went around to the back to see how the Rosemary bush was doing. Wet snow weighed down some of the branches. I whispered hello, how ya doin'?
Inside again.
Better.
Man, gotta remember that. If all else fails, go hug a tree.
No, Kim. Don't wait until all else fails. Just go out a hug a tree.
Labels: depression, writing
2 comments
Friday, November 23, 2007
Heads or Tails
You do not have to walk on your knees
for a hundred miles through the desert, repenting.
You only have to let the soft animal of your body love what it loves. —Mary Oliver
The novel I have been working on for months, the novel I went halfway around the world researching, has been falling apart bit by bit. It's been like watching the waves come to shore and wash over a sand castle, a sand castle I built. A wave rolls in and takes that turret. "Oh, well," I think, "it looks better without that anyway. Who needs all that space? You just gotta fill it with furniture." And then the walkway to the turret is gone. Didn't need that since the turret didn't exist any more. What the heck. Oh look, the coming wave is going to take out the front room. What do they call the front room in a castle anyway? Yep. The wave slips toward the castle, making that soft noise waves make as they polish the sand; in fact the world is all white noise now and I, you, we look out at the ocean, forgetting about the castle, it can't be saved any way, who needs it, and you, I, we almost can't hear the hera's cries. "Help! Save me! It's you, it's you." But all you can see is the ocean. You feel the tug of the sea on your wild self, and you look down and see the iridescent blue green scales that make up your tail and all you want to do is dive into that great wild thing that is the sea.
Yet there's the castle. Maybe you, I, we need to stay here, there, and save the castle, tell that story. Maybe that'll be the one, the one, the one that will feed me, keep my head above water. Maybe I'm just a coward and don't want to push through it. Maybe I just don't want to do what needs to be done in this ol' world of ours. Grow up. Grow old. Get your head in the game.
And yet. There's the call of the wild.
And yet. Sleeping Beauty is in that castle and the next wave is going to wash away her home.
Here's the question: Would you rather be asleep and beautiful or awake and ugly?
So what is it? What is it?
Heads or tails?
Labels: sustainability, writing
2 comments
Monday, September 03, 2007
About Time
It is so fun to be me.
*sigh*
Anyway, I saw this article which says Americans are more liberal now than they have been in a generation. (What is a "generation"? Is that twenty years?) It cheered me up considerably.
That and the crickets I listened to for a while tonight, under the trees, in the darkness. They're very soothing. As long as they're outside. One cricket in the house that you can't find is not particularly soothing.
Last night I dreamed I could see dead people.
Apropos of nada.
Here's the chart:

Labels: democracy watch, sustainability, writing
1 comments
Monday, August 13, 2007
Frog Marches and Other Tales
I opened my eyes and laughed. He said, "No, it's true."
"Come on," I said, trying to come awake. "This must be a dream."
"No, Karl Rove resigned."
"Why?"
"To spend more time with his family."
"Like he has a family."
He wasn't frog-marched from the White House in handcuffs, but I'm glad he's gone. I hope he doesn't make trouble on the sidelines, but he probably will. I listened to the pundits today talk about him (in-between writing, cooking, and doing the laundry). They talked about what a great success he was because he got Bush the governorship and the White House. I thought, the guy is a sleazeball; he's committed high crimes and misdemeanors (oh, wait, that's Bush...), and they admire him? You know how they say "money isn't everything?" Winning isn't everything either.
This got me thinking about how we change the world or our communities or our lives. It is what we do, but it is also what we don't do. Maybe what we don't do is more important than what we do. If you don't use pesticides, if you don't drive a gas guzzler, if you don't drive any carbon producer, if you aren't racist, homophobic, misogynist...
Which reminds me. Have you noticed that the talk about Hillary is quite misogynist. Disguised prejudice, like so much prejudice is. If someone comes out and uses the 'n' word or the 'f' word, you pretty much know what page they're on. It's the other stuff that's harder to put your finger on. But if one more person says Hillary is shrill, I'll scream. Shrill-ly. Come on. Saying a woman's voice is shrill is code for she is a woman. Give me a break. This pundit was on Chris Matthew's show and he said "I don't mean to be disrespectful (or something like that), but I've been down south and when people hear her, they say, 'She's too shrill.'" WHAT PEOPLE? HOW MANY OF THEM? I hate, hate, hate "analysis" like that. Sure, I do that kind of stuff here sometimes, but SOME PEOPLE WOULD SAY THAT'S ALL RIGHT BECAUSE I'M NOT A JOURNALIST OR A TALKING HEAD WHO SHOULD KNOW BETTER. And Matthews let the pundit get away with shit like that.
I've got stuff in capital letters to indicate that I AM SHRILL.
Shrill is also code word for 'she is a shrew.'
I've been called it, girl.
Been there, been that.
My novel is now 10,000 words. I am having muchos fun. It is relaxing because I am writing about all of these issues I rant about, only it's fiction, and it's happening to my characters. Maybe novel writing for me is the ultimate act of dissociation. Dissociation is something trauma victims do as a matter of course. I remember years ago when some therapist was treating me for post traumatic stress disorder (which I don't think I actually had, by the way—nothing post about it) she encouraged me to dissociate, and I thought she was crazy. Crazier than me. But she said dissociation was a good skill that enabled humans to live through trauma; it became a problem when we lived our entire lives that way. But maybe she was right, after all. My time dissociating from this reality while I write in my novel reality helps keep me sane.
I haven't told you anything about this novel, I know, or posted any of it. I probably won't. I think it'll be a novel you need to read as a whole. We'll see. Maybe I'll pull out bits and pieces that won't give away anything big.
Today I wrote 4,500 words. Again, I hope they are good words. Hope they are the right words. I also finished the laundry, made three separate dishes (quinoa and cilantro with a lime marinade; pinto beans with onions, carrots, and herbs and spices; and dal). I also walked the 'hood with Mario during his break and will soon go out again to walk with him. And I read to Mario all the 4,500 words I wrote today.
Most days I feel like a complete and utter failure. I didn't do this; I did too much of that; I've got to hurry, hurry, hurry. I'm really trying to teach myself that there is enough time. I can do one thing at a time. There is no rush. Years of illness taught me that there never was enough time or energy to do what I needed to do. And perhaps what I needed to do was nothing.
But that was then. This is now. Right?
Okay, time for my walk. It won't be a frog march, but I hope to hear from frogs down in that little patch of marsh by the railroad tracks.
Labels: democracy watch, writing
0 comments
Friday, July 27, 2007
Blue Honey Clan Updated, Again

I've finished Blue Honey Clan, I think. It's different from the previous first chapter I posted, so those of you who read the first draft might be a bit confused. It's the same place, with the same characters minus one, but they've all got different names from before, except for Molly.
Enjoy!
Chapter One
Have you ever wondered how you became the person you are right this minute? Like you started out a few months ago as one person--as yourself. Now you feel like someone else.
I felt that way.
I felt that way as I made myself walk up the steps to the Blue Honey School of Girls the first morning of summer school. I wanted to turn around and run home, even though home was empty. Mom was gone on a trip to Europe with her sister. And where was Daddy Dearest? I didn’t even know who my father was. Never really mattered. It had always been me and my mom.
Then I discovered boys. One boy in particular, actually: Trick Jordan. He was a good guy, and we had fun until last fall. That was when Trick proposed to me. He took my hand in his, told me he wanted to kill himself, and asked if I would do him the honor of joining him and making it a double suicide. I snatched my hand away and ran like hell. I’ve been looking for normal ever since.
I wanted my mom to go on her vacation. I told her I was glad she was going. That was when I thought she’d let me stay at home by myself. I was sixteen. Come on. I didn’t need a babysitter. She agreed with me, but she said I needed something. The Blue Honey School of Girls, her alma mater right in our own little town, reopened after two decades just in time for me to attend while she was gone.
Whoopee.
My mom left this morning, and I forced myself to go up the steps to the big old yellow house. What kind of school was in an old yellow house anyway?
All of my former friends were probably out swimming in the creek or still sleeping, more likely. And here I was standing in front of a strange house wondering how I had gotten to this place in my life.
Walked down Oak Street and hung a left at School Road, Molly B. That’s how you got here.
I knocked on the door.
“Hahaaaaaaaa!”
I jumped back and almost dropped my suitcase.
What was that? It sounded like a crazy person going crazier.
“Steady, Molly,” I told myself.
It was only a strange bird in the trees. Or the wind. Or a madwoman in the attic. Whatever it was, it didn’t matter. This was where I had to be.
So here I be.
The door opened and a tall older woman smiled at me.
“Hello, Molly,” she said. “I’m Sister Cleodora. Come on in. How do you like our greeting? Sister Melaina rigged that up so it cackles every time someone knocks. It’s especially fun at Halloween.”
She held the screen door open for me. I stepped inside the house.
“Come meet the others,“ she said. She walked ahead of me, and I followed. She wore a dress that looked as though it was made of butterfly wings. Fake butterfly wings. I mean, she didn’t look like someone who would pull the wings off a million butterflies just so she could have a pretty dress. Although, really, I didn’t know what someone like that would look like.
We went into a large room with lots of windows. Blue walls. Blue furniture. Two girls sat on one of two blue couches. Two older women sat on the other couch.
“Molly, this is Sister Melaina,” Sister Cleodora said.
A thin woman with short salt and pepper hair stood and held out her hand to me. I shook it.
“And Sister Laurel,” Sister Cleodora said.
Three sisters? Had my mother sent me to a convent?
The other woman on the couch--Sister Laurel--stood and shook my hand. She had silver hair pinned up into a French twist, and she wore slacks and a shirt with a colorful scarf.
“This is Artemis Monaghan,” Sister Cleodora said, indicating the girl on the couch with blonde hair, dark roots, and black eye shadow. “Artemis, this is Molly Kelly.”
The girl nodded to me and cracked her gum.
“Artie,” she said. “I go by Artie.”
“And this is Diana Noble,” Sister Cleodora said.
Diana was curled up on one end of the couch, trembling slightly. Small. Short brown hair. She hopped up and shook my hand when Sister Cleodora said her name. Her grip was firm, slightly sweaty.
“Hello,” Diana said.
“Molly, have a seat,” Sister Cleodora said.
I set my suitcase down and then sat on the couch between the girls. Sister Cleodora sat in a chair. I looked around the room. I didn’t see any religious stuff. Seemed like my mom would have told me if this was a religious school. Especially since we weren’t. Religious, that is.
Mom visited the school without me a couple of times before she left. She wanted me to go with her, but I always came up with some excuse not to go, and she didn’t force the issue, which was unusual. Maybe she didn’t want me to know ahead of time that she was committing me to a monastery. A sisterary.
We sat in silence. I could hear my life ticking by.
Tick tock, tick tock.
Or maybe that was the clock on the wall.
Whatever.
“Now that everyone’s here,” Sister Melaina said, “let’s get started.”
“Excuse me,” I said. “Everyone is here? What about the rest of the students?”
“You are the rest of the students,” Sister Cleodora said. “For this summer, it’s the three of you.”
I think my mouth fell open. Just the three of us with these three old women?
No. That would mess up my master plan. The plan where I blended into the background of fifty other girls and sneaked home whenever I could. How was I going to blend if there were only three of us?
“Mom told me when she went here there were lots of other girls,” I said.
“There were,” Sister Melaina said. “We had a dormitory where some of the students lived and another building where we had classes. Those buildings are gone now.”
I can safely say that the three new students of the Blue Honey School of Girls were stunned.
“Well then,” Sister Melaina said. “Let’s get to know each other a bit. Let’s go around the circle, and each of us can say our name, where we’re from, and then at least one interesting thing about ourselves. Sister Cleodora, you want to begin?”
“Sure,” she said. “I’m Sister Cleodora. I’m from here, from this land. When I was seven, I licked a frog.” She laughed. “Just once.” She looked at Sister Laurel.
“I’m Sister Laurel,” the next sister said. “I’m from here. When I was nine, I told Sister Laurel that frogs tasted like chocolate because I wanted to see her lick a frog.”
“It did not taste like chocolate,” Sister Cleodora said. “Poor frog.”
They smiled at one another and then at us.
“I’m Sister Melaina. When I was ten, I told Sister Cleodora I’d give her my bike if she’d lick a frog.”
“It was a great bike,” Sister Cleodora said. “I had it for years.”
They laughed. Then they looked at us. I wondered if they had planned that little introduction. Easy for them. They all had the same interesting thing to talk about. I used to be interesting. I mean, I knew that when I was younger I was excited by things that happened in my life. I couldn’t remember any of them now.
“How about you girls?” Sister Melaina asked.
Diana sat forward and cleared her throat. “I’m Diana. I’m from Chicago. I won our school spelling bee three years in a row. Then I decided I didn’t want to be a contestant any more. I wanted to just sit in the audience and listen to the spellers say those wonderful words. I’m a sister to my younger brother Jake and I’m the daughter of my parents, Carey and Richard.” She shrugged. “And I like words.”
The sisters looked at Artie and me. I could not think of a single interesting thing about myself. I wasn’t about to say that I no longer had any friends. That wasn’t interesting. That was pathetic.
“I’m Artie,” she said. “I’m from Mars, originally, but I live in Seattle now with my parentals, when they bother to come home. Hell, when I bother to come home. I ran away from home when I was about 13 and spent half the night at the mall until the security guard finally caught up with me and called my parents. Best half night of my life.”
Everyone laughed except me. I was trying to think of what to say. The laughter died, and they all looked at me.
“I’m Molly,” I said. “I’m from here since I was five. I live with my mom.” I couldn’t say I saved my boyfriend’s life by telling my mom that he was about to off himself. Actually, I could say it, but I wouldn’t. Wouldn’t tell them that my best friend Maggie no longer spoke to me because she thought I should have handled Trick’s suicide proposal myself instead of telling my mother who told the school and Trick’s mom.
“You don’t have one interesting thing to say?” Artie asked.
I glanced at her. I was not going to like her.
“When I was five years old,” I said, “I dressed up as the invisible girl for Halloween. That’s like the invisible man only not. We spent a lot of time on my costume: black with reflective material all over it. At every house we went to, the adults ooh and ahed over my costume and gave me lots of candy. At the end of the night, I had more candy in my bag than I’d ever seen in my life, and I was so upset. I thought my costume was a complete failure. If it had done what it was supposed to do, no one would have seen me, and my bag would have been empty.”
Diana nodded. “I see your point.”
“Who would want to be invisible?” Artie asked.
I didn’t answer her. When I was a kid, my mom often talked about the Invisibles being all around us, Invisibles like Bigfoot, fairies, and all sorts of other unseen creatures of the Universe. I wanted to be invisible with them. Thus the costume. As the years went by, my mom stopped talking to the Invisibles, and I stopped looking for them. As I got older, I wanted to be invisible for other reasons: I wanted to walk around my town without being noticed.
“Thank you all,” Sister Melaina said. “This was a good start.”
“What are we going to study here?” Diana asked.
“We’ve talked with your parents,” Sister Cleodora said, “and we’ll talk with you later. Together we’ll figure out what’s best for you this summer.”
“Perhaps you feel as though you need a port in the storm,” Sister Laurel said. “A place where you can figure out who you are. We want to provide such a place for you. This house and the land will be your home for the summer and you are welcome to explore it and make it your own. We won’t have formal classes, but we hope your time here will be a great learning experience. As we get to know you, we’ll know better what your needs are.”
The sisters smiled at us.
Oh geez. This was going to be worse than I thought. They wanted to talk with us. They wanted to be a part of our lives.
I did not want to talk with them. I did not want to talk with anyone. I hoped my mother hadn’t told them anything about me. And if she had, the sisters had better keep it to themselves. I didn’t want any of them to know about Trick. Or Maggie. Or any of the sordid details of my life.
“Maybe the best thing for me would be to lay around and do nothing all summer,” Artie said.
“Maybe, Artemis,” Sister Cleodora said.
“Artie,” she said. “My name is Artie. No one calls me Artemis.”
“Why not?” Diana asked. “That's a goddess name. Like mine. I have a goddess name too. We’re like goddess sisters. Maybe our mothers were friends so they decided to call their children the same name, only different. You’re the Greek version of this particular goddess, and I’m the Roman version. Of course I don’t know where that leaves Molly.”
“Are you off your meds or something?” Artie asked.
“What do you mean?” Diana asked.
Artie ignored her. She looked at the sisters. “What if we don’t like it here?” she asked.
“You are all here voluntarily,” Sister Melaina said.
“We are?” Artie asked.
“We emphasized to your parents that we would only do this if you all came voluntarily,” Sister Cleodora said.
“If you say so,” Artie said.
The sisters glanced at one another. Then Sister Melaina said, “You can leave any time. If it doesn’t feel right and you want to go, we’ll call your parents and they can come get you. For the first week, we’re asking you not to use your phones or computers. We don’t have a television, except to use for movies, and there is no advertising in the house. We want to try a little experiment. Would that be acceptable to you?”
“It sounds like a brave new world,” Diana said. “Let’s do it!”
“It doesn’t sound fun at all,” Artie said. “It sounds boring.”
“But you’ll try it?” Sister Melaina asked. She looked at each of us in turn.
I nodded. “As long as I can call my mom sometimes.”
Artie made a face. I knew she wanted to say something rude like, “Momma’s girl.” But she didn’t. I didn’t care what she thought or what she said.
“I’ve lived here since I was five,” I said. “I’ve never seen any blue honey. So why’s it called the Blue Honey School of Girls?”
“Our ancestors have collected blue honey from the bees for hundreds of years,” Sister Cleodora said, “maybe even a thousand years, and they called themselves the Blue Honey Clan. That’s where the name came from.”
“Can we see some blue honey now?” Artie asked.
“Sadly, there is no more blue honey,” Sister Laurel said.
I think it was Sister Laurel. I was having trouble telling them apart. Almost like they had one personality but in three different bodies.
“About twenty years ago our bees disappeared,” Sister Cleodora said. “We tried other bees. But the hives never took again.”
“This town was known for its blue honey,” Sister Melaina said. “I’m surprised you never heard of it, Molly. It was sold in all the story, gift shops, restaurants. People came from all around to get the honey.”
Restaurants? Gift shops? We had one restaurant where the drunks went to sober up. And one flower shop where people went to get flowers when someone died. It wasn’t a one horse town. It was a one jackass town. A lame jackass at that.
“Why would people come here just for blue honey?” Artie asked. “What was the big deal? Someone could use food dye and make blue honey.”
Sister Melaina shook her head. “Blue honey was special. Our people believed blue honey had magical properties.”
“What magical properties?” Diana asked. She leaned forward, and Artie momentarily stopped snapping her gum.
“What does it matter?” I asked. “The honey is gone. The so-called magical properties no longer exist--if they ever did.”
“Actually,” Sister Melaina said, “there is a jar of blue honey left. When the Blue Honey Clan first came here, they hid a jar of it somewhere on the property. The story goes that this particular jar of blue honey was from a thousand years ago, back when our ancestors were part of the ancient melissae who were priestesses to the goddess Demeter, the mother honey bee.”
“Melissa?” Artie said. “That’s my mom’s name.”
“Melissa means bee,” Diana said. “Or bee priestess. So does the name Deborah.”
“Deborah is my mother’s name,” I said.
“Were our mothers part of the Blue Honey Clan?” Artie asked.
“All the girls who attended the school were considered part of the Blue Honey Clan,” Sister Cleodora said. “We thought of them all as part of our family.”
“What about this blue honey jar they hid?” Diana asked.
“In the old country, the ancient melissae would use some of the blue honey in that jar to prime the bees if they ever stopped producing the blue honey,” Sister Melaina said. “It was to get the bees to remember how to make the honey. Once the Blue Honey Clan was here, though, the bees kept producing and they never needed priming. Our ancestors lost track of where they hid the jar. When our bees disappeared, we couldn’t find the jar.”
“You never actually saw the blue honey jar, right?” I said. “So you don’t know if it actually exists or not, let alone if it has magical properties.”
“You’re right,“ Sister Cleodora said. “We never saw the blue honey jar. But we did have blue honey, and it was amazing. The legend of the blue honey was that certain people who ate blue honey either went wild, could read the signs in nature to predict the future, or were healed and developed the ability to heal.”
“And you didn’t know if you were one of those people,” Sister Laurel said, “or what would happen when you ate the blue honey, so it was always a risk.”
“You said people came from all around to get the blue honey,” I said. “Did any of them predict the future, get well, or go wild?”
“Every once in while someone would tell us that the blue honey healed them,” Sister Cleodora said.
“Even ordinary honey has healing properties,” Sister Melaina said.
“I wish we had found that jar of blue honey twenty years ago,” Sister Cleodora said. “I miss the bees and the hives. There are wild bees all over the property, of course, but our bees were special.”
“When we were kids, our parents told us over and over that the blue honey jar was like Aladdin’s lamp,” Sister Laurel said. “Or like a falling star. You could make a wish on it and it would come true.”
“That was only a story,” Sister Melaina said. “They wanted us to get interested in the lost blue honey jar so that we’d go look for it! Our parents didn’t know where the jar was either.”
“If the honey in it is a thousand years old,” Artie said, “it must be rotten. Or else very valuable. If it could actually make wishes come true or really heal people, you could sell it and make a mint. I know a lot of people who would pay for something like that.”
“It’s not real,” I said. “There’s no such thing as Aladdin’s lamp or a magical wishing blue honey jar. People wouldn’t pay for something that silly.”
Artie shrugged. “People pay for just about anything.”
“Money isn’t everything,” Sister Cleodora said.
That’s what people said who were rich. If my mom and I had enough money we’d move away from this town. At least I would. I’d leave it all behind in a heartbeat.
“The blue honey is so much more than anything we can put into words,” Sister Laurel said. “I think of magic as the breath of the Universe--the creative flow of the Universe. Sometimes this breath, this magical exhalation, can be held and used. You’ve seen flowers, you see how they drink in the air and sun and earth--how they drink in the breath of the Universe and change it to nectar. Bees gather this nectar from the flowers. They take it back to the hive and make it into honey. By doing that, they’ve changed the breath of the Universe into food. In a world where so many of us feel malnourished, eating blue honey is the ultimate nourishment. It’s like drinking mother’s milk--only this mother is the Universe. Any kind of healing is possible. That’s magic to me, and that is blue honey.”
“Wow,” Diana said quietly.
“Well,” Sister Melaina said, “I think it’s time to show you around your new home.”
I stood and picked up my suitcase. Maybe I should try and find the lost jar. If the blue honey actually had healing properties, I could give some to Trick. If he got better, maybe everyone would stop blaming me.
I shook my head. Who was I kidding? Life did not work that way.
Labels: Blue Honey Clan, writing
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Friday, July 20, 2007
The Writing Life
On Tuesday I went to a teen discussion of Mercy, Unbound at the Three Creeks library. What a blast that was! The kids were so energetic, opinionated, articulate.
What did they think of Mercy, Unbound? Here goes: They loved Mercy. Liked the father. Liked the dead brother. Some liked the mother. Some wished she would have just backed off. Some wanted a more linear plot. Some loved the nonlinear plot. Everyone liked the girls at the clinic. Some thought they were a little too well-adjusted. Some loved the angel wings. Some didn't get the angel wings. Some were perplexed by the mystical parts of the novel. Some liked the mystical parts of the novel. As far as I could tell, everyone loved Suzy Q and what happened to her. One adult didn't understand why Mercy would think she could/should save the world. Both adults thought the girls at the clinic got away with more than they could have. The kids loved that I swore. I didn't even notice I swore; I didn't mean to. I said that I thought Suzy Q was a smartass not an innocent, which is how one of the girls described her. (That was an interesting insight by her, actually.) I didn't realize that "smartass" was still considered a swear word.
My bad.
I loved spending time with them.
Much fun.
On Wednesday, I spent much of the day on the phone. I talked with my agent. I love my agent. He wants to read something new by me NOW. Ahhhh, what writer doesn't want to hear that? One of my former agents used to say, "Kim, you gotta get a job. Stop writing so much!" I hated hearing that. I had a job, and I wanted him to do his job: sell my books. Anyway, I love my agent now. He loves Church of the Old Mermaids. Anyone who loves the Old Mermaids is my kind of person.
I had an appointment on Wednesday afternoon, and then we met Emma Bull and Will Shetterly at Blossoming Lotus for an early dinner. Their friend Kate was there, too. (BL was not as good as it usually is.) Will and Emma had a reading at the Beaverton Powell's that night. (Go here for their complete tour schedule.) Will and Emma had googled the directions to the Beaverton Powell's and so had we. As we were looking the map over, Kate said, no, I think those are the directions to the old Beaverton Powell's. We thought she was looney. Powell's would not have the wrong address on their website. They'd opened the new Powell's a year ago. But thank goodness Kate was persistent—because Powell's did indeed have the wrong address on their website! Anyway, we got there to the right place; more importantly, Will and Emma got there. The place had the new place smell (outgassing chemicals), and I was a little sick, dizzy, and spacey. Mario thought I should get the hell out of Dodge, but I really wanted to be there for the reading. So I stayed.
Emma sang. It was lovely and fun; we got to sing along. Then Will read from Gospel of the Knife; Emma read from Territory. I felt such affection for them as I watched and listened. It's always great to see your friends happy and successful. We haven't known each other that long, but we live in the same house for a month every year, so I feel as though we've known each other a lot longer.
After the reading, I was first in line to have our books signed. Then we hugged them goodbye and left.
Once we were in the car, Mario said, "So what'd you think?"
"They were really good," I said. "Both books sound intriguing. I bet you want to read Will's first."
He nodded. "Yeah, both novels sound good." And yes, Mario wanted to read Will's first; he was interested in the second person narrative.
On Thursday, I spent part of the day on the phone again. This time it was research for one of my adult novels. I was making appointments to visit some places. Yes, I'm being vague on purpose. I'll tell you more about all of that when it actually happens. I also did research for Chocolate Boys. For the rest of the day, I rewrote Blue Honey Clan. Today I spent the day inputing the rewrites. Then I printed it out. Mario is reading it now. When he finishes, he'll tell me what he thinks and then I'll do more rewriting.
There it is. That's the summary of my week. I'm sure I've forgotten a mess of stuff. Like the heat wave broke. It's been raining off and on for days. We are very happy with this turn of events. The rain will help douse the wildfires. The rain will also help me sleep.
And dream. Last night I dreamed I went to my grandmother's house after she died. The woman who had been taking care of her–maybe one of my cousins—came at the same time. I held onto my grandmother's cat while the cousin opened the door and then we went in together. I kept the cat with me. My cousin, or whoever she was, was very cold. She didn't understand while I was still grieving my grandmother's death. "I miss her," I said. Then I looked around the house for some of her bowls. I thought I'd feel better if I could just get some of her bowls.
Me and bowls. Love to figure out what that's all about one day.
I know this is a "what I did on my summer vacation" post. But sometimes that's all I gots.
May You Cool Off in Beauty!
Labels: writing
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Tuesday, July 17, 2007
She Says Wearily...Happily....Adverbily
Nicholas Lezard writes, "And for all that she is gifted enough in devising popular scenarios, the words on the page are flat. I think it was Verlaine who said that he could never write a novel because he would have to write, at some point, something like 'the count walked into the drawing-room' - not a scruple that can have bothered JK Rowling, who is happy enough writing the most pedestrian descriptive prose.
"Here, from page 324 of The Order of the Phoenix, to give you a typical example, are six consecutive descriptions of the way people speak. '...said Snape maliciously,' '... said Harry furiously', ' ... he said glumly', '... said Hermione severely', '... said Ron indignantly', ' ... said Hermione loftily'. Do I need to explain why that is such second-rate writing?"
I hate to throw stones at a fellow writer, so I won't. But I can't read those books. Maybe it is because people "said glumily." Etc. Although, as Mario pointed out, the books were written for children. Kids wouldn't notice that kind of thing. (I couldn't read Tolkien either. I don't know if he had his characters saying things glumily. As I tried to read them, I just keep thinking, "When and where the hell is Middle Earth?")
I don't think there is anything wrong with being a popular writer. I'd love to be one! I often don't understand why a particular author is popular, but so what? For instance, I read Louis Lamour to try and figure out why he was popular. Library patrons would tell me that they liked him because he really put them in the place he was writing about. I read a couple of his books and I remember he'd have a character in the house, for instance, and then suddenly the character was outside. I kept losing where people were because the writer didn't put them where they were supposed to be. Maybe that's just because I'm very visual when I read. I don't know. And yet, despite all this, he is still an extremely popular writer. So he's doing something right.
I have a program tonight at Three Creeks Library in Vancouver. A group of teens have read Mercy, Unbound, and we'll discuss it. It should be fun, she says happily. I reread the book in preparation for the program. It's really good. I don't know why it didn't get more notice. She says modestly.
I worked on Blue Honey Clan today while they were working on the road out front of our house. Lots of dust and noise. The beginning part of the novel is the roughest. That's usually the way with my first drafts. Either that or I get less critical as the pages go on. Hope that's not the case.
By the way, speaking of Verlaine's snarky remark, twenty-five years ago, I qvetched to Algis Budrys that I didn't know how to get a character across the room, and he said, "He walked across the room." Now that was great advice.
May You Use Adverbs in Beauty!
Labels: writing
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Thursday, July 05, 2007
Burnin' Babbling
Yes, my television is back on. For a while. I like stories in all kinds of form. Which reminds me. I told you about the novel I'm working on. I want it to be simple. I told Mario today, "I just want dialogue. I don't want to be in anybody's head. I want to just describe what's happening. Only I don't want to do that either. I see it so clearly in my head. I feel like Alfred Hitchcock after he's done his storyboard. I've seen it all, so I don't feel like actually writing it now." All my books are very visual. It's always been that way. You could ask me what books are on a character's shelves and I could look at it in my mind's eye and tell you what they are. I could open the cupboards in their kitchens and tell you what's in them. Anyway, after I said this to Mario he said, "All dialogue. That sounds like a screenplay. Why don't you do a screenplay. It's something new. It'd be a good challenge for you."
I groaned.
"What?" he asked.
"Man, it's hard enough trying to make a living as a novelist," I said. "It's even worse trying to be a screenwriter."
"You don't have to do anything with it," he said. "It's just the process. Plus it could clarify your novel."
Yeah, whatever. I'd written a screenplay before, years ago, for a television program. I can't remember which program now. Something like the Twilight Zone, although it wasn't that. What I hated was the format of writing a screenplay. Apparently they have computer programs now that do the formatting for you. I can try one for free, so I might do that.
I think what's happening is that I've just finished a novel, and now I have 40 million story ideas (all those cute story ideas in the short black cocktail dresses), and I'm just looking for what will be most fun. Let's see, so far I've got Queendom (or The Queen's Cook); Riverbend Refugee; I, Assassin; Butch; Chocolate Boys; La Cocina Mágica; Moonshine, and more. We'll see what happens.
You notice I haven't yet mentioned July 4th, my least favorite holiday. Today at the grocery store, the checker asked, "How was your holiday?" I shrugged, briefly thought about saying, "Fine," and then I told her my truth:,"I don't like when they blow crap up." She laughed. "By the end of the night," I said, "we've all got PTSD again!" She nodded and said, "Yeah, I don't like that either. We sit inside with the fans on so that the dogs don't get upset." Almost everyone we talked to doesn't like all the NOISE associated with July 4th. Pretty colors: Nice. Big scary noises: Not nice. Very bad. It's like living in a freaking war zone for several days. Okay, maybe not exactly. But my nervous system doesn't know the difference. I'm always glad when it's over.
(Mario has finished the lawn. He's taking a shower. I'm watching a tape of Monk. I love Monk. I could watch Tony Shalhoub in almost anything; he's so expressive. The plots of Mon