In times of old, The Furies protected Mother Right. If a mother (or any woman) was harmed, The Furies swooped down and took their vengeance. They were one of the last vestiges of a world that existed before the patriarchy. When we feel righteous anger, it is The Furies who are calling out to us to make what is wrong right again.

Friday, October 26, 2007

Sacred Ground Part 1: Home Land 

(This is one long post, but I broke it up into three, so you could have a bit of a break; I also posted them so that you could read them in order all at one time if you wished. I'm still on the road, in Boonville again tonight. The last couple of days have been a bit of strain, so I haven't gone back and read this post over. I hope it makes sense, and I hope you enjoy it.)

Monday

I am in Ann Arbor, Michigan sitting in the huge Borders store here. Across the street is the Michigan Theater where Mario and I went to see Dr. Strangelove about 27 years ago. The first Borders ever in the world was just down the street from here. We used to wander around it until the smoke got to us; back then, Borders was the place you went to smoke and read books.

Mario is at my parents’ home out in the country near Brighton, sleeping. He’s got a cold or something and not feeling up to par. My parents are napping, too. It is a beautiful warm sunny day. Perfect autumn weather. The trees are gold and green and red and orange. Spectacular! My mom, dad, and I went for a walk down the road from where they live, down the road from where I grew up. My father was too cold. It had suddenly gotten chilly. Recently the doc told him his heart which has healed itself a couple of times already may have to be operated on again. They’ll check him in two month. In a soft shaky voice my mother told me she was worried she has dementia. She says she tells the doctors that she doesn’t feel all there but no one seems to listen. I encouraged her to go to a good gerontologist so she could know if the symptoms were from her medication or stress or dementia.

What would any of us do to take away the pain and suffering of those we love?

Before we came here, we went to Canadaland. After Salem, we travelled up through New England to Canada. In Vermont, the traffic thinned and we travelled through mile after mile of colorful deciduous forests. I made a snap judgment from my highway seat: I could live here.

Plus Vermont had wifi in their rest stops and their rest stops have green houses and use recycled water.

I decided I was going to be free and easy about where we stayed that night. It was Tuesday night and it’s always easy to find a place to stay on Tuesday night. We got up to Montreal and it’s like a whole ‘nother country up there. Stopped at a place to get gasoline. I asked for the restroom (in my best French, which ain’t that good). The man told me “out back.” I said, “Oh, they’re outside?” He shook his head. “Out back, out back.” At this point the woman turned around and said, “You go out there.” I said, “Oh, you mean--” and I pantomimed pulling down my slacks (can you believe it?) “--you mean go outside and squat?” “Yes!” They were delighted that I understood.

It was dark by the time we got lost trying to stop in Montreal. We decided to keep going to Ottawa. We eventually made it to Ottawa, late, and we tried 10 hotels before we found one that had a room, and it was a cancellation that opened up just as Mario was leaving. Apparently in Ottawa the busiest hotel nights are Monday and Tuesday. They cater to business people. People lobbying the government? Working for the gov?

This night was the only night I actually felt like I was on a long awful journey.

We got to Mario’s Mom on Wednesday afternoon. We spent the next few days hanging out with her.

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(Mario's Mom Agica and Mario; Agica and me.)

Mario got sick on Saturday. We left on Sunday so we could stop and see his brother and his family who lived near Toronto. We had a nice couple of hours there, and then it was time to head back to the states.

We left his brother’s house just before dark. There was lots of construction on the way to Michigan, and it was a wee bit stressful. When we crossed the Ambassador Bridge in Windsor into Detroit, we expected to jump right onto the highway. It was about 10:30 p.m. Unfortunately there was construction there, too, and we had to wander through various Detroit neighborhoods to find our way to the expressway. This was nerve-wracking. When I was growing up, Detroit was the murder capitol of the nation. When I was a girl I stayed with my aunt who lived in Detroit, and she wouldn’t let us sit on the porch if anyone was outside walking down the sidewalk.

At home, I heard about the murders in Detroit nearly every night on the news. When I was in college, I used to drive from Ypsi to the Renaissance Center in downtown Detroit (it’s called something else now), and I’d sit there and write. And we came in to see plays, go to the art museum, or eat in Greek town. But I always knew where I was then and where I was going. Except once. I got lost. I stopped at a gas station to ask someone how to get where I was going. I was naïve and innocent and believed since I intended no harm to anyone, no harm would come to me. The gas station attendant was fairly disgusted with my ignorance and gave me directions to get out of that part of town as fast as I could.

All this is to say that I didn’t know where I was last night in the dark in the night where no one can hear me scream...and I was a little nervous. I told Mario to keep his head down.

I have the street sense of a country girl. I know there are lions, and tigers and bears out there.

But we made it home. My parents were asleep when we arrived last night, so we tiptoed into the house. (They now live next door to the house where I grew up.) I put Mario to bed in one of the tiny beds upstairs. (We are a tiny people.) Brought him water and tissues and such to make him comfy, and then I went to another room with another tiny bed. There was no room for two of us anywhere. Outside, someone was drag racing. 120 mph I would guess. The moon silvered the lawn and my father’s flower beds. And I could see stars through the skylight.

I was home.

Kind of.

I fell to sleep.

Felt a little wrenched.

Later...

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Sacred Geography Part 2: Common Ground 

(My sister Kathleen has always been the photographer in my family. She was fascinated with my camera, so she took a lot of the photos below. She would be disappointed if I didn't post a photo of my parents' cat, Geena (who bit my mother remember), so you will see the cat, too. I suppose the cat has something to do with the narrative, peripherally. No, I don't dislike cats in general; I dislike cats who bite my mother.)

Tuesday

My sister Kathleen came the day after we arrived. The four of us sat at the tiny kitchen table eating and talking. Mario stayed mostly upstairs, sleeping or resting. This visit feels different from any of the visits I’ve had here since I left in 1980. Usually I feel punched. One time I curled up on the couch and didn’t get up for three days. Another time I thought Mario and I might breakup; another time I felt like I would break apart. Six years ago when I visited I swore it would be the last time.

I’m not sure what happened in the past when I come home. Was it a geography thing? My parents are certainly not evil or bad people. My sisters are not evil or bad people. I am not an evil or bad person. There are no huge explosions when I’m home. No name-calling fights. Nothing like that. Is it that I take up space? I always have. When I try not to take up space, I take up more. Does that get annoying?

I don’t know. Or maybe I do know but right this second I am hot and tired and I can’t think of the words to articulate what used to happen when I went home. Last visit, as I’ve mentioned in other posts, I felt that I knew with absolute certainty that my parents did not like me. I felt as though they wanted to diminish me and put me in "my place." I felt as though they wanted me to be different from who I am.

And all along, I realized later, I wanted them to be different from who they are, too.

Six years later, I am older. They are older. The world is so different from what it was six years ago. None of us had any idea that the world could change so drastically. We are no longer interested, perhaps, on what separated us; now we know what we share and what we believe to be true about the world: or what should be true.

So we sat at that kitchen table and ate and talked and laughed. I didn’t take anything anyone said personally. For instance, my mother looked at some soup I made and she said it looked disgusting and ugly. Six years ago that would have hurt my feelings. This time I laughed. My sister Kathleen, Mario, and I drove to Ann Arbor and shopped at Whole Foods. Mario was still shaky, still sick, although I didn’t realize it at the time. Kathleen and I walked around the store in a daze. Finally we landed at the bakery. We stood in front of the confections display for a long time. In my family we are not gourmets. We don’t eat a lot, but we eat often, and we can talk about food for just about ever. Or we can just stare at it. Kathleen and I stared at the food. I didn’t get anything because every goodie had gluten flour and sugar. I saw a big cinnamon roll that looked delicious. I thought my parents might like it, so I got it. Then Kathleen and I went and stared at another food display. Eventually Mario scooped us up, and we went home. Once there, Mario went right up to bed.

I gave my parents the cinnamon roll. My parents think I eat like a freak. They’ve never said that. Well, actually, my mother may have said that. But they rarely even want to try the food I make, and they never offer to make me anything. I don’t try to force my food on them and vice versa. Getting them this cinnamon roll was a nice gesture on my part—although I’d forgotten that earlier in the day I’d gotten them long johns from Marv’s Bakery in Brighton.

Let’s pause here for a Marv break:

When I was a kid, my dad and I went to Marv’s Bakery almost every Sunday after 6:00 a.m. mass. We always got long johns with white cream filling. Maybe some donuts, too. I can’t remember. I only remember the long johns because I loved them. We’d take the white bag of goodies to my grandmother’s house. (Do you think my father let me have a bite of the roll to help tide me over until breakfast? I was not good at fasting for communion. I often ended up throwing up in the bushes sometime during mass.) Once we got to Grandma’s house, she made this spectacular breakfast. (I know you’ve heard this story before but that’s the way it goes...) Afterwards my grandma, grandpa, and father would sit around drinking coffee and reading the paper. Sometimes I’d go out and feed the chickens or climb up onto the fence of the paddock where the stallion lived and watch him pace.

And I always ate one of those long johns. Tuesday morning, Mario and I drove down Grand River to Marv’s Bakery. The road was bumpy and terrible, like old times. I looked for the old bar where I used to go dancing and get drunk when I was eighteen. The Crossroads. And I looked for the little subdivision where I lived in a house with my boyfriend’s uncle who was accused of killing his wife. I didn’t see either place. Didn’t matter. But there was Marv’s. I didn’t remember the mural of the two bakers out front, but the building looked the same. Inside looked the same. Long and narrow with displays of baked goods in an L-shape. I ordered the long johns and asked if it was the same owner from when I was a kid. She said the same man had owned it for 35 or 40 years. (Probably 40-something years actually.) I took the white bag of long johns and brought it back home to my parents. I bought a long john for me, but I didn’t eat it.

I felt buoyed going to Marv’s. Nothing looked the same in my home town. It was always so jarring to come home because my body remembered it as it was but not quite. I remembered my wonderful small town without the sprawl of ugly box stores up and down and all around it. It was a quiet small town with a Mill Pond and two drugstores a couple blocks from one another. And a library in a red brick building. And a graveyard right next to the Mill Pond where we looked for ghosts when we were one age and we went to make-out when we were another age. I grew up in a small town where half the people in town at least had grown up with my parents and who still knew my mother as one of the Kelly girls. I lived in a small town with lakes all around it, and in the summer we had to tolerate the tourists along with the mosquitoes. I grew up in a small town where we looked forward to the 4th of July parade and the carnival that came to town then. I grew up in a town with one hotel right in town, the Pink Hotel. I walked a little faster when I went by it on the sidewalk. When I was a teenager one of my uncles hung himself there and my father had to go identify him. I grew up in a small town where my father took me to the post office to get my social security card when I was very young. It was a big deal. Probably afterward we went to the lumber yard a block or two away from it. Or maybe to the Dime Store to pick out some candy from the open bins. When I had a dentist appointment after school, the bus would drop me downtown and I would walk to the dentist office just off Main Street. Afterward, I’d walk another block over to the library where I’d sit upstairs looking at history books while I waited for one of my parents to pick me up.

I loved my town. I never wanted to live anywhere else when I was a girl. My town was in the fastest growing county in the United States when I was growing up. During the 27 years that I have been away from Michigan, development has obliterated my town. I no longer recognize it. I used to walk or drive down Grand River and go by the building where my parents met when it was a restaurant. My father was the dishwasher, my mother a waitress, and my grandmother was the baker. Now the building isn’t there—or else it’s been remodeled so much that I no longer know it.

I could tell you stories about most of the places in town, except the buildings are no longer there. So many have been replaced by the faux buildings, quick and dirty buildings designed to house chain stores, buildings without vision, buildings with fake architecture. Monoarchitecture. It’s always jarring to my body and spirit to come home and see it the way it is now. Mario and I tried to think of a word to describe it. A constant state of vertigo? Or maybe I develop a kind of Jean Sartre nausea each time I go into my home town now. It’s like being in two worlds at once, only the most-present world ain’t got no soul. If I had never moved so far away, perhaps the changes would make sense, perhaps I would be able to go with the constant shapeshifting...

As it was, I was glad to see Marv’s Bakery was still there and it hadn’t changed that much.

I bet you’ve forgotten about the big cinnamon roll at this point. My parents went on and on about how big it was and how were they going to eat it, and I laughed and laughed, and soon it was a big joke about this monstrous cinnamon roll. Six years ago it would have hurt my feelings—I would have thought they didn’t appreciate me, didn’t like me, and on and on. Now it was just funny. I told them to shut up and eat the damn thing. After they finished it, they said it really wasn’t big enough. Why hadn’t I brought more? You know how family gatherings can be. A little thing can unravel the day or it can become the joke of the day. We had our joke.

This visit was one of my better visits with my parents. We always have good visits when I see them in Arizona or when they’ve come out to the Pacific Northwest. The visits seem to go better with only one or two daughters around. If there’s four or five of us, it’s a little dicier. Maybe we all unconsciously compete or fall back into destructive childhood behaviors. Who knows? This time, I just enjoyed their company.

My mother didn’t talk a lot, but I saw flashes of her sense of humor. They have a cat that they adore. My mother likes that cat better than she likes her kids. The cat bit my mother the day before we arrived, so I was not feeling very kindly toward it. It’s not a friendly cat. I asked Mario to stay away from her because I did not want to contend with him getting bitten, and I stayed away from her for the most part. We barely saw her. When we did, she looked like she was about to jump out of her skin. One night I said to my mother, “Why is your cat so unrelaxed?” She said, “Because she’s part of the family.” I thought my mother hadn’t heard me and that she was answering some other question she thought she’d heard. “No, Mom, why is your cat so unrelaxed.” She looked at me and said, “Because she’s part of the family.” Oh. I get it Mom. I laughed. One morning we were talking about the fires in California. We hadn’t realized the seriousness of them until we saw that 1,600 homes had burned. I was leaning on the table with my elbows resting on the Detroit Free Press. Jokingly I said, “This is a big deal. I can’t look it up on the internet. How do you people live like this? How do you find out anything!” My mother tapped one finger on the paper. “Here,” she said. “Oh yeah,” I said, and I picked up the paper.

One day my sister, Dad, and I took a walk down the two lanes. There’s only one lane now and it’s a private road, but we walked down it anyway.

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(Kathleen & me. Dad took the pic.)

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(Dad & me. Photo by Kathleen Antieau.)

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(Lloyd Antieau. Photo by Kathleen Antieau.)

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(Dad & me walking down the lane. Photo by Kathleen Antieau.)

When I was a girl, I spent hours, days, weeks of my life on the land across the road from our house. I took the long trek down the lanes to the Huron River and played up on the bluff amongst the trees, usually by myself.

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It was good to walk there again. It’s owned by the area park system, so I’m hoping it’ll never get developed. Nowadays, the sound of the traffic on the highway is an omnipresent noise. When I was a girl, I only heard the freeway if the wind shifted a certain way and then it was a muffled noise, the sound of ocean waves. The songs of birds and the wind through the trees was the music I heard when I was a girl.

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(Photo by Kathleen Antieau.)

Does it all sound too idyllic? Do I sound too nostalgic? I believe that each and every person has a right—has a need—for a childhood spent in Nature as I did—or in some kind of sacred geography that informs and inspires them. My parents provided me with that. The place where I grew up made me who I am today. Isn’t that true of most people?

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After our walk in the two lanes, my father and I went in the back yard and looked for deer bones. A deer had died there one winter not long ago. The dead deer had dissolved into the earth it seemed, and we found no trace of it, but I got to walk with my father and I asked him about all the beautiful landscaping he had done around the yard. He is an artist with flowers and grass and bushes.

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They are always wild-looking and cultured all at the same time. Good cultured. Like Emily’s poems, for instance. They are wild, yet you know a poet whispered them into existence. My father looks most at home outside. He knows the names of every plant. When we walked in the woods together when I was a girl, he knew the name of nearly every plant there, too. I’d point to things and he would tell me their names. I was in awe. What kind of magic was that to know the names of everything? Didn’t that mean then that my father knew everything and everyone?

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(This is the house where I was raised, although my parents no longer live there. It was pink during much of my childhood and then red. It didn't have a garage. I shared the front room furthest to the right in this photo with three of my sisters until I was a teenager. Then my room was in the new "dorm" upstairs, the top left window. That's where I stared out at the stars.)

We laughed a lot this visit, my sister, parents, and I. I haven’t laughed that much in years. My parents are interesting people. I would be friends with them if they weren’t my parents. My mother was an artist. She painted; she took photographs; she wrote. She still appreciates art. I found out she likes Edward Hopper, one of the artists whose paintings were on exhibit in D.C. while we were there. She was looking at my photographs of his paintings and she said she really liked how he was able to show what people were really feeling. I said, “Especially their loneliness.” She said “Yes,” that was it.

The last night I was there, my mother said she was feeling something but she didn’t know what.

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(Mary Antieau. Photo by Kathleen Antieau.)

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(Geena. Photo by Kathleen Antieau.)

I encouraged her to tell us what it was, but I didn’t press it and things moved on. But she did seem out of sorts or irritated. I was sleeping in the open loft above the living room which meant I couldn’t go to sleep until they turned off the tv and went to bed, so I felt a bit out of sorts too, waiting for them so I could go to sleep.

Finally the lights went off and I was able to try and sleep. I woke up several times. The moonlight lit up the yard and I was reminded of all those full moon nights when I was a girl: I had loved being outside in the full moon, or just standing in my bedroom and looking out at the light and shadows, marveling at the brilliance of it all, how my sunny world became slightly different and even more wonderful under the bright moonlight. And the stars twinkled and I knew it was going to be a cold cold night. So each time I woke up on the last night, I stared out at the moonlight draped across the lawn and on the old oak trees like a cloak they were all shrugging off. And the moon shined down on me from the skylight.

Thursday

Before I left in the morning, I hugged my mother goodbye as she sat at the table. She said, “I love you, I really do.” I wondered if she was trying to reassure me or convince herself. I stroked her hair and told her I loved her, too. My mom stayed inside while the rest of us went outside and my sister took more pictures of us. I hugged her and my father goodbye. I hate these goodbyes. It’s always then when I feel like I didn’t do enough, I didn’t say the right thing, I wasn’t good enough. But I didn’t hang onto the feeling. Instead, I was elated that I’d had a great visit.

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(My sister Kathleen, Mom, Dad, moi.)

We drove away. I had Mario stop at the gate down the road. I got out of the car, climbed over the gate, and walked into the woods. I walked on my grandfather’s land which was now owned by the metro park. I walked toward the hills, the sacred hills of my childhood. To my left were the half million dollar homes that were built on my grandpa’s land. Before me was a grass-covered road that hadn’t been here when I was a child. On the other side trees and then bushes grew and blocked my view of the hills, although I knew they were overgrown now too. I walked along the path. When I was a girl, there was no old road here. I travelled on this land following the trails that the cows, sheep, and deer had left. This was where I had been most at home.

I hardly recognized any of it because it was so grown up in some places and changed in other places. And the sound of the traffic on the road was disconcerting. I kept walking deeper into the woods, further away from the road. The grass under the trees looked inviting. I walked up into it. The dew washed my shoes over and over as I walked. Birds twittered here and there and showed themselves to me. I said hello to the visibles and invisibles. I thanked the land for my childhood, for my life, for teaching me so much.

I walked out into the sunshine for a moment and looked around. It all looked alien and familiar all at the same time. But I understood this world. I touched the tall blond grass that rose up in a patch here. I looked at the bird houses someone had put in here and there. I looked at the trees and the blue sky. Then I turned around and ducked back into the woods. It was all still here. What had formed me, what had taken hold of me like an artist takes hold of a piece of clay and pinches here and presses there, was still here. I was most at home where the wild things lived, and I was at home here. Even though it was barely wild, I still recognized it. I still knew it and it knew me. The existential nausea receded. Or maybe I just recognized what I was. Bewilderment. Each time I came home I felt the call to be wilder. Now here I was, my soles next to my soul. Bewildered. Betwixt and between. I was at home.

I picked up a stick from a downed oak tree. I thanked it. Then I walked back to the gate, climbed over it, and got into the car.

And we drove away.

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Sacred Geography Part 3: Heart Land 

(This is a self-portrait. Any thing anyone needs to know about me is right here, on this land, my grandparents' land, the place where I ran with the Visibles and Invisibles. The place where I talked to the trees and the birds and the frogs and the dead sheep by the big old maple. This is where I walked into a field when I was a child and asked God to prove to me that I wasn't crazy. This is where my soles touched the soul of the Earth. Then and now.)

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Thursday, August 09, 2007

Chocolate, Manses, and Beans 

Hello darlinks. I have many words and not a lot to say. I've been feeling poorly today, so I tried to cure it with broth. Broth made me sicker. (I can't fast. I get sicker than a dog—whatever that particular idiom means.) So now I'm chewing on rice cakes to settle my stomach.

Anyway...I've been writing notes for my next novel. I'm not normally a note-taker. I don't outline. I do lots of research on many of my books, and I write some of that stuff down, but mostly I just read and think about what I'm going to write. Just before I begin a novel I often write down plot points. It's a list of scenes or major happenings in the novel. Then I write next to each plot point how many pages I think they'll be. 5 pages, 10, 20. (I try not to exaggerate or pump up the number of pages. That way lies madness...or at the very least an unfinished novel.) Then I count up the page numbers to see if it adds up to 300 pages (for an adult novel). If it does, I'm probably ready to go.

I have so many ideas right now for other books, too. I keep starting novels and putting them aside. Mario said he's never seen me so fecund. Yes, that is the word he used. It's true that the ideas are coming fast and furious. I haven't been writing them all down. (Quelles horreurs.) I gotta start doing that...

I've also been doing some cooking stuff. I took a knife class to learn...well, to learn about knives. Or how to use them. I thought they'd teach me something so that I'd be a bit speedier. Didn't really happen. Apparently I already know how to use a knife. Must be all those years of cutting vegetables. I guess I just didn't like cutting stuff up, too time-consuming or something. We bought a new knife, a sharp one, and now I realize that maybe cutting up veggies was a pain because our knives were dull. We'd never sharpened them. So we got the old ones sharpened, we bought a chef's knife, and we got a sharpening steel.

And I've been doing some cooking. Mostly with beans. Do you ever cook with black beans? Man, they are so gorgeous. I can't remember if I gave you this recipe before, but I'll give it again, just in case. Gingered Black Beans. It is so easy and so delicious. I adapted this recipe from The Self-Healing Cookbook by Kristina Turner, one of my fave cookbooks.

Wash 1 1/2 cups black beans. Soak overnight at least, with a bit of lemon juice. Drain. Put beans in 4 cups of water, along with a strip of kombu. Cook until tender. (Probably about two hours.) Add 1 tsp or more of freshly grated ginger, along with sea salt or soy sauce (to taste). Cook for ten more minutes. Serve. Mmmmm!

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Last week, we went to Seattle so I could hang out with Theo Chocolate's superb chocolatier Autumn Martin and her crew. This was part of my research for my new novel. (Aren't I lucky?) I got a feel for what they do by observing and asking too many questions. I even stirred the chocolate for a bit to help temper it. Chocolate moves, it grooves, it's never still. Watching them was like watching artists paint. Autumn said one of the reasons she likes working with chocolate is because of its rhythm, flow; it's a magical medium.

I also went on a tour of the chocolate factory. I got to see a cacao fruit pod. Inside these fruit pods are seeds—commonly called beans—about 20 to 60 per pod, which eventually become chocolate after they're dried, fermented, roasted, and ground. It takes about 80 seeds to make one chocolate bar. (Theo's does the whole process: from bean to bar.)

Cacao pod
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Here are some cacao beans after they've been roasted.
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I learned lots of other good things, but I'll save that for the novel.

This last Monday, we went to the governor's mansion (in Olympia) and went on a tour of it, talked with the kind people there. (More research.) Then we walked down to the waterfront. We saw this statue, The Kiss. So we kissed in front of it.

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It was Hiroshima Day. We found peace cranes (with sayings attached to them) all over the waterfront.

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We hung out at Orca Books for a while before we headed home. It was a bit discouraging that they didn't have any of my books, particularly Broken Moon. (Come on! I'm a Washington writer, for Pete's sake!)

Okay, this post was going someplace, but I've lost the thread of it. So I better stop. I got my copyedited pages of Ruby's Imagine the day we went to the guv's manse. As I expected, it ain't gonna be fun. Never, ever gonna do a made-up dialect again. Not a "real" dialect either.

I'm hoping to start the new novel soon, so you may not hear from me for a while.

Then again, you may...

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Friday, July 06, 2007

Lavender & Rosemary Podcast 

I'm going to try doing a little podcasting. This first one is long. If I do it again it'll be shorter, I promise. I hope I promise. Unless I'm reading a novel. Then, as you can guess, it'll be longer. Let me know what you think. Below are some photos to go along with the 'cast.

Click here for lavender&rosemary.mp3 podcast.

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Monday, July 02, 2007

Vanilla, Chocolate, Saffron—and Chickpeas 

Okay, obviously I still haven't learned to take food photographs. It'll probably take a while. But these will give you some idea and hopefully you won't lose your appetite.

On our anniversary, Mario had to work, but I decided to cook us a nice dinner. It was a good opportunity for another Slow Thursday. I only eat nightshade once a month or less, and we miss spaghetti, so I wanted to try the "fideos with special chickpeas and saffron" recipe in the Pleasures of Slow Food by Corby Kummer. Since I don't eat gluten, I decided to use rice penne pasta instead of vermicelli. I also changed a few other things. I didn't use 1 ancho chile, which the recipe called for. I also didn't saute anything. As usual, all the ingredients I used are organic and sustainably grown and harvested, and I try to use local foods as much as possible.

I started with garbanzo beans. Two weeks ago, I soaked the chickpeas in water with a bit of lemon juice, overnight. The next morning I drained and then cooked them with a piece of kombu. When they were tender, I drained the beans. When they were cool, I took the skins off each chickpea. It took a while, doing this—it was quite meditative, actually. Then I put them in the freezer. The morning of our anniversary, when I was making the Rice Pasta, Chickpeas, Chocolate, and Saffron, I took the garbanzos out of the freezer. By the way, chickpeas have been cultivated for over 7,000 years. They were most likely first cultivated in Mesopotamia and then they migrated to the Mediterranean and beyond. Since they have been cultivated for so long, they apparently don't grow in the wild any more.

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I next took a lovely large yellow onion and whizzed it in the Cuisinart. I could have chopped it, but I wanted some extra water because I was going to sweat them instead of frying them. The Cuisinart will do that if I let it spin for long enough. I chopped up one carrot. I put the carrot in with the onions in a pan and let them sweat together. I tossed in some sea salt, so that the onions and carrots wouldn't get too dehydrated in their little pan sauna. I minced up about six cloves of garlic and added those to the mix, along with a bay leaf, 1/2 vanilla bean, and saffron. I toasted coriander seeds and then ground them up and added them to the mix; I did the same with fennel. I threw in (fair trade) cocoa powder and some canned tomatoes and I stirred them all together. It was so gorgeous-looking! The color was a deep chocolate red. Quite exotic and unexpected looking. Despite how good it looked, I was skeptical that all these spices and herbs would meld together to create a delicious sauce. I’d wait and see.

Of course, I talked to all the ingredients of this dish as I made it. I praised them. I encouraged them. I sang to them. They were already magic; they just had to agree to get along. People used fennel for hundreds of years to make themselves stronger. Garlic was for healing and protection, same with onions—although onions had the benefit of keeping troublesome ghosts away, too. And coriander and tomatoes helped promote love (tomatoes were known as "love apples"). How appropriate for an anniversary dinner, eh? People have believed bay leaves were magical for thousands of years. The Romans thought it would protect them from lightning. The Delphic Oracle reputedly breathed in the fumes of bay leaves as she went into her prophetic trance. The Romans used laurel bay leaves in their kitchens as an invaluable spice. Europeans believed laurel could cures stomach and kidney problems. (Some of you may know of the custom of making a wish if you got the bay leaf in your bowl. That rarely happened in my family because I was taught to take the bay leaf out of the pot before I served the dish since bay leaves are slightly toxic—at least that’s what we were told.)

And then we come to vanilla, chocolate, and saffron. Books could be written on each of these plants. Books have been written. Now that I can smell again (most of the time) I will often open up my vanilla extract bottle or my spice jars of vanilla beans and saffron for a little aromatherapy. I wish I had the words to describe smells: I'm not sure if it's because my sense of smell is so new or because it is a difficult thing to explain. Vanilla has a sweet smell, but it's not a sickly sweet smell. And saffron. Hmmm. Can any of you describe it to me? Something outdoorsy about it. Like the smell of a meadow in a bottle. Not a flowery meadow. A grassy meadow.

Vanilla, along with saffron, is one of the most expensive spices on the planet. It is extremely labor intensive, which means the workers are often exploited. We buy Fair Trade organic vanilla extract. Vanilla is an orchid that originally grew in Mexico (or thereabouts); a particular Mexican bee pollinated the orchid. This lovely Melissa is now extinct because of pesticide use. (This theory is controversial. It may have been pollinated by hummingbirds, too.) All vanilla is now hand-pollinated—within a few hours of the flower blossoming. The pods must be picked just before they ripen and burst open. Vanilla is then cured for about six months—a very complicated curing process which involves the pods sweating in blankets. In Madagascar, the pods are tattooed after harvest by punching holes in their shells, creating initials or the emblem of the owner; this is to help prevent theft. I imagine any love potion would have to have some real vanilla in it, don’t you?

(By the way, don't use imitation vanilla. It's disgusting. Sometimes it's a sulfite waste byproduct or some other nasty chemical.)

Saffron is the dried stigmas of the saffron crocus. (They're locally called roses.) According to Jill Norman in Herbs and Spices, 80,000 roses are needed for five pounds of stigmas which become one pound of saffron. Can you imagine? Only a bit of saffron is needed when cooking, which is a good thing since saffron can be poisonous in large doses. To me, these reddish gold threads are incredibly beautiful. I can imagine them being used as thread in a magical cloak, a wedding veil, or a magic carpet. Anything would be possible wrapped up in saffron cloth, I am certain of that.

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I’ve been trying to think how to sum up chocolate and cocoa. I can't do it! Too much pressure. So many stories and so much myth surrounds this particular food stuff. Food of the gods. Bitter, mystifying, and intense energy food for the elite for as long as anyone knows. Then the Spanish or some other European mixed it with sugar, and the rest is history. Thousands of slaves were used and abused to grow and harvest chocolate once it left the Americas. Even today, cocoa plantations do use slave labor, including child slave labor. It is important to only buy fair trade chocolate. One of the things I want to do this year is learn more about chocolate and chocolate making (for a couple of my books), so I'll write more about all that later. But I will say this: I think it's possible that Jack didn't trade his cow in for just any beans (not that ‘just any beans’ aren't incredible on their own), but I think it could have been cacao beans. What else?

Anyway, after I mixed in the chocolate, saffron, and vanilla, I added water to the vegetable sauce. I let it cook down for about thirty minutes. When the sauce was reduced by about a third, I took out the bay leaf and I opened up the vanilla pod and scraped it into the sauce. Then I put it all through a sieve. At this point, the sauce had the consistency of tomato juice. I took a sip of it. Oh my word! It had a smoky taste, very earthy, and tasty. It was like sipping a magic elixir. Like sipping an Earth potion. I had never tasted anything like it. I could have stood over the pot and drank it all up.

Instead, I added a bit of salt. I cut up about a pound of Swiss chard. I dropped all of that into a separate soup pot and turned on the heat. I added a bit of water to steam the chard.

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Then I added the two cups of chickpeas and the vegetable broth. I brought it up to a boil and put in a box of rice penne. I let that simmer.

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Then I made aioli. Aioli is a kind of garlic mayonnaise. I made it into a vegan aioli by not using any raw eggs. (Yes, I know, the horror, the horror.) I mushed six garlic cloves together with a bit of salt. I dry roasted a teaspoon of black mustard seed. I put that into the blender with the zest of one lemon, along with the juice of that lemon and 3/4 cup olive oil. When the pasta was cooked, I poured the aioli over it all and stirred.

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When Mario got home, we ate this amazing dish. The aioli added a bit of tang to it. It feels quite grounding and healing to eat these slow meals. I feel as though I am weaving a spell (with saffron as my threads) with the ingredients, creating a bit of healing and nourishment. We both enjoyed it very much.

If I do it again, I'm going to add mushrooms, I think. If you eat gluten, go ahead and use angelhair pasta.

Ingredients

2 cups dried chickpeas, soaked and then cooked, or 3 1/2 cups cooked
1 onion, chopped
1 carrot, chopped
6 garlic cloves, minced
1 bay leaf
1/2 vanilla bean, halved lengthwise
1 tsp saffron threads
1 tsp ground coriander seeds
1 tsp ground fennel seed
1 T unsweetened cocoa powder
4 cups chopped canned tomatoes
8 cups water
12-16 ounces pasta
1 pound Swiss chard, stemmed and chopped
3/4 c to 1 c aioli

Aioli
Blend together 4 garlic cloves, salt to taste, 1 tsp mustard seeds, zest of one lemon, juice from one lemon, 3/4 cup oil

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Thursday, June 28, 2007

27 Years Ago Today 

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On June 28, 1980, I packed my things into my 1973 Camaro, and I drove from Ypsilanti to East Lansing, Michigan. It was only an hour and a half drive, but my life was never the same after that day.

It had all started years earlier. Maybe even when I was a teenager. (Okay, it started when I began drawing pictures to tell stories when I was five years old. But let's not go back that far.) My father was a teacher and then a principal. One day he brought home a book edited by Damon Knight called the Science Fiction Argosy. I was fifteen or sixteen years old. I still remember I was sitting outside under our huge old oaks, probably reading or writing, and my dad came home and gave me the book. I'd never heard of science fiction. But I loved this book. I had never read stories written like these. I loved Damon's introduction, although I can't remember a word of it. I think I just liked Damon's voice. I don't remember any of the stories in particular except that I liked Kate Wilhelm's story and Theodore Sturgeon's. The rest are a blur.

Then in college I took a science fiction course with Marshall Tymn. I loved a lot of what we read, especially the Women of Wonder anthology. I loved Joanna Russ, James Tiptree, Jr., and Kate Wilhelm. And Harlan Ellison's stories were amazing. I was an English major. I had been inudated with John Updike, Joan Didion, Saul Bellow, John Gardner. And while I liked Joan Didion's writing, I was annoyed and bored with stories of college professors who were lusting after their students. (i.e. John Updike, et al) So I loved this science fiction class. When I became a graduate assistant with the English Department at Eastern Michigan University, Marhall and I were office mates, and he needed more students for his summer science fiction class in England. He told me I wouldn't have to go to the classes, just come on the trip. So I agreed. My then-boyfriend and I went to Europe with Marshall in 1979. It was there I met Russell Bates. He was in our class.

Are you bored yet with my trip down memory lane? If you are, I'm almost getting to the point. I loved Russell Bates. He was the most natural storyteller I'd ever heard. We'd just sit down around him like children and listen to him talk. And it was great fun walking around London and Brighton with him. He is very tall and Native American and everyone stopped to look at him. (I don't know how fun that was for him, actually, but it was interesting to observe.) And he was very kind. My then-boyfriend was an asshole, and when we'd fight or the then-boyfriend did something to humiliate me, Russell was always tender and kind. One day he told me about Clarion. I had been looking for a good writing workshop for years. I'd looked into Breadloaf, but there wasn't really much one on one with "real" writers. Russell talked about Clarion as a kind of boot camp for writers—it would be an experience I would never forget. And the people who ran it were none other than Damon Knight and Kate Wilhelm.

I did research on Clarion when I got home, and it had turned out some wonderful writers. I wasn't that interested in writing science fiction. Whenever I had written anything in college that had a hint of fantasy or science fiction in it, my writing professors turned up their noses at it. Except one professor. George Perkins was one of the editors of the Norton Anthologies. I wrote a kind of surrealist bildungsroman (not a novel, but a short story) called Into the Lion's Mouth for one of his classes. After he read it, he sat me down in his office and told me I should try to get my work published. How? I asked. I'm not sure if he told me about Writer's Market or Literary Market. I can't remember. But he told me to do it. I was impressed with myself. I sent the story with my Clarion application. I got in.

In the summer of 1980, I drove to East Lansing and got myself a room in a dormitory there. My suitemate was Carol Buchanan. Down the hallway was Mikey Roessner, Lucius Shepard, Bill Coleman, Lorraine Schein, Bob Frazier, Julie Stevens, Mickie Massimino, Paul Witcover, Gary Shockley, and Mario Milosevic. Nineteen of us all together. On the first day, that first day twenty-seven years ago, Mickie, Mikey, and I (if I'm remembering right) were standing around on one side of the room and Mario, Bill, and Franz Zrilich walked over and introduced themselves and said something about the boys all being on one side and the girls being all on the other side. Robin Scott Wilson was our first instructor. For a week. Then Algis Budrys, Kit Reed, Avram Davidson, and Kate and Damon. We were there for six weeks.

I remember the first night. I remember getting under the cool fresh sheets. I looked around the small room and thought, "That's mine. This is mine. That is mine." I was so happy to be alone in that room without the then-boyfriend. I was so happy to be with these people. These writer people. Just that evening I'd had amazing conversations with amazing people. I was so excited. I couldn't wait to get started.

I became myself at Clarion. After years of living amongst American boys and girls, I had become a girl, much to my dismay. I wore make-up (very little, but some), I shopped for clothes, I shaved my legs, I wore a bra, I dated. All that went the way at Clarion. I was first and foremost a writer. Everyone there was a writer. That's how we saw each other. At least, that's how I saw everyone.

And I saw Mario. He was a tall pale quiet boy. I'd always been attracted to the shy quiet ones. But I was at Clarion. And I wasn't thinking about the boy/girl thing. One night I wanted to take a walk on Michigan State's beautiful campus. But I knew it wasn't safe to go by myself. I asked if anyone wanted to come with. Mario volunteered. We walked in the dark amongst the trees. I found one I wanted to climb. So I did. Mario climbed up after me. He never asked me if I needed help. I was impressed by that. We stood up in that tree and talked while people walked below us, unaware of our existence.

After that we went on other walks. We often went to the movies. And to dinner. Usually with other Clarionites. My god, the talks we all had! I had waited all my life for these people. They were amazing. I loved all the students and instructors at Clarion. They were the most interesting people I had ever met. And I got to live with them for six weeks. Of all of them, Mario was the most interesting. He was so smart. He was the funniest person I'd ever met. He had none of that boy stuff going on. He looked at women and saw people. After six years of college and college boys, that in itself was a miracle. Mario was not like anyone else I had ever known.

Many nights all of the students hung out at the instructor's apartment, drinking and eating and talking. One night (probably more than one night) Damon and I had a squirt gun fight. Kate gently told us to be careful, someone was going to get hurt. And of course, one of us did fall on the slippery floor. I don't remember if it was Damon or me.

One night at one of those parties, Mario put his hand on my bare back. As if his hand had always meant to be there. I was startled. But I didn't move. Before long, we were madly in love and crying about how soon we would be separated because we lived in different worlds—different countries certainly—and what would we do? And someone, I think it was Carol, suggested we look on a map to see how far apart we actually were. Mario was finishing up school in Waterloo, Ontario, and I lived in Ypsilanti, Michigan. We were about four hours away from each other. Tragedy averted.

Mario returned to school and I went back to Ypsilanti to break up with my then-boyfriend and move out of the apartment we had shared for many years. It was not a fun time. A very unfun time. Said boyfriend had always been emotionally abusive (I was young and stupid, what can I say), and when I left, he started vaguely threatening me. When I came to get my things, he blocked my way and wouldn't let me leave the apartment for a while. He'd call me up and talk about famous couples where the man had killed the woman. Finally, I got my clothes when he wasn't around and left all the furniture, which was all mine, and started my new life in a tiny efficiency apartment. One day a mutual friend brought my former then-boyfriend over to my new apartment when Mario was visiting for the weekend. After that visit, the former then-boyfriend disappeared from my life. The threatening phone calls stopped. My new life began for real.

Mario and I decided to get married, and a year to the day we met, a justice of the peace married us outside in the Arboreteum in Ann Arbor, Michigan. Many of our Clarion classmates and teachers were there, including Mikey, Mickie, Bill, Lucius, Julie, Carol, and Algis Budrys and Robin Scott Wilson. (Bill stayed for our honeymoon.)

And now we skip forward to today. Our twenty-seventh anniversary. Mario is still my best friend. He is still the most interesting person I know. I wake up every morning grateful that he is next to me.

Happy Anniversary, Mario!

P.S. Avram, wherever you are; he still doesn't tie his shoelaces.

markim

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Thursday, June 21, 2007

Summer Solstice Walk in the Wash 

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Here's a Summer Solstice present: a walk with Lily and Myla in the Old Mermaid Sanctuary.

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Saturday, June 16, 2007

Scenes from a Writer's Floor 

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I've been writing away. Away writing. Writing right here. I found this sight very intriguing, even though I created it. I wanted to look at this painting more closely. The painting The Women of Amphissa figures in my book, so I was going over it with a magnifying glass. Such fun. I found things I had never seen consciously before. I've had the poster for many years—just haven't had it framed yet. Anyway, I took it out of its tube, and then I pulled books and other objects off of nearby tables and shelves to hold it down. Interesting to me. I like seeing how people work. Even if the person is me.

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Saturday, June 09, 2007

A New Poem 

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Go here for a new poem by Mario Milosevic.

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Friday, February 16, 2007

Slip-Slidin' Away 

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Ah, home. (Where is home, exactly?) We've come back to the Pacific Northwest in time to witness a massive landslide.

The Earth moves here. We learned that the first week we moved to the PNW twenty-four years ago: part of Highway 101, the main road on the coast where we lived, slid a couple hundred feet away, into the ocean. I remember seeing the photograph of the road and the slide and being astonished—and a bit concerned. Where on Earth had I moved to?

Now we live between the mountains in the Cascades, near the Columbia River. If you looked at a topographical map of this area, you would see the names of the various slide areas. The Earth moves. Always has. We have earthquakes, mudslides, landslides, volcanic eruptions. And a whole lot of rain. The mudslides and landslide are exacerbated by logging and development which can damage aquifers. The aquifers help the ground drain (among other things) and if they're damaged the ground obviously can't drain as well and landslides occur.

In the last three hours of our trip from Arizona, we heard on the radio that part of our town was slip-sliding away. Once we got home, I wandered around town until I found a place where I could see the area that was sliding. The homeowners of one house that officials believed was going to go over the cliff had evacuated. Exhausted and out of money, they abandoned the house to the slide. The year before, they moved the house away from the cliff with the help of neighbors and friends. When the hillside began to crack and move again recently, they decided enough was enough. I walked down the closed road and was astonished and awed at the crack in the earth. (The photos do not do it justice—none of the photographs I took really show the magnitude of what is happening.)

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Then I went up to a new development across the creek gorge from this cleft in the earth. It was the first time I had seen this development. About twenty houses have recently been built here. They are all huge, costing about $600,000, give or take slightly. I live in one of the poorest counties in the state. We have a shortage of housing, shortage of land, and shortage of affordable housing. And I mean affordable housing for middle-income people. It seemed obscene, or something, to see all these immodest homes built above us all.

I went to the edge of the cliff (near where many of the houses had been built) and looked out at the hillside that was falling away. I stood next to many of my townspeople. We said to one another, "Who in our town can afford these houses?" These houses were being bought by people who don't live here. We talked about the movie It's A Wonderful Life. (Twice in the space of a week, someone brought up this aspect of that movie.) Remember how Jimmy Stewart's character built affordable houses for the townspeople? Someone said, "We need Jimmy Stewart now." I said, "When is enough enough?" As we watched the ground slipping away across from us, I thought about how the gap is growing in our country between the haves and the have nots.

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(last week)

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(this week, Wednesday)

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(Wednesday, house is now visible since trees fell)

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In the days that followed, we heard that the county engineer thought one thing would happen to the cliff and the geologist thought another thing would happen. The elected officials asked the Corps of Engineers if they could dredge the creek before the slide. Those in the know feared that a giant landslide would cause a massive flood that would take out one to three of our bridges as well as flood parts of the downtown. Eventually all the different agencies agreed that this was an emergency and they gave permission for the dredging to begin. (Because of the dams on the Columbia River, many rivers and creeks in this area cannot do what they do naturally: drain. Sediment builds up so that few (if any) of the creeks and rivers run naturally any more. They should run downhill into the Columbian, but the buildup of sediment (because of the dams) prevents this drainage and clogs up the creeks and rivers.

before
(before dredging)

For four days, men and their machines remade our creek—the creek that runs through our town and is out water source. Above, the county had a man posted around the clock to watch the hillside. They figured that if the hill came down all at once and clogged the gorge, they'd have about an hour to get people out of the creek and to evacuate those homes downtown that would be flooded before the water could break through the newly-formed earthen dam. Everyone hoped that scenario would not unfold. The hope was that the hill would come down slowly.

Six to eight CAT excavators—they call them backhoes here—worked around the clock. In the beginning, it looked so chaotic that we crossed our fingers that they knew what they were doing. And it was a spectator sport. Many townspeople came out and stood on the old bridge and breathed in diesel fumes while they watched the work.

First the men drove the CATS into the creek and moved rock from one side (and the bottom of) the creek to the other side and created a deep channel so that if it did flood it wouldn't knock out the bridge and our sewer system. Once that job was completed, they moved the earth they had piled on one side into the back of dump trucks. The trucks hauled the dirt away to another place near the creek and used the dirt to create a berm to protect the sewage treatment plant in case the creek flooded. The men worked in teams, two CATS next to each other. The machines were close together, and the diggers went into the earth and up again, swinging around, but they never hit each other. One man and machine (and they were all men) dug the earth out of the ground and creek and put it in a pile while the other man and his machine took the earth from that pile and dropped it into the back of a dump truck. Every once in a while, they would pick up one boulder and deposit it on the top of the pile. The movement seemed so gentle and delicate that it took my breath away. Mario and I were both mesmerized by these mechanical dances. (I said to Mario, "If these men make love the way they work, they have some very happy partners.)

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(southern view, while dredging)

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(after dredging)

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(north view, while dredging)

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(after dredging)

Because of the diesel fumes, I didn't stay long on the bridge. (Yes, I can smell diesel fumes, although I don't recognize them as diesel fumes. More on that in another post.) I did go up to the heights several times and watched as earth slid into the creek. Sometimes we'd hear a crack and a pine tree would fall into the gorge. Soon the fallen trees created a kind of beaver dam in the creek. Rain fell for days, so the creek ran faster and higher, and this helped clear out the sediment.

I couldn't sleep some nights. It felt like everyone was on pins and needles. Someone said it was like we were all waiting for the birth of a baby. It was as though the whole town was waiting for catastrophe. Or a birth. After one sleepless night, I went down to the river at 4:30 a.m., and I watched the machines work in the creek.

Tuesday, the men and their machines ended their work. They had dredged the creek—remade it—and completed the berm. Wednesday, the hill began sliding in earnest. All day it slip-slided into the gorge. The creek was a carmel-colored torrent. Down by the bridge the water raced—stirring, stirring, stirring everything up.

Thursday, the slide stopped, and the hill stabilized—for now. This morning I walked around our creek. They had ripped out most of the riparian trees, although they left the trees that take longer to grow (like the conifers). I stopped and talked with a retired biologist who was taking pictures, and he said the willows and other trees would come back fairly quickly. I noticed they hadn't pulled up the roots of the trees, so maybe the roots would continue to stabilize the banks until the trees came back up again.

Now I'm home. I've been in a funk since we got home—got to this place. Up on the hill in the rain and the cold as I watched and listened to the earth move with my fellow citizens, I felt at home—and I felt alien. This morning as I walked alongside the creek, it looked familiar and strange to me. And the world was so gray and dark and soggy. I felt like I was in Russia at the end of winter. Everything feels strange to me. Everything is changing. Everything is always changing. Go with the flow. This place didn't really feel like home until Linda and I became friends. Now she's gone. I feel rootless again. I want to be like those big old-growth trees in Falling Creek: deep and old and rooted in all that is.

I keep remembering that dream I had when I was in New Mexico ten years ago. In the dream I put my hand in this hand (see picture), and the Earth poured up through my fingers, held my hand, and said, "This is home."

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At the time I thought the dream meant New Mexico was my home; when I told Linda my dream, she said it meant my body was my home. This morning, my fingers ached. (Was someone or something hanging on too tight?) Everything aches. Everything feels wrong. On New Year's Day, I made myself an unusual pledge—since I never make New Year's resolutions. I promised myself I would change my mind. Somehow I would change my mind—and I would find my home in my body and on this planet.

Today, I still feel like a visitor.

berm2

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Wednesday, January 31, 2007

Crazy Thresholds 

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Yesterday we went to Mexico for the day. We had read in many places that we now needed proof that we owned our car; otherwise, we couldn't take it to Mexico. We didn't have our title, so we decided to rent a car. We went to a place in Nogales. The people were very nice, but the inside of the car was the ickiest of any car we've ever rented. But c'est la vie. We took it and we drove across the border.

No problemo. We drove through Nogales and got onto highway 15. About ten miles out of town we had to stop and get a tourist pass. We haven't driven in Mexico in twenty years, and this was new. If I hadn't read somewhere that we needed these, we wouldn't have known to stop. But we pulled off and went into this small white building with blue trim. They didn't speak English, and my Spanish is almost non-existent these days, so it was interesting. We filled out the forms, and then the woman said, "banco," which I assumed meant the cashier (bank), so we went back outside into the rain and the cold and got into line. There were other English speakers there and it seemed we had to get copies of everything.

So I went back to this tiny booth with two young women in it. They didn't look at me or anyone else, and they didn't say a word. I handed them our passports, driver's licenses, Mexican car insurance receipt, and the registration to our rented car. They made copies and handed them back to me, and I gave them money. It was mildly surreal. Then back into line again. Once we got to the "cashier," behind plexiglass windows, we learned we didn't need all those things. I said, "We're only going to be here for the day." Still, we had to pay $22 each to come into the country. (This seems acceptable if you're coming there for a week or a month, but for four hours? I've travelled to many countries, and I don't remember ever having to pay to get in.) The whole process took an hour.

We finally were on the road again. I wanted to get out into the countryside a bit and away from the border. I've always loved the colors in Mexico, the vibrancy of the colors. We didn't have time (or the resources) to go deep into Mexico, so this day was all we were going to get. Many of the photographs you'll see were taken in Magdalena. As usual, I am fascinated by doors. I do believe that thresholds, borders, boundaries can be profound, magical, beautiful, and/or awful places.

Some of the photographs were taken along the road (drive-bys). I didn't take many photos of the trash. There was trash everywhere. When I travelled through Europe, I noticed that some countries had terrible trash problems, and some countries didn't. Mario said this would be a great subject for a book. I said it wasn't one I was going to write. But how trash and garbage evolves. When do government entities come into being to deal with these kinds of things? Etc. Mario wondered if when we were children was there a great deal more trash in both our countries (Canada and United States). I have never littered in my life, except maybe accidentally. Trash and garbage spread across the earth has always distressed me. I remember this from when I was a child. I even remember chiding my father for dumping cigarette butts in a parking lot when I was a girl.

I did try to take photographs of the squallor in Nogales as we were leaving the country. I wasn't able to get many good photographs. It is appalling that there is so much poverty within yards of our country. It is appalling that in our own country there is so much poverty (i.e. Louisiana, Mississippi).

And of course, the Virgin of Guadalupe was everywhere. You can go here to see some of the photos I took this journey. (Mario took the photographs of the hills.)

After we left Magdalena, we went out into the country more. It was a beautiful drive through golden hills (mountains?). I kept thinking if I drove far enough I would find an Old Mermaid Sanctuary, I would find the place where I would live the rest of my life. I have this village, this town, in my mind, in my heart, and I thought I might find it in these mountains. We didn't find a town at all. I told Mario that I was sure I'd find some evidence of the Old Mermaids. Something. He reminded me that we'd seen a mural in Magdalena of a seascape.

All day I kept wondering how to create the life I want. How do I make a life that is sustainable, where Mario and I have a good home and good work, where I am contributing and creating my community. I've been feeling melacholy now that I've finished Old Mermaid Sanctuary because I realized I liked being there better than I like being here. So how do I make what I write into reality. Is that possible? Is it wise? Or have my expectations been warped by my wonderful imagination? I want an Old Mermaid Sanctuary here. In some aspects, I want Myla's life. I don't remember feeling this way before. In any case, we had an interesting time together, and we decided to head home before dark.

Then we drove toward la frontera. The line of trucks trying to cross the border was so long. We guessed it was at least a three hour wait. Fortunately we took a wrong turn and we got into a line that was only thirty minutes long. When it was our turn, we drove up to the booth. Three border people were there, two men probably my age and a woman who was in her thirties (maybe).

Mario opened the window and we heard one of the men saying, "I heard the more accurate translation of Crazy Horse's name is Enchanted Horse. Now doesn't that sound better than Crazy Horse?"

The woman asked us of what country were we citizens. We told her. She took our passports and ran them through a scanner in her little booth. She asked us how long we had been gone and what we'd done while we were in Mexico. She asked if we had any fruits or vegetables. I told her no, the cooler had food in it that we'd brought with us from Tucson. While we were having this conversation, this other border guard was still talking about "crazy" and "enchanted."

"Don't you like enchanted better? Enchanted bear." I wondered why he was going on and on about this. And who was Enchanted Bear?

The woman, who was very professional and human, asked us where we lived. We told her. I said we came to Tucson for a month every year. (In case she wondered why we had come all the way from Washington to go to Mexico for a few hours.) I said it had been cold and rainy all day. Then she said we could go. I forget how she said it because that other guard was talking about enchanted bear, and then I noticed what the woman's name was. The guards all had their last names sewn into their jackets. Hers was Crazy Bear. Just then I looked to my right and saw a beautiful huge glorious double rainbow. Mario started to pull away and Crazy Bear and I looked at each other and I pointed to the rainbow. She frowned, not sure what I meant, and then she looked at the rainbow and smiled as we drove away. This rainbow looked as though it went from Nogales, AZ to Nogales, Sonora, Mexico.

The last two times that we'd been to Mexico, we've seen a beautiful rainbow. Probably didn't mean anything—except that it's been raining a lot here. But they are beautiful, a threshold we can never reach no matter how much we try. We can't ever get to the other side. Except maybe in our imaginations.

Is that enough?

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Wednesday, January 17, 2007

Pieces 

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And now if you want to be inspired and buoyed, watch The Quiltmakers of Gee's Bend. These women take pieces of the cloth—pieces of their lives—and sew them together to make art.

We had the good fortune to see many of the quilts shown in this documentary in San Francisco, at the Quilts of Gee's Bend exhibit, on the last day of the exhibit. Another exhibit is now touring the country, Gee's Bend: The Architecture of the Quilt. (Go to the bottom of this article and you'll see the schedule. Maybe it's coming to a museum or art gallery near you.) One curator on the film said that these quilts call into question our definition of genius. It is amazing to me what people can do despite poverty and great hardship—how creativity springs forth despite all. Sometimes it seems as natural as breathing to us.

The quiltmakers all talked about their faith. As I watched these women, I was amazed and impressed by their fortitude and lack of rancor. I don't understand their belief in god. Any god I believe in would have to get me out of the trouble they have seen, I gotta tell ya. But I said to Mario, "Maybe they don't pray to Jesus because they think he'll make it all better. Maybe they pray to Jesus because they feel as though he loves them."

I found out about the Gee's Bend quilts after I wrote Grand Mother Yemaya Mermaid & the 13 Quilts. My mother used to win awards for her superb skill as a seamstress. She taught my father to quilt, and he makes us beautiful quilts. Maybe someday they will teach me how to do it.

If you want an example of how to turn a life into a work of art, you might want to find out more about these women and their quilts.

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Sunday, January 14, 2007

Found 

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Valarie James and her colleagues Antonia Gallegos, Cesar Lopez, and Deborah McCullough took pieces of discarded clothing found in the Arizona desert, most of it probably dropped by passing migrants, pulped these pieces, and blended the pulp with Sonoran Desert plants to create Las Madres.

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Each figure stands in vigil, each Mother "represents over 1000 men, women and children who have lost their lives crossing the desert." If you look at my photographs and the photographs on the website, you'll see that the figures are changing, are breaking down, just as Valarie James expected and intended.

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They are beautiful and moving. I first heard about them at the Border Issues Fair I attended on Saturday. I told Valarie later, in an e-mail, that I was stunned to see these figures, particularly after writing Church of the Old Mermaids, which deals with migrants lost in the desert. Myla and her friends create community at the sanctuary where she takes the migrant by transforming what they find, what has been discarded, into art and stories.

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You can see these amazing pieces yourself at Pima Community College in Tucson at their east campus.

Beautiful. Thanks, Valarie.

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Wednesday, January 10, 2007

Songs of the Spirits 

I am listening to Songs of the Spirit while Mario does the dishes. I just finished sweeping and mopping. I sweep every day and mop every few days. I like sweeping these stone floors, I like watching the stone change as I press the mop down on them. It's raining. The sound mixes with the Songs of the Spirit. This is the music that was playing when I went in for my surgery; it was what was playing while they operated on me, while I was awake and while I was asleep.

I heard what the soon to be ex-prez wants to do in Iraq. I can only say: Vietnam, Vietnam, Vietnam. If you study any history of Vietnam, you'll see they did this kind of thing over and over. They believed if they just had more men or a better plan that they would win. But they could never win. It wasn't their country. Iraq is not Bush's country. We will now see if the new Dems have any mettle. We will see if the American people will stand up and say no, we don't agree to this.

In the meanwhile, I am in the desert. It usually takes about a week for me to settle in, and it's been a bit over a week. Mario has finished writing one novel and started another. I wrote an Old Mermaid story, and today I started a new novel. It is tentatively called The Old Mermaids School of Telling Tales and Finding Art. Mostly, I've been enjoying the place and getting used to things. At first the noise always troubles me. I can hear the traffic, they're doing construction, dogs bark, and trail bikes squeak in the near distance. When I go into the Quail House or into the casita those sounds usually disappear, but I want to be in desert, in the wash. I want to hear the birds. I want to hear the silence.

Eventually, I know the other sounds won't matter. (Unless the trail bikes get closer; if they do, that is a noise I cannot tolerate.) I know what time the dogs usually bark (around 5:00), and the construction is intermittent and can become a dull background noise. And I know I only notice these sounds because it is quiet, and eventually I will get to hear the desert silence. It is different from any other silence. How to explain it? It's a desolate and comforting silence. And when you hear the sound of another creature, it's as if you're all in it together—you're all in this place surviving and thriving and figuring it out. We're all compañeros.

Today I had one of those silent desert days. I walked the wash and walked the wash, just like Myla, looking for trash I could turn into treasure. I figured out what I was going to write next and listened to my feet crunching over the sand. Quail walked daintily, all in a row, up and out of the wash. Doves fluttered from the trees as I went by, startling me and them. Then I sat outside near the Quail House. I listened to the whoosh-whoosh-whoosh as a crow flew overhead. I heard the owl call out twice. Thrashers and other birds made themselves known. Desert cottontails hopped here and there and everywhere. Once in a while I heard the horses snort or whinny. Clouds moved overhead, putting me in and out of shade. Nothing could have been grander.

Before that, I was restless most of the day, moving from here to there and everywhere. Mario said it's what I do before I start a novel; it's the creative energy rising up. I wrote the first 1,000 words of the novel today. It was nice to be with Myla and Lily again, but it was a bit nerve-wracking. I've never written a book using the same characters from another book I've written. And to do it without having sold the first book yet is rather foolish, so call me fool.

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Now we're getting ready for sleep. I'm listening to Linda Rondstadt and Ann Savoy's Adieu False Heart. I think they call it Cajun folk, and it is so beautiful, makes my heart ache. I have never been able to describe music. When it's right, when it's beautiful, it is beyond words. (Maybe I should just say, this album has a good beat and you can cry to it.)

A bit a go we went out into the night and the dark to get something I thought I'd left in the Quail House. (I hadn't.) As we were getting on our shoes to go out and I was fiddling with an umbrella, Mario said, ""Who'd ever have thought you'd be using an umbrella here." I said, "I don't want to talk about it." He laughed. I only said it because I knew he'd laugh. I don't mind the rain. It rained a bit the first year we were here. It keeps down the dust. It's supposed to rain for three days. I told Mario, "Maybe it'll flash flood and we'll have water in the wash!"

We usually establish a routine once we've been here a while. I don't quite have one yet. Last night we slept eleven hours. (!) The day before I only slept five. We work during the day, Mario in the casita, me in the Quail house or wandering around in the wash. (I wear the white gloves because I get a rash on my hands from the sun; it happens in Washington, too, in the spring when I first start gardening.) At night, we play cards or Sorry and watch a DVD or we go to the movies. We've been to a lot of movies given the amount of time we've been here, probably because we can't go out anywhere to eat since my diet is so restricted. (I am now going to talk about the movies I've seen, so if you're afraid I'm going to tell you something you don't want to know turn away now.)

We've seen The Queen. The performances were all good. We could have waited until it came out on DVD; it was that kind of movie. But it was still fun. The first part was actually funny. Not slapstick funny but "how can these people be so dim" kind of funny. Then we went to see Freedom Writers. Yes, I know, another movie about a teacher who helps out kids. Corny. Overdone. Yes, yes, and yes. And we almost always love them. We liked this one, too.

(When we were thinking of seeing Freedom Writers, Mario said, "That's all we need is another movie showing a rich white person saving all these underprivileged kids." I said, "The daddy of those movies is To Sir With Love. Remember when I saw that when I was nineteen. Afterwards I tried to kill myself because I thought I hadn't done enough with my life." I laughed and shook my head. Mario said, "Good times.")

This afternoon on a lark we decided to go see The Prestige. It's about two magicians who are competing with one another. We both thought it had potential—until they started knocking off the women. (No, not by murder, but still...The men were multiplying and the women were disappearing.) Both of us sat there wondering why we hadn't gone to see Marie Antoinette instead. (The time for The Prestige had been more convenient, and yes, I know Marie Antoinette was beheaded so that would be another woman disappearing, but at least she had a life, albeit a short one, where she wasn't a sidekick for some man. Besides, I'm sure in Marie Antoinette we would have had some fun silly costumes to look at.)

Well, I've rambled on long enough. I need to get to sleep. Got work to do in the morn.

Hope all is well your ways.

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Monday, January 01, 2007

Tree Hugger 

Every day for a year, I'm going to touch a tree. I've been doing it for a couple of weeks already. I have always counted trees amongst my buds, so to speak, and now I will show my devotion every day. Remember what the bees said: "The flowers know everything, and the trees know even more."

Today before we left San Francisco, we walked toward the Golden Gate Park, at an entrance kitty-corner from our hotel. The sea had come onto land in the form of fog, and everything seemed muffled and haunted. Perhaps the Old Sea was having an out of body experience. Or an out of water experience.

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We stopped at the lush patch of chickweed and friends that grew directly across the street from the hotel. It looked so delicious. I wanted to graze, but I knew it wasn't safe. I said hello to the greens.

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Then we kept walking and turned left at the end of Haight. A couple of kids hit us up for money, but we said hello and no. On the path into the park is a message: "You are an artist. Be Wild!"

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A pack of dogs ran around behind us. I went up to a huge tree with its bark peeling off. It reminded me of a sycamore, but the leaves were different. I wondered if it was a eucalyptus. I asked permission, then put my hand on it. I could hear the dogs snuffling and barking behind us. I turned away as they began digging around in the chic