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In times of old, The Furies protected Mother Right. If a mother (or any woman) was harmed, The Furies swooped down and took their vengeance. They were one of the last vestiges of a world that existed before the patriarchy. When we feel righteous anger, it is The Furies who are calling out to us to make what is wrong right again.
Saturday, January 31, 2004
What?
In case you want to politely let this judge know what you think of his conduct, here's his email: jstephen@co.seminole.fl.us. 0 comments
I'm Back....and Sumthin Wunderbar
I've added pages of Her Frozen Wild to my website for those of you who are reading it.
Thing I noticed on TV whilst ill: CNN played Dean's Iowa speech over and over and over—they played it more often than Faux News. It was disgusting. Yes, that's the only astute observation I came up with. Besides the fact that Wolf Blitzer is a Stepford anchor.
Mario found this interesting piece. In Albania where women are the property of their families or husband, girls or women can be designated men. They vow to be men. They must dress and act like men, plus promise to be celibate. If they do all this, these "sworn virgins" are given freedom other women aren't. (I thought the author made editorial judgments that weren't back up by the material, but it's interesting anyway.)
Mario and I are not football fans, so we don't watch the Superbowl. Once or twice we've tuned in for the ads, but usually we don't even know when it is. We had thought about watching it this year to be part of the American experience, but then we heard CBS was only taking ads they thought would appeal to men, plus they wouldn't take MoveOn.org's ad. So we're boycotting. (Granted, a boycott from people who don't normally watch the Superbowl and who would find most of the advertising offensive probably doesn't mean much, but there you have it.) Here's a piece from Eli Pariser of MoveOn.org about CBS and their refusal to run MoveOn's ad. MoveOn is asking people to boycott a minute of the Superbowl, although they ask people to turn to CNN from 8:10 to 8:35 (EST) to watch their ad. (How is that a minute?) I think MoveOn is a great organization, but why didn't they ask people to boycott the entire Superbowl and/or CBS? Just asking.
During my illness, Mario continued to read me Jack Finney's Body Snatchers. It is enjoyable, but there is a lot of filler material—probably to make it long enough to be published as a book. The way he describes women is funny, too. I read a lot more women authors than men. Do some men still do that? Describe their characters by describing the fullness (or lack of) their breasts, buttocks, thighs, lips? It makes them seem really silly. Although, in a weird way, such descriptions do add to the theme of the book. After all, it is about bodies being taken over, so the protagonist's obvious adoration of the woman's form will probably figure into the plot later when she is the same body but a completely different person, or so Mario suggests.
Which reminds me. I've lost so much weight I look anorexic or worse. I don't have bathroom scales, so I don't know how much I weigh. I measured myself. I remember my measurements from when I was a teenager wanting to be skinny. I am now the smallest I've been since I was a girl—since before puberty! My breasts are tiny. My waist is tiny. My thighs are tiny. I hope I start gaining weight again so that I look like a fully growed up woman.
Also learned about the Watts Towers whilst down and out. You all probably know about them, but I didn't! Simon Rodia, a working-class Italian immigrant, lived in Watts and worked on this amazing piece of art for thirty-three years. The website I linked above describes the Towers of Simon Rodia as "consisting of nine major sculptures constructed of structural steel and covered with mortar... Simon adorned them with a diverse mosaic of broken glass, sea shells, generic pottery and tile....The tallest of the towers stands 99.5 feet high and contains the longest slender reinforced concrete column in the world. Simon's monument to perseverance and dedication features a gazebo with a circular bench, three bird baths, a center column and a spire reaching a height of 38 feet. Rodia's Ship of Marco Polo has a spire of 28 feet." And this all still stands in Watts today, protected by the people of the neighborhood during the various riots.
OK. I think that's about all I can do today. Before I go, here's some good news. Bush may be slipping. According to this article in CommonDreams, the Republicans are starting to question Bush. And a recent Newsweek poll reveals that if the election were held today, Senator Kerry would mostly like beat Bush. Maybe Bush's time is up. Wouldn't that be something wonderful!
The sun just came out. After days and days and days of rain and flooding, this bit of sun is like a big welcome juicy kiss smack on the lips. I'm gonna slip outside and do a little making out.
May you walk in Beauty! And good Health!
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Tuesday, January 27, 2004
Tales for the Interim
Cariño
Shivering awake to darkness, I watch the still line of giant white butterflies move across the wall, less a part of the wallpaper now than they are in the day. The butterflies flutter almost imperceptibly, and my nightmare is sent back further still into my unconscious, a curiosity to be examined in the light.
I touch Jake’s shoulder and then leave the room, wanting to stand in the living room, to look across the lawn silvered with moonlight. Something stirs on the couch.
“Dahveed,” I whisper, touching his hair gently with my fingertips. “Couldn’t you sleep?”
I go around the couch to stand in front of him, gliding I think, a figure out of a fairy tale. I kneel before him and take his hands. I cannot see his brown skin well, but I feel it in his hands, a velvet softness that is almost like a baby’s: a man my age, not yet thirty, with skin so unbattered.
“You asked once why I did not watch television,” he says, his accented voice quieter than usual even in the silent house. “So I am here watching television now. We are silent companeros.”
My eyes have adjusted to the darkness, and I see he is looking at me. I reach across the room to open the curtains. It is far away and I must have moved from David, but I only remember his eyes looking at me.
The moon is out, as I hoped it would be, and it pulls me to the window. David stands behind me, only slightly taller than I am.
“I heard you weeping,” he whispers. “You do not like the night.”
“It’s only old things. Sometimes they resurface at night.”
Images of the dream come back for a moment. Always in the nightmare I cannot save David. I shake the thoughts away. The dream fades and I am grateful for his presence this night.
His face is too perfect, I think when he steps off the bus. I hesitate
before going to him. I have never met him, but I know the man I see is David. He is the only brown-skinned man surrounded by white-faced tourists who glance around and ask, “Where’s the ocean?” I reach for David’s arm—already I want to touch him—and say, “I am Cully.”
He smiles and shakes my hand. It is a child’s smile, filled with delight.
“I bet you’re tired,” I say, looking around for his suitcase, not knowing
what else to say. He holds one bag and several books are tucked under his arm. I start to ask about the rest of his luggage and then I remember he left El Salvador in a hurry, days ago, switching from this car to that after the Mexican border, a straight shot up Highway 5 until the last car could not make it, and they risked putting him on a bus to the coast. They needn’t have worried. Oregon is far from either border.
“I am fine,” he tells me, still smiling. I wait for him to look about him,
admire the day or the town, some tension breaking pleasantries, but he is watching me.
“Come on; I’ll take you home,” I say.
Jake waits for us at the house. He towers over David when the two shake hands. Jake leads David into his room. They are talking, but I cannot hear as I follow. Two quiet men. I smile. Perhaps we will all get along.
I open the door to watch him sleep. He does not stir. I want to move closer, to be in the room and feel his dreams. Jake puts his arms around my waist and kisses my neck. “Leave him be,” he whispers. “It’s probably the first good sleep he’s had in a very long time.”
I pull the door shut and turn in Jake’s arms to face him. He folds me to his chest.
“We’ll never know what he was like before all this,” I say. “He may have been cruel to his mother or harassed women in the street or beat up little boys. He may have been someone I totally disliked.”
Jake laughs and presses me closer. The world dissolves when he is this near to me, a reassuring dissolution that I sometimes crave.
“Does it matter what he was?” Jake says. “He is here with us now.”
David keeps us from the kitchen, telling us he is making his American
friends a Salvadoran meal, his speciality. Jake and I stay in the study we now share, trying to write but mostly laughing as we try to guess what David is doing. He is awkward in the kitchen. It is the only place he shows even a distant impatience. There are too many gadgets and switches even in our simple kitchen.
He is at our door. “You may come now,” he says.
In the kitchen, the shades have bee drawn and light from two candles cause the gas-station plates to shape change, making them look like bone-china. Blood shadows from the wine stain the linen tablecloth.
“Sit,” he says, pulling out my chair.
We smile and do as he asks. The kitchen smells of basil and oregano. He opens the oven and my mouth waters, anticipating the dinner. He slides the dish out.
“Pizza!” he exclaims, laughing, his eyes aflame from the candlelight.
Jake claps. I say, “Salvadoran food?”
David shrugs and sets the dish on the table. “American food cooked by a Salvadoran.”
“There are only two settings,” I suddenly notice.
“I feel as if you have not been alone in two weeks,” David says, taking a bowl of salad from the counter and putting it at my elbow. “You are married; you need time alone.”
Jake pushes away from the table; the scraping of the legs are too loud inthis small room. He takes a gas-station plate and sets it on the table,
instant fine china.
David rests his hand on Jake’s shoulder for an instant, like a butterfly
resting on a flower. Then he pulls out a chair and joins us.
“You are very happy, you and Jake?” David says. We walk along the tide mark, preferring the dry sand to the wet.
“We are very happy,” I answer. I wait for him to say what others have: “You are lucky.” As if luck had anything to do with it.
David nods. “That is good.”
I slip my arm through his. I should have known he would not have said anything else. His “that is good” tells me we deserve it, it is right.
David watches our feet as we walk, sometimes glancing up at the ocean. So often he seems oblivious to his surroundings, concentrating instead on the
people with him—or else somewhere inside of himself.
I want to ask if he is lonely, but I know the answer. He is away from his country, unable to return until after the revolution, he has told me. I know that means maybe never. Although I want to know his past, I don’t ask about it. I will not be a voyeur, watching him finger his wounds.
“My grandmother used to brush our hair when we were children,” David says. “She used this brush with a handle that looked—to a little boy’s eyes—like it was made from jewels; I don’t know that kind—madreperla?”
“Mother of pearl?”
He nods. “When I was a boy, it was the finest thing I had ever seen. I would sit very still while she brushed and looked for lice. She would tell me stories about my grandfather after he was killed. Later, she told me stories of my father and my uncle Geraldo.”
We have stopped, and he is looking out beyond the horizon.
“I wanted her to be buried with it,” he says. “But they took it.”
The only sound I hear comes from the ocean. Before I had become aware of Central America, I had little knowledge of the Spanish language, literature, or mythology. When I visited Europe, I had skipped Spain, and I had never gone to see my relatives when they lived in Mexico: I had assumed those worlds would be filled with too much machismo for my taste. Now David turns from the ocean to look at me, and I see only the soul of a gentle human being.
I stare at the blank paper, the hum of the typewriter like a buzz of an
insect in my ear. I am writing a story about a Salvadoran escaping his home. The further into the story I move, the more I realize I do not know much about the main character.
“I don’t know what hurts him,” I say aloud, temporarily stopping the
clacking of Jake’s typewriter.
“I don’t know who he is.”
“It didn’t matter,” Jake says. “Even before you met him you’d decided he was special—because of what he’d been through.”
“That’s not so,” I say. David is not special because he has seen people he loved killed. No, he is just a person caught in circumstances of the times. I shake my head, knowing that is not true. He is extraordinary. And one reason is his past.
“I didn’t really know he was special until I actually saw him,” I say. From that moment I sensed a kindred spirit of sorts.
Something gnaws at my soul: I don’t know what precisely. Some kink in the world conscience? Something that threatens me at night in my dreams. I have survived the middle years of the twentieth century. So has David.
Jake types again, and I look out the window. David is out there, staring off inside of himself. Where does his mind take him? Probably away from this foreign place. I have heard him toss in his sleep, moaning as if he had lost his soul.
Now he glances at the window, sensing my thoughts perhaps, as he often seems to do. I nod. He returns the gesture.
“I was talking about my character, Jake,” I say. “Not David.”
Without looking up, Jake smiles assent.
Jake and David play go on the living room floor. Jake is a good teacher, and David listens well. I stretch out on the couch reading. I only read Spanish literature now. David and I often talk about writing. He was a student at the university in San Salvador before they closed it and branded all the students communists. One day David bought me Kiss of the Spider Woman by Manuel Puig. After accepting the gift graciously, I laughed at the title. “You’ll see; you like old movies,” David told me. “You will like this. It is…tender.” Now I glance up from the book, my second time through, and look
at David. When he is not close enough, I long to touch him; it is an ache that does not always end when my fingers touch his sleeve or shoulder. It only eases when I find his skin. Sometimes I close my eyes, and he is behind my eyes, too, and I trace the contours of his face with my thoughts.
Often I look at David and see beyond him to his country, and I feel an
overwhelming sense of sadness and guilt. Jake does not feel the same guilt that I do, or the urges that accompany blind anger. Perhaps it is because he is a Canadian. He does not have the staggering load of sins to atone for.
David looks up at me. I wish I could see beyond his eyes. I want to help him, save him. He looks at me sometimes as if I were completely
unfathomable.
Perhaps I am.
“You are different in the day,” David says. We sit on the back porch,
listening to the ocean and watching the clouds change color as the sun goes down. “You change as the clouds do,” he says, gesturing toward them.
I lean against him. His cheek brushes my hair, and my stomach lurches.
“I become a child at night,” I answer, hesitating. My fears cannot equal his own, my terrors petty in comparison.
“The night can bring many things,” he agrees. “It can bring protection, too.
Sometimes evil cannot see at night just as we cannot.”
“I never thought of evil as being something that could see.” I say.
“You are right,” he says. “Evil is blind.”
“David,” I say. “I don’t want you to leave, ever. Stay here with us.”
I do not understand what I feel for David. Sometimes I think it is what a parent feels for a child. I have never had children, so I do not know. I have had lovers and what I feel for David is not lust couched in love. It is not the same as what Jake and I have. Jake knows me so well that sometimes it is as if we are connected and always have been. No, it is different. When David touches me—and it is not often—I feel a peculiar humanity stir throughout the world. As if after all he has been through, he is still human.
“Sometimes the night brings back memories,” David says, “but so does the day.”
“He can stay here as long as he wants, Sister Mary. He’s safe,” I say into the phone. Jake and David are outside and I will them to remain there.
“You and Jake were very kind to open up your home. We have so many refugees.” She sounds tired as she says the word refugees: they are not legal refugees because the U. S. government supports the military government they flee from. “But your town is small. He will be easily found once they start looking for him.”
“He is safe here,” I say again, tears shaking my voice.
“He has seen his father tortured and finally killed, and his grandmother shot. His brother has disappeared and he watched his mother die from fear and a broken heart.” I shake my head, knowing it all. “Doesn’t he deserve to be safe?” she continues; her weariness has turned to anger. “If they send him back, Immigration hands his name over to the military who in turn gives it to the death squads. He is a dead man.”
“No,” I whisper. “He is not a dead man. If you think he would be safer with your people, I will tell him. I’ll call later to arrange it.” I drop the
phone onto its hook.
As I watch David and Jake out the living room window, I remember a night with moonlight stretched across the lawn and David next to me as Jake slept in the other room. My nightmare had disappeared, and I felt enveloped in safety and affection.
Jake calls from his part time job to say the presses have broken down and he will be gone all night. I take a blanket from the bed and curl up on the living room couch, hoping the dreams will not catch me this night alone.
I pull out of the nightmare gasping Someone is saying my name. I lay crying silently, not because of the dream, but because of David, who will be gone from my life in two days. His voice gentles me into awareness.
I open my eyes. David is kneeling at my side, peering closely at my face.
“I heard you,” he whispers, his breath warm on my cheek. The butterflies have moved off the wallpaper in my bedroom and now seem to fly all around David. “You said my name.”
His hand reaches up to my face. He moves hair off my cheeks and forehead without touching my skin.
“You dream about me?” he asks.
“Sometimes I tell them I am your wife and I am going to have your child, so they let you go.”
He smiles and lays his hand against my cheek. I turn my face to his arm and kiss it.
“It would make no difference.”
“I know,” I say, crying again. We both know what they do to women with “future guerrillas” in their wombs.
“I dreamed, too,” he says. “I was an old man living in the Salvador
countryside and you came and brushed my hair and told me stories.”
I smile in the darkness.
“Perhaps it is a sign of the future?” he says, sounding unsure. He is
frightened of what is coming, too. We look at one another, and my body aches, as if something is being pulled from me when I think of him leaving.
“Come sit with me,” I whisper, holding the covers open. He sits next to me, and as we touch, the pain eases away. He puts his arm around my shoulders and pulls me toward him. I lay my head in the curve between his shoulder and breast. It is the most comfortable spot I have ever been in. I listen to his heart and feel the warmth of his body through his clothes. For an instant, everything is still as we hold one another tightly. In these moments, I know we will never let each other go. He kisses my hair, and we relax, hugging each other gently again. My fingers find an opening in his pajama top, an there they rest. David breathes deeply and then sighs. I close my eyes to sleep, knowing we will be safe through the night in each other’s arms.
In the morning, the butterflies have flown and the room is bright with light as Jake leans over the couch and kisses us each awake.
copyright © 1984 by Kim Antieau
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Another Country
Another Country
I awake with a headache. My head pounding out a message I cannot comprehend. I lie still, the sun across my face, spilling onto the sheets and making them yellow gold. Waiting. For sounds of Emil. I smile and the headache begins to fade. I close my eyes and imagine Emil leaning down to kiss me, taking me into his arms, my ear against his chest listening to his heart.
“Emil,” I whisper.
Where is he? The shower isn’t running. I don’t smell coffee. He isn’t
working. We aren’t working. We’ll run out of money soon.
My head throbs again, and I push myself up and out of bed.
I pause. The house is so silent. Emil usually sings, mutters, cooks. Where are his sounds? Perhaps he is waiting in the shower for me.
I walk into the bathroom. Silence. I look around. Something is different. His things are gone. His razor, toothbrush, aftershave. My heart starts pounding in my ear. What’s going on? Is this some kind of joke?
“Emil?”
I go back into the bedroom. The same difference rules this room. My clothes are scattered about. But Emil’s are not. He is neat, but not this neat. I open his side of the closet and sigh with relief. His clothes hang as they always have.
My heart still beats too quickly. What is wrong? What is wrong? Something.
“Emil?”
My head hurts. There is something I don’t know. Where is my husband? Where is the man I adore? The man I have been with since I was a teenager watching the hills behind our village for signs of the soldiers. A flash of steel. A wisp of smoke. With Emil beside me. Until the village burned and we ran to another. And another. Finally we came to the city, where we were anonymous, where no one could tell who we were.
I sit on the bed. We came to the city because the soldier took my child.Took her from my arms, threw her down. Her tiny face in the dust, whimpering, even as I took her back, even as I screamed and pushed her against my breasts, I knew she was dying. Dying. And Emil killed so many of them. For months. Years? Until we came here.
My stomach hurts. Remembering. The taste of the dirt on my baby’s face. The laughter of the soldiers. How do men become such animals?
I have to throw up. I run to the bathroom and fall to the floor. I heave but there is nothing in my stomach. I cry.
“Emil!” Now I am angry. Why would he leave without telling me? Making me remember why we are here. Forgetting the new life we have.
I wash my face and go into the kitchen. The day is so beautiful. We will go for a walk to the park. We will hold hands and pretend that all is well with the world.
The kitchen is empty. When Emil gets home.
I shudder. This house feels so empty. As if no one lives here. I am just a ghost floating from one room to the next.
A book sits on the counter. I pull out a stool and sit and open the book. I have not seen it before. But inside is my handwriting.
“July 6. Do you remember yet? Has it been long enough>? Has it sunk in? Or are you still this half person, this person who cannot remember? Should I break it to you gently? You’ve had an accident. You were driving home. Fog, or a stupid driver, no one knows and you cannot remember. “I” cannot remember. You were in the hospital for two months. They tried but something is wrong with your memory. Short term memory, I think. I can’t remember. You remember the past. You will forever remember Lottie’s murder. You will forever remember the blood on Emil’s hands, his soul, as he avenged her murder, as he went on his blood feast. But you will not remember what happened yesterday. Or the day before. Maybe after a few months, things will sink in. For instance what I tell you next. You need it to sink in so that you do not go through this every morning.
“Emil is dead.”
No.
I am frozen in place, in time. I cannot move. No
“Emil is dead,” my handwriting says. “You must believe it. We must believe it so that you don’t go through this every morning.”
No. I stop breathing. This cannot be.
“Turn the page.”
I do. Taped to the page is a newspaper clipping. An obituary. “Emil Sanchez has joined his daughter, Lottie, in our Lord’s heaven. He is survived by his wife. . . .”
No! I scream and scream. The sound vibrates all around me, shaking the walls. The walls undulate. I cannot see. I cannot stop moving. Running in circles.
No. My stomach heaves again. My circles take me to the kitchen sink and I vomit again and again. If I vomit long enough, the information will be thrown up too; it will all be gone. This is not right. Is not right. I cannot think. Can not t h i n k.
The blackness does not last. I open my eyes and remember. My eyes are swollen. My stomach hurts. My heart and soul are dying. This cannot be. Tears stream uncontrollably down my cheeks. Slowly I push myself off of the floor and go to the counter and read my words again.
“Emil is dead.”
I turn past the obituary.
“He was killed in a deserted warehouse. They say he was making a bomb. Who knows? Maybe you heard it on the radio as you were driving. Is that how we smashed our brain into oblivion? Please remember. I cannot go through this every morning. The horror so fresh.”
They’re both gone? My husband and child. Why? Why? Because men will kill men. And children. They squabble over pieces of land like ravens over sheep carcasses.
I shake my head. Can all of this be true? Maybe if I go back to sleep, I
will wake up and none of it will be real. I look at my handwriting again.
“When you go to sleep each night, you forget. And it is not wonderful. Because then the wound must be opened, anew, each morning, like Prometheus’ side ripped open each morning so the vulture can again devour his new liver. Of course you didn’t steal fire. You are only a wife and mother.”
No longer. No longer.
I look around the apartment. Why? Why?
Tears cloud my vision. There are no answers to such questions.
I am shaking and cold. I remember from my time in he mountains, my life in the mountains, that I am going into shock. I force myself to dress and then I pull food out of the cupboards. There isn’t much. I wonder how I shop. How I live. If I go to the grocery store, do I forget where I live? Do I have a job I’ve forgotten about? How can I survive like this?
I glance at the book again.
“Mrs. Harris next door brings you groceries. On Wednesdays you go to the hospital for therapy. For now, the government is giving you compensation. We’ll see how long that lasts. You are, after all, the widow of a famous terrorist, aren’t you?”
Widow? I feel as though I’ve been slugged. I cannot take this. Why am I all alone? I need to mourn with someone. I need to hear the wailing of my mother, Emil’s mother. Sisters, brothers.
But most of them are dead, or hidden in the mountains, unable to come down without being killed. Did they have a ceremony in the mountains for Emil? Where is he buried? Next to Lottie?
I eat a sandwich and a wilted salad. The food sticks in my throat.
And then I throw up again. I open the medicine cabinet and see a bottle of pills. Sleeping pills? I remember the nurse handing them to me, saying, “If it ever gets to be too much for you.” I can remember a bottle of pills but not the death of my own husband. I do not understand. I stumble into the bedroom and lie down.
When will this end? Now. Can I die and join my husband and child? I close my eyes and sleep.
I awaken and dusk is coming. I feel so sick. I remember what I read in the diary and know Emil is dead. Emil. He will never touch my hair. Never hold me in his arms. Never make love to me again.
I push myself to a sitting position. This is too much. Too much.
Suddenly, a shadow moves into the room. I know I should be frightened, but I do not care. If it is a burglar, I have nothing for him. Perhaps he will kill me. The graying dusk covers his body, his face. He moves toward me. Maybe it is a hallucination. I am not frightened. Perhaps he will mourn with me.
He reaches for the lamp next to the bed and switches it on. The dusk is washed from his face.
“Emil,” I whisper.
I have died. I went to sleep and died. Thank you, God.
I put my arms around him, he puts his around me and pulls me onto his lap as he sits on the bed. A perfect fit. He is flesh and blood. I feel his heart beating close to mine. His smell. My Emil.
I am dead or insane. Either way, I don’t care because I have my husband back.
“Where’s Lottie?” I whisper. If I can have my husband, why not my daughter?
Emil pulls away slightly.
“Lottie is dead, my love. Have you forgotten?” It is his voice, whispered. He looks at me fearfully, afraid I have lost my mind.
“No, of course I haven’t forgotten.” I hold him close again. I will never
let him go.
His hand reaches under my shirt and gently caresses my breasts. I sigh, and the horror I have felt all day, for months, falls away. Without talking, we take off our clothes and he is inside me and I am close against him, trying to get closer, deeper, I will never lose this, never, he kisses me, my mouth brushes, kisses, touches his body. We hold each other tightly and cry into the evening.
I am not dead.
I rest my head on Emil’s chest and listen to him breathe.
“They told me you remember nothing?” Emil says. It is a question.
“Nothing? No. I remember a great deal. I didn’t remember you died.”
I must be insane then.
“You don’t remember that we planned my disappearance?”
“What do you mean?”
“We heard they were going to arrest me,” Emil says. “We knew they’d be watching us. Waiting for us to escape together. So we planned my death. You were supposed to meet me in the mountains after a couple of months. You never came.”
I raise myself onto my elbow.
“Why didn’t someone let me know you were still alive?”
Emil’s hand brushes my cheek. “When I found out about your accident, I was in the mountains and couldn’t come down. Of course, I wanted someone to tell you, but the others thought it better if you didn’t know. That way the government would be certain I was dead. Mrs. Harris is a spy, you know, and seeing your grief each day would convince her I was dead.”
I shiver. Is this my husband talking? The man who had been a boy of fifteen, chasing me through the forest until we tumbled to the ground, the pine needles our bed when we made love for the first time. The boy who promised never to hurt me? Never to let harm come to me or our daughter.
This was the wrong world for such promises.
“You let me believe you were dead.”
“I couldn’t come myself,” he said. “What if they’d caught me? You would have gone through all that agony and I’d really be dead.”
Who were these people who would let me suffer so?
“They need me,” Emil says. “I am important to the cause. We must give the country back to the people.”
“Which people?” I asked. “Those who would let a woman believe her husband is dead when he isn’t only to further their cause?”
I feel anger. I want to strike my husband. No. I want to hurt the people who have made him like this. Into a killer. I sigh. No. I just want to close my eyes and sleep, wake up in another place, with my child beside me as we rest in Emil’s arms.
“It is the fault of the government,” Emil says, pulling me down next to him. “We have become animals to fight them.”
Emil has killed so many. Including the boy Emil I fell in love with so many years ago?
“So your friends thought my accident was a good thing?”
“They said it was better for you, too. You wouldn’t have to pretend grief.”
“Ah, yes. It was certainly better for me to really feel the grief! To
believe you were dead! Why are you here now?”
He is silent. And then he says, “I kept dreaming of you. Hearing your cries. I could not stand it. I had to come.”
Finally. This is my husband.
“We will have to leave,” Emil said.
“Tonight?” Please tonight so that I don’t have to wake up one more morning and learn again that he is dead.
Emil sits up. We face on another.
“No. One more day. I have some things to do tonight.”
Raids no doubt. Killing.
“I’ll meet you tomorrow at the airport.”
“Meet you? Can’t you come get me? I have this memory problem, remember? I won’t remember where to go.”
“It’s too risky for me to come back here,” he says. None of this makes sense to me. “I’ll leave you directions and rendezvous time. Don’t worry.” He kisses my forehead. “Trust me. It’ll be all right.”
We make love again, and I think of the despair I had felt earlier, upon
learning of Emil’s “death.” I would go through it one more time. Could I do it? One more time. I remember looking at the bottle of pills. Perhaps tomorrow would be the day I could no longer stand it,and I would take the pills.
Emil leaves our bed, disappearing into the darkness momentarily. My heart races. Will he return? Or was he just an apparition?
“Emil?” I whisper.
“I’m right here,” he says. He comes into the room and puts on his clothes. He is a shadow putting on shadow clothes.
“I left a note on the counter, where you’ll see it first thing in the
morning. It has directions to the airport in case you’ve forgotten how to get there and the time we’ll meet. You must be there on time, my love. They will make me leave whether you’re there or not. They are quite angry with me. Saying no man or woman is more important than the cause and I am too valuable to lose to stupidity.”
“Is that what they call love? Stupidity?”
“Many of them have been through so much,” he says. “They have forgotten about love.”
”And we have been through so little?”
I feel him wince. I know he carries the death of our daughter with him. Her death. And all the others he killed to avenge her death. To assuage the grief. I wonder. Does he feel better because of their deaths? No. Not the boy I loved on the forest floor.
We embrace. I do not want to let him go. I cry.
“Please don’t go,” I whisper.
“I will be back,” he says. “I promise.”
He pulls away from me, kisses me on the lips, and then is gone.
I try to stay wake. If I stay awake, I won’t forget that Emil is alive. I
say it to myself, again and again. A chant. “Emil is alive. Emil is alive.”
I sleep.
I awaken with a headache that feels centuries old. I close my eyes and will it away. Emil. He can make it go away. Massage it away. Make love to it.
I smile. “Emil,” I call. He does not answer.
Perhaps he has gone out to get breakfast. Surprise me. The house is so quiet.
“Emil!” I call again.
I get up and go into the kitchen.
Something is wrong. Something is wrong. My heart races. I feel as I felt when Lottie died. Knowing. Knowing.
“Emil!” I am angry. He should not have left without telling me. He knows how I worry.
A book sits on the counter. I have not seen it before. I go to it and open it.
It is a journal of some kind. My handwriting. I frown. I don’t remember.
“July 6. Do you remember yet? Has it been long enough? Has it sunk in?”
I flip the page.
“You need it to sink in so that you do not go through this every morning.
“Emil is dead.”
The room spins. What?
I turn the page. His obituary.
I scream. I throw up all over myself. What is this? What is this? Wake me up from this nightmare. Wake me up. It’s not real. Not real.
“Emil!” I scream. Over and over.
Please somebody help me. Wake me up.
A hand touches my shoulder. I whirl around. A man in black. I do not
recognize him. I move away.
“I’m sorry, Mrs. Sanchez,” he says. “I didn’t mean to frighten you. I heard you screaming.”
I back away. Emil is dead. Emil is dead.
“I’m from the police.”
Someone complained about my screaming?
“We just wanted to check on you,” he says. “See how you’re doing.”
Have they come to arrest me? Emil is dead. Emil is dead.
“Are you all right?”
I stutter, “My husband is dead.”
“Yes, I know. I’m sorry.” He looks genuinely concerned. I do not believe it. They are all animals. No. An insult to animals.
“How is your memory?”
“My memory? I don’t know. I cant remember.” I laugh. Hysterical. He better not touch me. Slap me. Help me. Emil is dead.
“I have visited you before,” he says. “You don’t need to fear me. We are just concerned about you. Living alone. Are you getting enough to eat?”
He is looking around the room. His gaze momentarily rests on the book, and then he looks away from it. He has seen it before. Read it before. He sits on one of the stools, his arm brushes the countertop, and a piece of yellow paper flutters to the floor. He reaches for it.
My stomach twists. Something about that yellow paper. Something I should know.
He stares at it and then folds it up and puts in in his pocket.
“What is it?” I ask. It is mine. Give it back. Give it back!
He smiles. “Nothing. It fell out of my pocket. A grocery list. I must be
going now.” He stands. “Please let us know if you need anything. If you can remember that. Good day.”
He smiles and nods. Like a cat who has swallowed a canary.
A vulture.
He is gone, and I am alone. I almost want him to come back, so I can think about something else. Emil dead. Emil is dead.
I clean up the vomit and make myself eat. I am exhausted. I have no
strength. My body tells me I go through this every morning. Some evil
torture designed by the fates. I cannot go on. I cannot. My daughter killed by the government. My husband dead trying to kill as many of the government soldiers as possible. Building a bomb? He had once been such a gentle boy. Dreaming of going to the city. Dreaming of a country without war. We had many dreams. Some land. A house. Children. A fairy tale of a fairy land. Now the dreams are all gone. I am a childless widow.
Something about that yellow paper. I close my eyes and try to remember.
The sun turns. I cry until I can’t. Then I sit. Wondering.
Mrs. Harris brings me groceries.
“I heard the police have surrounded the airport,” she says, watching me as she puts away the food. “They are going to arrest many of the guerrillas. This is what I hear.”
“What do I care? My husband is dead.”
I want her to leave. She is gone. I can hardly remember her being there. Or the police. Is it all fading away? Will I go through this every day for an eternity? What kind of punishment is this? What have I done? Given birth to a child and loved a man? What have I done?
I cannot do this.
I go into the bathroom and open the medicine cabinet. I take out the pills.
It is over.
Dusk is covering the city again. Another day. Soon I will sleep and forget it all. Only this time, I will not wake up. At least not in this world. I will find another country. I fill a glass with water and then go into the bedroom. I sit on the bed.
Lottie is dead. Emil is dead. Now me. It is my turn. They have killed us
all. Hope is dead. Why were we given hope? It causes so much grief. The hope that the world will get better. The hope that we can change things. The hope that this reality isn’t the only one; Lottie is alive and well, unbattered, unbloodied, someplace else. The hope that Emil is alive in some other place, alive as he was. A boy full of life, the boy who was gentle and loved his wife and child. The boy who did not kill. Would not kill. Would not manipulate.
The yellow paper. Something about the paper.
Who would not manipulate. Would not let his wife live in agony for a cause.
“Emil is dead. Emil is dead.”
A piece of memory pops into my brain for an instant like a flashbulb going off.
No. Emil is alive. Emil is alive. And he let me believe day after day that
he was dead. Because he is one of them. One of the chosen many, lost in their blood feast. Ripping out their own livers, day after day.
I stand.
The yellow paper. The rendezvous information. Time. Place. The police have him. Now. He is dead now. I stare at the pills. He was alive. He was alive.
Now. He. Is. Dead.
I swallow the pills. And wait. For the fog to come in on little cat feet.
Everything is cottony.
I hear voices from faraway, but I cannot move.
“My God.” Emil’s voice. “She’s taken the whole bottle. How could I have let you talk me into doing this to her!”
“It was a good diversion.” I do not know this voice. “They found the note; now they’re all at the airport, thinking they’ve trapped us and instead, they’re being blown apart.”
The fog is thicker. I will leave this place.
“I promised you I would come back,” Emil says to me. “Don’t leave me! What are you saying? Where are you going?”
“To a place where there is no killing,” I say. Is he laughing? “There is no such place.”
I touch my chest. “There is. Here.”
“Don’t go!” Is he screaming?
“She’s out of it.” The other voice. “Dead or crazy, she’s useless to us
now.”
“I will not leave her!” Emil cries. “She’s coming with us.”
The fog rolls over me, meows, and licks me good-bye forever.
I awake with a headache. My head pounding out a message I cannot comprehend, as if someone is tugging on my sleeve, trying to tell me something. I lie still, waiting. For sounds of Emil. I smile, and the headache fades.
“Emil,” I whisper.
Where is he? The house is so quiet. My head throbs again. I push myself up.
“Emil!” I cry. What is this panic that is rising in me? “Emil!” It is almost
a scream.
“What?” Emil stands in the doorway. “What’s wrong?”
I smile. He is so beautiful. The boy I fell in love with. “Nothing. I’m
sorry. It was so quiet. I have this stupid headache.”
He comes and sits next to me and rubs my temples. “Again? You have it every morning. We’re going to have to figure out what’s going on.”
“Everything is fine as long as you’re here,” I say leaning against him.
“We were quiet on purpose,” he says. “We have a surprise for you.”
I sit up. “Oh?”
Suddenly, my daughter is coming through the doorway, carrying a breakfast tray that is way too big for her. She frowns with great concentration, trying to keep the orange juice from spilling. Her father finally takes the tray from her and puts it on my lap. Lottie scrambles up next to me, spilling the juice as she leans over and places a wet kiss on my cheek.
“Sorry, Mom,” she says, noticing the spilled orange juice.
I kiss her back. “No, thank you for this wonderful breakfast. What’s the occasion?”
“Nothing special except that we’re here together,” Emil says.
“We’re going to have a picnic down by the river later on,” Lottie says,
bouncing on the bed.
“Just like yesterday?” I ask.
“And like all the days before,” Emil says. “And all the days to come.”
I embrace them both. I have never been so happy. My head throbs momentarily. I think I hear someone calling my name. Someone touching me. Someone weeping.
“What’s wrong, sweetheart?” Emil asks. “Are you remembering something?”
I shake my head. “It’s nothing. Just something from another country, another place. I’ll forget it in a moment.”
copyright © 1993 by Kim Antieau 0 comments
Monday, January 26, 2004
Sore Point
OK. Well.
Weekday TV is the pits. Yesterday we watched something on the Nat Geo channel about the Three Mile Island nuclear plant accident. I remember that day rather vividly since I had gone to see the movie The China Syndrome. I got home from the movie, switched on the TV for the news, and heard about the accident. In the movie, they said that a meltdown could wipe out a place the size of Pennsylvania, so it was doubly creepy.
Have you seen the "Worlds Apart" series on National Geographic television? They take American families and have them live with families in Africa, Mongolia, Peru, and other places. The American children often seem so incapable of doing anything—quite spoiled. But in the end, the American families seem to understand the lives they have in the US are often pampered and greedy compared with people in other countries. I find the shows quite moving. (I'm also sick, so keep that in mind.)
Don't worry. I won't keep giving you updates on what I'm watching on TV.
I saw these books reviewed when I was doing my library ordering. I haven't read them yet, but they look interesting. I can't tell you the number of times I've heard (from other women—never from a man), "You can't understand because you haven't had kids." Or "You're not a real woman because you've never birth a baby." Or "I could have had your job if I'd gone to college and not had children."
Mario has been reading Jack Finney's The Body Snatchers to me. We just saw (again) the original film made from the book, Invasion of the Body Snatchers. I love this movie, although it does have some plot problems. (Do the pods actually come to life and kill the people or do they imprint themselves somehow on the people's brains, and if they do this, why do the pods have to look like the person?) Anyway, I love the paranoia. I love how horrific it is for everyone to be the same. Although some viewed the book (and movie) as an indictment of Communism and some viewed it as an indictment of McCarthyism, Jack Finney said it was "pure entertainment." What do writers know about their own work...
Here's an interesting article from the UK where the author purports the US is "now in the hands of a group of extremists." I would add, "In the hands of religious extremists." (I skimmed the article, so I'm hoping it holds up.)
Tad Daley has 10 responses for those who say, "I love Kucinich but he can't win."
To end on another positive note, a federal judge in Los Angeles has struck down part of the Patriot Act! So it begins? Yes!
OK. We've come to the part where I'm too sore to sit here any longer. May you walk in good health. 0 comments
Sunday, January 25, 2004
Sore All Over
Twenty-four years ago I was on a plane that almost crashed—at least the passengers and stewardesses thought so. It was a flight from Greece, and we had stopped in Maryland, I think, and were now heading for Michigan. The pilot came on and warned us about turbulence. Almost immediately, we had the worst turbulence I had every experienced, and I was an experienced flyer by that time and had seen my share of bad turbulence. The plane shook so badly, I couldn't imagine it would hold together. Then it stopped. We all sighed, and looked around at each other, smiling nervously.
Then it started again: a hundred times worse. The plane was shaking and diving. The toupee of the man next to me flew up into the air at the same time that the stewardess went flying. I thought I was going to die. I did think about my life. I looked around at all the frightened screaming people, and I thought this was a terrible way to die: it seemed to take forever. After an eternity, the dive and the shaking stopped. The pilot said, "Sorry about that." The stewardess came over to check on us and said, "I thought we had had it that time." When we arrived in Detroit, ambulances awaited us. Apparently someone had gotten hurt. The worst part about the experience, aside from the wrenching terror, was that they never told us what happened. Maybe we weren't seconds from death: but we all thought we were, and it has certainly colored my view of air travel. (And after watching "Mayday" all day, I'm not inclined to step on a plane anytime soon.)
I didn't fly again until 1987, for a job interview out here. I screamed as the plane took off. I went for the interview, got the job, and flew home. That's the last time I've been on a plane.
In any case, I posted more of Her Frozen Wild on my website. I don't put more than twenty pages at a time because the website isn't set up to deal with more than that at a time. Sorry.
Need your help. First, wish me good health. Thank you, thank you. Second, I thought this exercise might be fun. I'm ready to write a short book. I wanted to do my Emily Dickinson novel, but I'm not sure I'm up to more research right now. I have the most fun re-doing fairy tales. My poem "Red Rose & Snow White" will be on the winter issue of Terri Windling's Journal of Mythic Arts. So I'm thinking maybe I could write a novel about them, or the Briar Rose story—although that might be depressing. (Of course, both of these stories have already gotten novel treatment in Windling's Fairy Tale Series.) Got any fairy tale ideas you'd like to see me write, either as a short story or a novel? I was going to say, "I'm looking for kismet." But then I looked up the word. I didn't know it means "the will of Allah." I'm not looking for the will of Allah—just inspiration.
Right now I'm inspired to sleep. But since I can't do that, it's time for more bad TV.
OK. It hurts too much to sit here.
Talk with you soon, I hope. 0 comments
Saturday, January 24, 2004
My Favorite Martian Photos
Obviously I could use a little...sunshine. Either that or massive doses of thorazine.
Mario has the Nasa astronomy page as his home page. Today they had an extraordinary photo of Mars. The European Space Agency has some cool photos, too.
Not a drop of rain on Mars in sight as far as I can tell. Not that I am technically complaining about the rain here. When it's this cold, it means the rain is snow in the mountains, and that's where we get our water. So snow in the mountains is a good thing for the ecosystem...Blah, blah, blah. Get me some drugs.
Kidding, really. I'll put up my antennae and disappear for a spell.
0 comments
Ranking the Candidates
Fun With Zip Codes
Friday, January 23, 2004
The Louvre
I visited the Louvre when I was eighteen and backpacking across Europe with a friend. I was overwhelmed at the size of the place—and immediately exhausted. I don't remember many specific artworks I saw, but I do remember the "The Mona Lisa." It is on a wall with a bunch of other paintings. Now, because of attempted vandalism and for preservation, the painting is enclosed in glass (or plastic), but it remains on the same wall, in the same place as far as I can tell.
The painting, completed in 1507, went to the Louvre in 1804. In 1911, "La Gioconda" (The Mona Lisa) was stolen. Fortunately it was recovered two years later. Pablo Picasso was questioned about the theft!
Have fun. May you walk in joi! 0 comments
Too Much Politics & Happy New Year!
I watched the debates between the Democratic presidential candidates last night. I miss Carol Moseley Braun. She always said the things I wanted to say—only much more politely. Dennis Kucinich didn't seem to be as on point as he usually is. Lieberman just grates on me—he's such a Republican. I'm often surprisingly impressed by Al Sharpton. He sees the big picture that the others often miss. (He said the Dems should stop letting the Republicans claim moral superiority. There was no moral superiority in letting millions of people go hungry, etc.) I say "surprisingly" because I remember Sharpton's part in some not so savory publicity stunts in the past—at least they seemed to be publicity stunts. I never really understood that whole Tawana Brawley case. (She accused police of raping her, and Sharpton acted as her spokesperson, if I'm remembering right. The common wisdom now is that she made the whole thing up.)
John Edwards seems too ignorant about some things he really ought to know. When asked about the Defense of Marriage Act, he didn't have a clue. (Signing that bill was another one of Clinton's cowardly acts.) Wesley Clark answered the questions intelligently. He sounds like a good liberal Democrat, but he still makes me nervous. I don't want the first public office a person has held to be the presidency. As far as I know he's never managed a company, town, county, state. How will he deal with the economy? John Kerry and Howard Dean did well, I thought. I was impressed with Dean's behavior during the interview he and his wife had with Diana Sawyer. These reporters get on my nerves. They ask about polls and appearances and gossip, but they don't talk about the issues. Dean and his wife are not the typical political couple. Yeah! His stint doing Letterman's Top Ten was quite amusing. I think the media has been making way too much of his "rant"(one pop-up) in Iowa.
In case you believed CBS when they said they wouldn't show the MoveOn ad during the superbowl because they don't do "issues," read this article from Alternet and this one from CommonDreams.
Chinese New Year began this Wednesday, on the New Moon. Mario and I celebrated by driving to the ocean. The tide was so low (as it always is during the Full Moon and New Moon), so we got to explore tide pools that were usually covered in water. We also ate a couple times at our favorite restaurant, Sarang, in Newport, Oregon. The meals and company were splendid, as usual. I was going to write an essay about the trip. I may yet. Right now I need to go do my part for our feast tonight.
More later, gators!
P.S. I dreamed about Howard Dean all night, so I've decided I've been paying too much attention to politics. 0 comments
Thursday, January 22, 2004
Cover Shot
Happy Anniversary!
Whether you've had an abortion, have chosen not to have children, or have birthed a baby, congratulations! At least you had legal and safe options on what you wanted to do with your body. Wouldn't it be great if women all over the planet had the same choices?
Blessed be. 0 comments
Good Morning!
If you get a chance to catch Jon Stewart's The Daily Show today (from last night), I'm sure you'll giggle. He talked about the State of the Union speech. Very funny!
You're probably sick of hearing about the State of the Union speech. The mainstream press wasn't very critical of it, I didn't think. Here's an annotated critique from CommonDreams, in case you're interested. After the speech, CodePink called for Bush's resignation again. You go, girls! And Arianna Huffington's take was good—and sometimes amusing. You have to laugh. Like steroid use among athletes is a national problem and the state of heterosexual marriage must be defended by all comers, so to speak. If he wasn't causing so much havoc, George W. would just be marvelously entertaining in his ridiculousness. (Is that a word?)
I'm sure many of you have seen the mainstream media go crackers bonkers ga-ga (whatever term you use) over Dean's speech after he came in third in Iowa. They keep saying Dean was angry, and he has an anger problem. Watching him did make me a bit uncomfortable, granted, but maybe he was trying to rally his troops (sorry for the war metaphor). Michael Moore urges Deaniacs not to give up and praises them for getting the rest of the country off their butts and looking around at what's goin' on.
I want one of these candidates to win next year, obviously. It's possible Kerry and Edwards could do it, perhaps as prez and vp. I haven't researched Edwards at all yet. I saw a sound bite where someone asked him the price of a gallon of gasoline and he hadn't a clue. Instead of saying he didn't know, he tried to fudge it. It was interesting. I think most of these people haven't a clue how the average person lives. Robert Kennedy, president of Riverkeepers, has endorsed John Kerry as the best candidate on environmental issues. The League of Conservation Voters who gave Bush an "F" on the environment has information on how all the candidates voted and what their policies on the environment are.
Speaking of the environment, did you know the Justice Department is trying to prosecute Greenpeace using an 1872 law designed to keep prostitutes from trying to lure sailors from their ships? (Are you laughing yet?) There is something seriously wrong with these people. Ashcroft, honey, you need to have some fun. Read a banned book, get laid, eat a doughnut. Something!
I wish you all joy, joy, joy! Walk in beauty on this beautiful day while furiously spinning along!
Tuesday, January 20, 2004
The Real State of the Union
Monday, January 19, 2004
MLK's "Beyond Vietnam" Speech
Pricked
Briar Rose
She opened her eyes to white and realized she knew nothing.
The nurse was white, too.
“Good morning, sugar,” the nurse said. “Do you know who you are?”
She shook her head and wondered where the window was. Maybe if she saw the sunlight, maybe if she saw the world really existed, she would know. Silly thought. The world existed. It was she, she was certain, who was not supposed to be.
“Turn over,” the nurse said. Her voice was as pretty as anything she could remember. Though that wasn’t much. She turned over. The nurse threw off the covers and pulled up her hospital gown. “Lookie here, girl,” the nurse said. “Maybe that will jar your memory.”
She looked down at her own bare ass, twisting her head and arching her back. A small rose bloomed on her white butt, its red petals surrounded by a crown of thorns.
She touched it.
“Maybe my name is Rose,” she said.
“All right, Rose, honey,” the nurse said, putting the hospital gown and covers back over her bare skin. “We don’t know who you are either. You came in with glass all over your arms, cut deep.”
Rose held up her bandaged arms.
“You said you’d fallen through a plate glass window.” The nurse smiled. “We decided to take your word on that and not put you in the psych ward. All you have to do now is eat that shit they call food, rest, and get better. Just whistle if you need anything.”
The nurse in white smiled; for a moment, Rose thought she was dressed in shining armor. Rose shook her head and the nurse was gone. She closed her eyes and reached into her memory. Nothing. Except a man with a needle that looked like those wood burners they used in shop class when she was in high school. “Have you come to be transformed?” the man asked. “I don’t think so,” she answered. “I just want a rose tattoo.” He hummed some tune, Beethoven’s Fifth, while he rat-ta-tat-tatted on her backside.
When he was finished, he smoothed a bandage over the patch of skin and handed her a card with care instructions, as if she had just bought a sweater. She pulled up her pants and went home. Home? She couldn’t really see it, only her reflection in the mirror, somehow, as she pulled off the bandage and looked at the scab forming where he had drawn the rose with his needle and ink.
“There now,” she said. “I am whole again. I am myself. My body is mine.”
Rose opened her eyes and started to call to Nurse White, to tell her she did know something. Instead, she closed her eyes again and went to sleep.
In the morning, after she ate the shit they called food, Rose got out of bed, found her bloodstained clothes, and got dressed. She was frightened until she thought of the rose blooming on her butt, and then she was no longer afraid. She walked into the hallway, got on the elevator, and went down to the lobby. Outside through the revolving doors, Rose saw a world she had never seen before, bright, noisy. White with color. No, bright with color. She reached into her pockets as she went down the street, away from the hospital. She pulled out forty dollars, crumpled up in her front pockets. That was it.
She hummed Tchaikovsky’s 1812 Overture as she walked. Pigeons shadowed her as she went down the street, toward the tall buildings and bridges arching the river or expressway. The pigeons dogged her steps, looking for handouts. As she walked she remembered nothing except the rose, knew nothing except the feel of her own skin under her hand. She smiled. Ignorance was bliss.
When she got downtown, the pigeons swore at her and flew away to the Burger King parking lot. Rose went onto a street called Burnside and walked until she came to a door which said: TATTOOS, CLEAN SURROUNDINGS, NO ONE UNDER 18 ADMITTED. Rose gently pulled off the gauze from her arms. Scabs traced the places the glass had cut. She dropped the gauze and scabs into a garbage can and then pushed the door open and went inside.
The man with the wood burner looked up when she came in. He smiled. He was the man from her memory.
“Sorry, honey, I can’t take it off.”
“I don’t want it off,” she said. “I want another one.” She stepped past the swinging door and into his domain of stencils and needles, inks and memories. She looked at the drawings on his walls.
“You going to pick from my flash this time? Last visit you wanted something no one else had.” He stood next to her and pointed. “There, how about another flower?”
She shook her head. “I want a child. Here on my arm. Do you have a child? I need to remember.”
“No, but I can draw one,” he said. He had curly black hair and tattoos everywhere she could see. A dragon belched smoke up his right arm. Jupiter surrounded by stars rotated on his left arm. A butterfly flew beneath that.
She followed him to the tattoo place behind his drawing table. He wanted her to lie down, she wanted to sit. He hummed as he cleaned her arm with alcohol, let the air dry it, and then drew a little girl. Rose watched his fingers and arm move and knew that she could do it, too. Draw. Sketch her life. After a time, when no one else came into the shop, he stopped and asked her if she liked the little girl he had drawn.
She looked down at her arm. “That little girl is me,” she said.
“Yes,” he said, “I know.”
“I don’t remember if I liked her.” The girl was smaller than Rose had imagined, two years old perhaps. The man began spreading the inks onto her arm. Then he sewed the girl into her skin with the color. When he finished, it was dark outside and the little girl was blowing out two candles on a blue-frosted cake.
“Someday, Charlie, my brother, some little prick’s going to get her,” her uncle Bobbie said. “and it’ll all be over. That’s the way with girls. Dad always said so.” He laughed and spilled beer on himself while her mother sliced pieces of cake. Rose looked over at her father and saw the fear in his eyes; she was only two but she saw it, and Bobbie was too young to drink beer, maybe thirteen.
“Are you all right?” The tattooist touched her arm with his fingers. She moved her arm away from him. “Sorry,” he said. “You only want to be touched if it hurts.”
She looked at the little girl on her arm. Her lips were pursed, forever trying to blow out the candles.
“Can you teach me how to do this?” she asked.
“Transform yourself? Or tattoo?”
“Draw with a needle.”
“Do you have any money?”
“Forty dollars and two memories,” she said. “I could stay here. Clean up. Do anything else you want.”
“Don’t scratch your tattoo,” he said. He started to hand her the card with care instructions written on it. She stared at him.
“All right,” he said. He nodded as if he had known it all along.
“I want another,” she said. “The other arm. A snake.”
He got up and went to the door and locked it. He pulled the shade down. Then he took a stencil from his flash and returned to her. “Turn around,” he said, “so I can work on your other side.” He pressed the drawing onto her arm. When he pulled it away, Rose could see the outline of a snake. She stared at the bandage on her other arm and imagined the girl beneath it while the tattooist drew the snake.
When he was finished, he dropped his instruments. “I can’t do any more,” he said and walked up the steps that led to his loft. She listened to his heavy breathing for several minutes before she got up. She threw out the needle and put away the inks. Then she went into a small office in the back and curled up on a battered couch.
When she awakened, it was still dark. She felt hurried, as if something had to be finished soon. Something she had started and somehow had messed up. She turned on a light over the desk and looked at her arms. Where the glass had pierced her skin were now black lines, jagged shapes tattooed into her arms.
She remembered standing in the motel room, wondering why she was there. Her mother was dead. Too many sleeping pills. Her father was dead. Too many cigarettes. And she was alive. Her body ached. Her body that wasn’t hers. The tattoo itched. It had not brought her back from the edge. Something had pricked her, just as her father had feared: men, boys, life. She hurt, as if slivers of glass were tickling her insides. She had raised her fists in anger, wanted to pound on the windows that looked out onto the parking lot, when suddenly she knew how to have peace.
She ended up in the hospital eating shit and getting sponge baths from Nurse White.
She turned her arms around and pulled off the bandage over the little girl and her birthday cake. The scab came off with the bandage. The girl had tears in her eyes. She had heard the conversation, had known her life had changed.
Rose peeled off the other bandage. The snake shed his scab, and Rose was in the backyard of her home, eight years old, bent over a translucent snake skin, wondering where the snake had gone. What an easy life. If you don’t like it, just shed it and begin anew. She reached out a finger and touched the skin tentatively. Dry.
“It it’s from a poisonous snake you could die.” She looked up. Uncle Bobbie. He smiled. All his smiles looked monstrous. She wasn’t sure why. He snatched up the snake skin and began running. She went after him, into the woods where the oaks and maples were shedding their leaves. Suddenly his footsteps stopped and she was alone in the woods. Then Bobbie jumped from behind a tree and threw her to the ground, laughing all the time, tossing the snake skin into the air, out of her reach. He pulled off her pants and then his. When it was over, he promised to get her a pony if she didn’t tell anyone.
Rose turned off the light. Now she had four memories.
She watched the man prick pictures into other people’s skins all day. She took care of his inks and needles and cleaned the floors. At night, she counted his money and gave it to him. He needled her when everyone was gone. A drop of blood tattooed on her right forearm brought Bobbie back to her, brought his smile as he zipped up his pants and she put her hands between her legs. She cried and he told her to shut up. Her parents were afraid to leave her with anyone else except family. Afraid of the outside world. Uncle Bobbie had been right, they would tell each other, there were millions of guys out there just waiting to hurt their child.
A willow tree brought her father back. She leaned her head against his knee. He stroked her hair while he read his newspaper. Her mother knelt in her garden and whispered to the flowers.
“I’ve never seen anyone heal as quickly as you do,” the tattooist told her. He seemed tired, as if he felt it all, too.
She nodded and took the needle from him. “May I try?”
“Don’t hurt yourself,” he said.
“Isn’t that what this is all about?” she asked, holding the needle like a writer holds a pen, poised to express herself.
“No,” he said. And he went up the steps. She waited until she heard his heavy breathing, and then she began drawing.
She tried a flower, but it turned into a warped sun, bringing back a summer when she was four and Bobbie was pushing his fingers between her legs while he held onto something between his legs. Rose laughed at his face, funny Bobbie, until her hurt her and she started to cry and wondered where her mother was. The sun was too hot and the flower were dying.
“Momma,” she whispered.
She tried tattooing flowers again, this time on her thighs. First violets, then roses, gardenias, rhodies; a garden bloomed on her skin and she was next to her mother in the dirt. Her mother was crying, the tears making paths through the dust on her face. “What’s wrong? What’s wrong?” Rose asked. She was ten and her throat hurt from trying not to cry. Bobbie lurked in the bushes somewhere, always waiting, and Momma cried.
The tattooist came down the stairs when it was morning. He looked at her thighs.
“You’re an artist,” he said.
“The agony and the ecstasy?” she said. “I’m my own Sistine Chapel.” She held up the needle. “Will you do my back?”
“Why?”
“I have to remember,” she said.
“But wasn’t it nice before?” he said. “When you knew nothing?”
She shook her head. “I knew nothing when I was two years old and look what happened.”
“You hardly scab,” he said.
“I go straight to scarring,” she said.
She took off her shirt and camisole. She didn’t care if he saw her. He poked holes in her back and let the ink soak in, making the memories permanent. They could be wiped from her brain but not from her skin.
“What have you drawn?” she asked when he paused.
“Can’t you tell?” he said. “Don’t you remember being a kid in the bathtub with your brother or sister? You’d wipe the other guy’s back and then put soap on it and draw, usually words, and the other person would have to guess.”
“I didn’t have any brothers and sisters,” she said. “But I do remember a cousin, Mary, and we played together. Sometimes we took baths together when we were real little and we’d do that. Yes, I remember now.” It had been nice to touch her and to be touched by her. They were each the other’s drawing boards. They got water and soap everywhere. “We floated little plastic ships in the water and pretended we were seeing the world.”
“That’s what I put on your back,” he said.
She got up and went into the bathroom where there was a full-length mirror and looked at herself. Two girls stood on a sailing ship. They held hands and waved to the mermaids in the water. The ship bobbed in the waves. A flag with a rose on it flapped in the breeze.
Rose smiled. Some of the memories were good.
She went back into the room where the tattooist sat.
“You understand that I have to do this,” she said.
“Yes,” he said. “It’s part of what I do. Transformations, remember. It’s difficult sometimes.”
She nodded.
She drew a lady on her left calf. Her golden hair flowed away from her as she lay on the bed of skin. Her eyes were open but Rose knew she was dead. Her open eyes had surprised Rose. She had died of an overdose of pills. Eaten one at a time.
“Why?” Rose asked as her mother swallowed a little white pill.
“Because I ache,” she said. “I’ve been stabbed in a million places.”
Had Bobbie played with her, too?
“I need you to stay,” Rose said. She started to cry. Where was her father? At work? The car was with him. Their closest neighbors, the Nelsons, were gone on vacation. She wasn’t sure she could reach anyone else. They lived too far from the city. Out in the country where nothing could hurt them. Her mother had ripped out the phone.
“Bobbie’s been playing with me,” Rose said. She was twelve, desperate. She’d tell her mother, get her to stay.
“What do you mean?” Her mother swallowed four pills this time.
“You know, putting his thing in me,” Rose said. Stop it, Mom. Stay with me.
“Tell your father,” she said. “He’ll protect you.”
That was it. That was all her mother had to say to her after all the agony she had been through.
“He promised me a pony,” she said.
“I’m so tired,” he mother said.
Rose ran downstairs and out the door. She ran into the dusty afternoon and through the woods toward the house Bobbie shared with his parents, farther and farther away from home. He worked in town at night. Maybe he’d be home now. She pounded and pounded on the door. After a while, she heard his voice from deep within the house. He came to the door, half-asleep.
“What are you doing here?” he said.
“It’s Momma,” she said. “She’s taking too many sleeping pills. Please, you’ve got to do something.”
He opened the screen door and she came in. He went to the phone and called the police and an ambulance. She hated him, despised him, hated herself. But he was going to save her mother.
He took her hand, and they went out to his car. He drove her back to her house and together they went upstairs. Her mother lay on the bed, her hair spread out around her, like a golden-haired Snow White waiting for her Prince Charming. Her eyes were open.
Bobbie started to cry. Rose went away. She wasn’t certain where she went. Her soul wandered for a time. She thought she had died when she was eight, but she had been wrong. Now she died. Pricked by her mother’s death.
She drew a garden on her other leg. Its weeds and thorns twisted around her calf and up her knee. A man stood among the weeds.
“He never let me near him after that,” Rose said.
“Who? Your father?” the tattooist asked.
“No,” Rose said. Tears stung her eyes. “Bobbie.”
She felt like she was going to throw up. “I hated him, but he was all there was. I guess. Momma had left me a long time before she died. And my dad was . . . my dad.”
The tattooist took the needle. Rose lay on her stomach, and he drew on her back. Her butt became a tangle of dark briar that went up her back, no way to get through.
She remembered leaving her bedroom window open. The boys knew where to come in and they did, one at a time. She didn’t care who they were. She just opened her legs to them. She had to fill the emptiness somehow.
The briars pricked her skin; the tattooist drew drops of blood down her legs.
She touched the blood and remembered being seventeen. Her father was drunk. She had never seen him drunk before. But he was blind with grief. He wept and started calling her Joanie. Her mother’s name. She went into the bathroom and curled her hair up and behind her, dabbed her cheeks with powder, put her mother’s pearl necklace around her neck, slipped into her mother’s blue flowered dress, the one her mother had worn often, especially when she was in the garden, and then she went out to her father. In the darkness, she opened herself to him, not understanding, and he pushed into her, sobbing, until in the middle of it, hard inside her, he opened his eyes and screamed with the horror of it, knowing it was Rose; knowing it, he kept going. When he was finished, he curled up on the floor and asked how she could have done it.
“Does it hurt?” the tattooist asked.
“Yes.” Rose wiped her tears and sat up. “I want you to do my breasts.”
He drew flowers and restaurants and neon lights and cowboys. It hurt. He drew her trek across the country after her father told her to leave. She went to Bobbie’s house first. He had a wife and a child and he could not look at her. Rose turned away from the house and hoped he never touched his little girl the way he had touched her. She took a ride from a trucker. She let him have her at night, after they drove several hundred miles. She felt dry inside, and he told her she wasn’t much fun. “I don’t want nobody don’t want me,” he said. He let her out in the darkness. The next one beat her up. The tattooist pricked the black and blue spot on her skin. She hadn’t minded the beatings so much. She deserved it. Touching was meant to hurt. She ended up working in a restaurant in Tucson, fifteen hundred miles from home. For some reason, she told Bobbie where she was.
She looked down at her breasts and saw the envelope, saw the writing on the letter. The tattooist bit his lip as he pushed the needle into her.
“It’s for my own good,” she said.
“It’s for your death,” he said.
She nodded.
The letter told her her father was dead. A year to the day she had left. Lung cancer. She didn’t go back for the funeral. She stayed in Tucson. A cactus grew from her navel. An old Indian woman tried to heal her insides. But she couldn’t let the woman touch her. Couldn’t let anyone touch her.
When she turned nineteen, she went north. She found the tattooist and had him etch a rose into her body. It was her body now.
He painted the house around her side. It wrapped her. She had never gone back to the house. She had heard they sold it. Another family lived in it now. After she got the rose, she thought it would be better. It was supposed to be better. A reason to go on: because she had reclaimed her body. Instead, she stood in the motel room and wanted to die.
The tattooist moved away from her. He was crying.
“There are scabs all over your body,” he said.
She was naked except for the tattoos.
“Are you glad you remembered?” he asked.
“No,” she said. “Thank you.”
“Don’t go, he said. “You’re very good. An artist. You could transform people.”
“I can’t even transform myself,” she said. She put on her clothes. Her entire body hurt.
“I could help you get started,” he said. She was quiet. “Stay until the scabs are gone then.”
“All right,” she said. “I’ll at least stay the night.”
He started to touch her arm, but he stopped. “I’m going to bed,” he said. He slowly walked up the steps to his loft.
Rose went to the office and sat on the couch. Her body was now covered with her memories. It ached with them. She took off her shirt; the throbbing lessened somewhat. She wanted to cry. The memories burned her skin. Hurt. Too much. She stood up and took off her pants. How could she live with it all? Stand it? She touched one of the faces on her body that was Bobbie. He peered at her from her right shoulder. She shook herself, like a dog shaking water from its fur, and the scabs fell away from her body, becoming flower petals, red, yellow, blue, floating slowly to rest on the carpet. Now she could clearly see all her memories. Her life was etched into her skin. She went into the bathroom and stared at her body in the mirror. Her ruined body. Bobbie had ruined her. Killed her. Doomed her to sleep until she died. Her mother had ruined her. Her father had ruined her. She had only been a child. They had all taken pieces of her and had forgotten to give them back.
She started to cry. She thought of those hours when she hadn’t remembered anything. When Nurse White had turned her over. A babe from the womb. Being cared for, loved, patted. She had known nothing. Now she knew everything.
Bobbie drank too much. His wife had left him. Her father was dead, never forgiving her. Never realizing it had been his responsibility, not his daughter’s. Her mother was dead. Never caring what she left behind.
“Time to wake up,” Rose whispered to her reflection.
She reached down and pulled a briar away from the patch that circled the rose on her butt. Her skin itched. Crackled. She sat on the floor and pressed the thorn into the top of her head until she drew blood. It had been good to remember. Blood ran into her eyes. To realize she had only been a child. Her mother had chosen to die; Bobbie had chosen to hurt her; her father had chosen to blame her. It was past. Time for reclamation. Seeing it all had made it, somehow, understandable. She remembered touching the snake skin when she was a child, being amazed that it could just start fresh, shed its old life.
She stretched and creaked and rubbed herself along the carpet, and her past started to fall from her. She sat up and helped it: she peeled away the dead skin. It felt dry and cool, just as the snake skin had. Lifeless. No power. The flowers came away, Bobbie’s face, her mother’s eyes, the weeds, the ship on her back, the snake, the blood. All of it. She stood and dropped the past onto the carpet. She shook herself, causing the last pieces of skin to fly away. She looked down at her body. She was white and pink. New. Only the rose on her buttock remained, without the crown of thorns.
The tattooist stood in the doorway. He leaned over and picked up the skin.
Rose touched his arm. Leave it,” she said. “I don’t need it anymore.” She reached down and smoothed her hand over her rose tattoo and smiled. “I am myself again.”
Saturday, January 17, 2004
P.S.
Buttheads
Yesterday we drove an hour into Vancouver to get the car checked out. I followed in the old car to make certain Mario didn't end up stranded at the side of the road. Honda eventually found the problem: an exposed wire that kept shorting things out. On the drive home, the fog and clouds cleared and Wy'east (Mount Hood) stood out so glorious and beautiful in the afternoon light. She is covered in snow which is a good sign we'll all have enough water this summer.
Did you hear CBS has refused to run the MoveOn Bush in 30 Seconds ad during the Super Bowl? They say they have a policy of not airing controversial ads. Sounds like they have a policy of airing ads which agree with their corporate viewpoint. Does this mean the lie of the liberal media is finally exposed?
Hope you're all staying warm. I may be gone for a few days. I need some OM time, plus my wrist is bothering me. I just finished my library order and I input a lot of numbers—with my left hand. Besides, it is supposed to be sunny (albeit cold) for the next couple of days. I hope to be outside!
May you walk in beauty!
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Thursday, January 15, 2004
Keep It Rolling, Boys & Girls
Chalmers Johnson makes an argument in "America's Empire of Bases" that the US is the biggest military despot on the planet. Johnson writes, "Due to government secrecy, our citizens are often ignorant of the fact that our garrisons encircle the planet. This vast network of American bases on every continent except Antarctica actually constitutes a new form of empire....Without grasping the dimensions of this globe-girdling Baseworld, one can't begin to understand the size and nature of our imperial aspirations or the degree to which a new kind of militarism is undermining our constitutional order."
Have you heard Ralph Nadar is thinking of running for president again? I'm with Ted Glick on this. Don't do it, Ralph! Apparently he was proposing running a campaign that would somehow draw voters away from Bush. That's fairly confusing. I don't happen to believe (as some do) that Nadar gave the election to Dubya by running. I think Gore and the lack of vision by the Democrats (or seemingly lack of difference from the Republicans) lost the election. However, this time around we can't chance Dubya being re-elected. So stay out of it, Nadar! Unless you want to campaign for the Dems. Or get Ross Perot to run for president again. Now he took votes from the Republicans.
Dubya hastily made plans to lay a wreath on Dr. Martin Luther King's grave—on his way to a fundraiser. This man has no shame. As Dubya walked up to the tomb with Mrs. King, protesters held up signs that read, "No blood for oil." Bush couldn't see the protesters, however, and they couldn't see him: city buses came and parked between the protestors and the grave.
Happy birthday, Dr. King. Wish you were still around. May you rest in peace. 0 comments
Why Go to Mars? Can you spell: Halliburton
Are you laughing? 0 comments
Bush's Environmental Misdeeds