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In times of old, The Furies protected Mother Right. If a mother (or any woman) was harmed, The Furies swooped down and took their vengeance. They were one of the last vestiges of a world that existed before the patriarchy. When we feel righteous anger, it is The Furies who are calling out to us to make what is wrong right again.
Tuesday, September 30, 2003
Five Easy Pieces
A friend of mine just encouraged me to give so-and-so a piece of my mind. I said, "No, I can't. I have too few pieces left!"
Sorry. I'm feeling all giggly. I've spent the day languishing in myths, fairy tales, and sensuous language while doing research for a novel and writing up a proposal. I am quite content to stay in that world. I left it long enough to take a walk with Mario during his break. He told me about the cover of The Nation. If you want your own giggle, check it out.
I'm rereading Sacred and Herbal Healing Beers: The Secrets of Ancient Fermentation by Stephen Harrod Buhner. I really should buy the book since I keep checking it out from the library. But I don't drink (nothing religious; it just doesn't agree with me) or make beer, so I keep thinking this book has nothing to offer me. But it's a great read. Buhner begins with a quote from Alan Eames (from his book The Secret Life of Beer), "In all ancient societies, in the religious mythologies of all ancient cultures, beer was a gift to women from a goddess, never a male god, and women remained bonded in complex religious relationships with feminine deities who blessed the brew vessels."
Vicki Noble reminded me, again, about the importance of this book at her workshop this weekend when she talked about the Melissae, the bee priestesses of Demeter, and about the healing qualities of mead and beer when brewing was under the purview of women: the women added herbs and flowers and other medicine to the beverages. When the men took this sacred work away from them, the herbs, flowers, and medicine went into the drink, so to speak. (No, wait: they went OUT of the drink.) In cultures all over the planet, women created these healing sacred liquids as they chanted and prayed and sang to the plants, the elements, and the spirits.
I had a dream once where I was in this amazing kitchen cooking with a Rumanian woman. As we threw bits of this and that into huge steaming pots of bubbling stews, she shared her wisdom with me. The most important piece of wisdom was: "You must always talk to the spirits when you do everything, especially the spirits of the food."
I think that is good advice. Today I went and sat in my garden and listened to my plants. Waiting for wisdom. Especially my rosemary plant. I have had her for over a decade, since she was about two inches tall. Now she's about four feet high and six feet wide. She is beautiful. I didn't hear much beside the crow on the light across the road. But I liked sitting with my butt on the gray dirt, watching my fava beans, Swiss chard, beets, and carrots grow—while my crook-neck squash and zucchini plants die back. The rosemary and lavender plants seem like two big, beautiful, round women dancing in my garden.
Speaking of which, I had better go water the sprouts so they can grow up big and strong and get eaten by me. I'll remember to talk to them. Maybe they'll give me a piece of my mind. Or maybe just peace.
0 comments
Sorry. I'm feeling all giggly. I've spent the day languishing in myths, fairy tales, and sensuous language while doing research for a novel and writing up a proposal. I am quite content to stay in that world. I left it long enough to take a walk with Mario during his break. He told me about the cover of The Nation. If you want your own giggle, check it out.
I'm rereading Sacred and Herbal Healing Beers: The Secrets of Ancient Fermentation by Stephen Harrod Buhner. I really should buy the book since I keep checking it out from the library. But I don't drink (nothing religious; it just doesn't agree with me) or make beer, so I keep thinking this book has nothing to offer me. But it's a great read. Buhner begins with a quote from Alan Eames (from his book The Secret Life of Beer), "In all ancient societies, in the religious mythologies of all ancient cultures, beer was a gift to women from a goddess, never a male god, and women remained bonded in complex religious relationships with feminine deities who blessed the brew vessels."
Vicki Noble reminded me, again, about the importance of this book at her workshop this weekend when she talked about the Melissae, the bee priestesses of Demeter, and about the healing qualities of mead and beer when brewing was under the purview of women: the women added herbs and flowers and other medicine to the beverages. When the men took this sacred work away from them, the herbs, flowers, and medicine went into the drink, so to speak. (No, wait: they went OUT of the drink.) In cultures all over the planet, women created these healing sacred liquids as they chanted and prayed and sang to the plants, the elements, and the spirits.
I had a dream once where I was in this amazing kitchen cooking with a Rumanian woman. As we threw bits of this and that into huge steaming pots of bubbling stews, she shared her wisdom with me. The most important piece of wisdom was: "You must always talk to the spirits when you do everything, especially the spirits of the food."
I think that is good advice. Today I went and sat in my garden and listened to my plants. Waiting for wisdom. Especially my rosemary plant. I have had her for over a decade, since she was about two inches tall. Now she's about four feet high and six feet wide. She is beautiful. I didn't hear much beside the crow on the light across the road. But I liked sitting with my butt on the gray dirt, watching my fava beans, Swiss chard, beets, and carrots grow—while my crook-neck squash and zucchini plants die back. The rosemary and lavender plants seem like two big, beautiful, round women dancing in my garden.
Speaking of which, I had better go water the sprouts so they can grow up big and strong and get eaten by me. I'll remember to talk to them. Maybe they'll give me a piece of my mind. Or maybe just peace.
0 comments
Monday, September 29, 2003
The Lies of George W. Bush—Fair and Balanced
David Corn's new book The Lies of George W. Bush is coming out today. Corn is the Washington Editor of The Nation, so the book should be accurate—although I was troubled to see he is also a contributor to the Fox News Channel. That's kind of like sleeping with the devil. Or Brit Hume. Bleck. Makes me shudder.
And next week, Michael Moore's new book Dude, Where's My Country? is coming out. He says he's "on a mission in his new book: Regime Change." Can't wait! You go, Michael!
Al Franken is doing a great job speaking out about the Bush Administration, too. (Of course you heard about Fox News Channel suing Franken over the title of his book: Lies and the Lying Liars Who Tell Them: A Fair and Balanced Look at the Right. They lost.) I heard him on C-Span the other night, and he was great. I think he was speaking to a group of Democrats. That's a good thing. The Democrats need a kick in the pants. They are pathetic. They kiss Shrub's butt at every opportunity. I'm hoping Congress will soon wake up and smell the oil. We need a regime change here at home.
And while we're on the subject of regime change....Many, many of my friends live in California, and I'm begging all of you: I don't want to wake up next week and find out that Arnold Schwarzenegger is governor of California. CALIFORNIA: it has the fifth largest economy on the planet! I cannot tell you all the things that would be wrong with that. It's too horrible to even contemplate. Except remember this: you give Arnie California, you might as well be giving it to Dubya on a silver platter.
I'm just saying... 0 comments
And next week, Michael Moore's new book Dude, Where's My Country? is coming out. He says he's "on a mission in his new book: Regime Change." Can't wait! You go, Michael!
Al Franken is doing a great job speaking out about the Bush Administration, too. (Of course you heard about Fox News Channel suing Franken over the title of his book: Lies and the Lying Liars Who Tell Them: A Fair and Balanced Look at the Right. They lost.) I heard him on C-Span the other night, and he was great. I think he was speaking to a group of Democrats. That's a good thing. The Democrats need a kick in the pants. They are pathetic. They kiss Shrub's butt at every opportunity. I'm hoping Congress will soon wake up and smell the oil. We need a regime change here at home.
And while we're on the subject of regime change....Many, many of my friends live in California, and I'm begging all of you: I don't want to wake up next week and find out that Arnold Schwarzenegger is governor of California. CALIFORNIA: it has the fifth largest economy on the planet! I cannot tell you all the things that would be wrong with that. It's too horrible to even contemplate. Except remember this: you give Arnie California, you might as well be giving it to Dubya on a silver platter.
I'm just saying... 0 comments
Sunday, September 28, 2003
Feastin'
Feeling pretty good today, knock on wood. I saw Vicki Noble again, this morning. With fourteen other women, we did a ceremony which culminated in a Dakini Feast. Vicki has found "provocative connections" between the Amazons and the roots of Tibetan Buddhism (which were female shamanistic in nature). In the Double Goddess, Vicki writes, "I am convinced that buried in the past, and unnoticed in recent history, is a coherent female lineage of shamanistic practices and ecstatic rituals that cuts across the boundaries and nationalisms..." Today we carried on these female practices (or added to them). Meaningful ceremony is such a profound way to create community—especially when you share food with one another.
Before we gathered together, I walked next door to New Renaissance Bookshop which was sponsoring the event. A woman sat on the porch looking over We'Moon '04: Gaia Rhythms for Womyn. I wanted to tell her to turn to page 115. That's where my piece "The Power of Nourishment" is. "We eat the same food, essentially, and are linked by it: it is a supremely intimate act," I wrote. "Celebrating in this way becomes a communal prayer to the forces of Nature, to the Divine." (I love the We'Moon appointment book/lunar calendar. I've gotten it every year for probably fifteen years—it is an integral part of my life—and my work has been published in it several times. This year it is even more stunning than usual because it's all in color. A feast for the eyes!) I didn't say anything to the woman; I let her enjoy her new purchase in private. A moment later, I met Vicki, and we wandered around the store looking for goddess figurines we could borrow to use as part of the altar we would all create as part of our work this morning. (This is the only way to shop.)
I felt better after spending time with Vicki today. I love the idea that she exists—that someone is out there doing the work she does, making the connections she makes. She is my teacher, but we are sisters, too, looking at the world in similar ways, trying to support each other as we both try to make our way in the world doing work which the dominant culture does not always reward. I feast on her words every time I'm with her. I feast on her knowledge and am honored to know her.
Now I'm home again. I'm waiting for another feast. The Mariners just won their last game, but to no avail. They aren't in the playoffs. No more Ichiro Suzuki (the coolest man on the planet—like in jazz cool). Mario is making vegetable enchiladas, guacamole, rice, beans, and juice. "Cooking is a sacred act," I wrote in the We'Moon '04 piece. "Nourishment makes a person whole and hale." Cooking certainly is sacred when Mario does it—at least I feel great when I eat his food.
After dinner, we'll watch (and listen to) The Blues on PBS. We're hoping for a feast of sound.
A perfect end to a day of feasting!
And speaking of perfect endings, I'll end with one of Mario's feasting poems. It was originally published in Rosebud #25.
Dinner and Dancing
The spider spins a web with glee,
Which traps bugs like a flea or bee.
This prompts a spider eating spree,
And thus she gets her calorie.
Such fare would sicken thee or me,
But she can’t stand our tea or brie,
And healthy salads make her flee.
But after insect meals you’ll see
How merrily she bends her knee,
Dancing her web with spirit free,
Strumming the strands of filigree,
In arachnid eight part harmony.
(copyright © 2002 by Mario Milosevic)
Before we gathered together, I walked next door to New Renaissance Bookshop which was sponsoring the event. A woman sat on the porch looking over We'Moon '04: Gaia Rhythms for Womyn. I wanted to tell her to turn to page 115. That's where my piece "The Power of Nourishment" is. "We eat the same food, essentially, and are linked by it: it is a supremely intimate act," I wrote. "Celebrating in this way becomes a communal prayer to the forces of Nature, to the Divine." (I love the We'Moon appointment book/lunar calendar. I've gotten it every year for probably fifteen years—it is an integral part of my life—and my work has been published in it several times. This year it is even more stunning than usual because it's all in color. A feast for the eyes!) I didn't say anything to the woman; I let her enjoy her new purchase in private. A moment later, I met Vicki, and we wandered around the store looking for goddess figurines we could borrow to use as part of the altar we would all create as part of our work this morning. (This is the only way to shop.)
I felt better after spending time with Vicki today. I love the idea that she exists—that someone is out there doing the work she does, making the connections she makes. She is my teacher, but we are sisters, too, looking at the world in similar ways, trying to support each other as we both try to make our way in the world doing work which the dominant culture does not always reward. I feast on her words every time I'm with her. I feast on her knowledge and am honored to know her.
Now I'm home again. I'm waiting for another feast. The Mariners just won their last game, but to no avail. They aren't in the playoffs. No more Ichiro Suzuki (the coolest man on the planet—like in jazz cool). Mario is making vegetable enchiladas, guacamole, rice, beans, and juice. "Cooking is a sacred act," I wrote in the We'Moon '04 piece. "Nourishment makes a person whole and hale." Cooking certainly is sacred when Mario does it—at least I feel great when I eat his food.
After dinner, we'll watch (and listen to) The Blues on PBS. We're hoping for a feast of sound.
A perfect end to a day of feasting!
And speaking of perfect endings, I'll end with one of Mario's feasting poems. It was originally published in Rosebud #25.
Dinner and Dancing
The spider spins a web with glee,
Which traps bugs like a flea or bee.
This prompts a spider eating spree,
And thus she gets her calorie.
Such fare would sicken thee or me,
But she can’t stand our tea or brie,
And healthy salads make her flee.
But after insect meals you’ll see
How merrily she bends her knee,
Dancing her web with spirit free,
Strumming the strands of filigree,
In arachnid eight part harmony.
(copyright © 2002 by Mario Milosevic)
Saturday, September 27, 2003
Full of Her Self
Saw Vicki Noble last night in Portland where she presented a slide show that corresponds with her new book, The Double Goddess: Women Sharing Power. I've been studying with Vicki for over a decade. Archaeology is an avocation of mine, and I appreciate her multi-disciplinary approach to archaeological evidence. In her new book, she makes many cogent and original arguments, but the ones I find the most interesting are that "dual Queens ruled together, sharing power....Later during the Bronze Age, when the early peaceful matristic cultures had been disrupted and replaced by systems of male dominance, Amazon Queens ruled in 'dual Queenship,' as a 'warrior' and a 'priestess,' cultural forms still intact as late as the 5th century burials of Sauromatian-Sarmatian women. Amazons specifically represent a women's resistance movement, with migrating as an ongoing attempt to save the Old Religion of the Goddess....Amazons were real. The Western view that Amazons are mythic or imaginary is obsolete, in light of excavations of women warriors and shaman-priestesses all across the Silk Routes from Turkey to the Altai mountains and China." (Vicki Noble, personal correspondence.) Vicki isn't the only scholar making the claim that the Amazons were real. Renowned archaeologist Jeannine Davis-Kimball, Ph.D. also makes this argument in her book Warrior Women.
Since archaeologist Marija Gimbutas died nine years ago, critics have tried to dismiss, belittle, and bury her work which, in many ways, revolutionized how archaeologists look at and interpret archaeological evidence. She was the mother of archaeomythology and a genius at the synthesis required to master such a technique. Joseph Campbell admired Marija Gimbutas and "expressed regret that her work was not available in the 1950s and 1960s while he was writing the Masks of God ." (Joan Marler, "Introduction," From the Realm of the Ancestors: An Anthology in Honor of Marija Gimbutas, 1997, p. 1.) Vicki, along with people like Starhawk and Dr. Davis-Kimball, reaffirms Gimbutas's theories and keeps her work alive. Gimbutas believed we have to re-envision our past so that we can imagine a better future—and not destroy ourselves through war or by ruining the natural world. When I first read Marija Gimbutas, where she laid out the evidence that Indo-Europeans had lived in peace and worshipped the Goddess, it changed my worldview. Previous to that, I had thought human beings were born to kill, and I could not even imagine that there was another way to live. As I started digging around, I discovered that peaceful societies exist even today. The Western way of dominance, war, and oppression is not the only way.
Years ago I gave a friend of mine Vicki's book Shakti Woman. After she read it, my friend said she didn't like it because Vicki seemed "full of herself." I laughed and said, "And who else should she be full of?" My friend thought about it and decided I was right and pledged to read the book again. I have always liked the idea of the Amazons. (I never believed that nonsense about them cutting off a breast or killing their sons.) In a world where Amazons existed, I suspected every woman was completely and absolutely full of herself. Every girl, boy, and man, too. I liked envisioning that world. I still do. (My own novel The Jigsaw Woman explores many of these issues.) Marija Gimbutas was full of herself, too, and she now speaks to us from the realm of the ancestors, through people like Vicki Noble, and reminds us that we must not forget her work or the lives of our ancestors. 0 comments
Since archaeologist Marija Gimbutas died nine years ago, critics have tried to dismiss, belittle, and bury her work which, in many ways, revolutionized how archaeologists look at and interpret archaeological evidence. She was the mother of archaeomythology and a genius at the synthesis required to master such a technique. Joseph Campbell admired Marija Gimbutas and "expressed regret that her work was not available in the 1950s and 1960s while he was writing the Masks of God ." (Joan Marler, "Introduction," From the Realm of the Ancestors: An Anthology in Honor of Marija Gimbutas, 1997, p. 1.) Vicki, along with people like Starhawk and Dr. Davis-Kimball, reaffirms Gimbutas's theories and keeps her work alive. Gimbutas believed we have to re-envision our past so that we can imagine a better future—and not destroy ourselves through war or by ruining the natural world. When I first read Marija Gimbutas, where she laid out the evidence that Indo-Europeans had lived in peace and worshipped the Goddess, it changed my worldview. Previous to that, I had thought human beings were born to kill, and I could not even imagine that there was another way to live. As I started digging around, I discovered that peaceful societies exist even today. The Western way of dominance, war, and oppression is not the only way.
Years ago I gave a friend of mine Vicki's book Shakti Woman. After she read it, my friend said she didn't like it because Vicki seemed "full of herself." I laughed and said, "And who else should she be full of?" My friend thought about it and decided I was right and pledged to read the book again. I have always liked the idea of the Amazons. (I never believed that nonsense about them cutting off a breast or killing their sons.) In a world where Amazons existed, I suspected every woman was completely and absolutely full of herself. Every girl, boy, and man, too. I liked envisioning that world. I still do. (My own novel The Jigsaw Woman explores many of these issues.) Marija Gimbutas was full of herself, too, and she now speaks to us from the realm of the ancestors, through people like Vicki Noble, and reminds us that we must not forget her work or the lives of our ancestors. 0 comments
Friday, September 26, 2003
Immigrant Workers Freedom Ride
On September 20, supported by donations from peace groups and other individuals and organizations, buses filled with immigrants and their allies began leaving from points all over the country, heading for Washington, D.C. where they will meet with members of Congress October 1-2nd. They will then continue on to a rally in New York October 4th. These Freedom Riders hope to bring to light the problems immigrants endure in this country. According to Richard Muhammad at AlterNet , they have already met with opposition along the way from white supremacists. Here's wishing them a safe ride.
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Thursday, September 25, 2003
Michael Moore Speaks The Truth
Michael Moore speaks the truth, so he has lots of people running after him spreading lies. As someone who studied to be a journalist (and worked as one in college), I am particularly offended by the transgressions of these people who claim to be journalists. They are not real journalists—they are lackeys for the powers that be. Or they're really bad journalists. Maybe both.
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Wednesday, September 24, 2003
Blue Magic and Coyote Crossing
Midday I was still hurtin' for certain, so I took a drive to Mother's Market in Hood River. It's a beautiful perfect autumn day, but I barely noticed it. I thought about the sixteen years I've lived in the Columbia River Gorge. I thought about how much pain I was in now, about how I could not remember what it felt like to be healthy, to feel good. I passed a car on Hiway 14, then drove for a little bit at 80 m.p.h. It felt great! I turned up the radio. This morning when I first got up and was in so much pain, I put on soothing music, music which is supposed to heal, but after a few minutes I said, "Screw it," and put on Break the Cycle by Staind and turned it up loud. And even louder when they started singing, "It's been awhile since I could hold my head high, since I could stand on my own two feet again." I needed a little 20-something angst. I have tried so many things in order to get well. Not much has helped. So maybe I should just revert to the kind of life that comes naturally to me: speeding down the road listening to Led Zeppelin so loud my ears bleed!
I slowed the car as the highway changed from a straightaway to a snake. Still I went too fast. I was a menace. I'm rarely a menace. I'm always thinking about the consequences of my actions. I'm always anticipating. (I would make a great accident reconstruction person. Because I can walk into almost any place or situation and tell you how it could go bad and go bad quickly.) Slowin' down made me think of the blues. Not sure why. Martin Scorsese's The Blues is showing on PBS all next week. I was looking forward to that. I was made for the blues. I was born in the deep south; my father was in the service at Barksdale Air Force Base in Louisiana at the time. I do believe the blues must have been playing when I popped out of my momma's womb and took my first breath. I'm sure at that moment I breathed in the blues and voodoo dust. So I believe in the blues, and I believe in voodoo magic.
The blues can be summed up in one song. Listen to Robert Johnson singing "Drunken Hearted Man," and you will understand the blues. "I'm a drunken hearted man, my life seem so misery," he sings with a passionate quavering voice, "and if I could change my way of livin' it t'would mean so much to me." The blues are not romantic. The blues are about the fact that life is hard, and then we die. I can relate!
With Robert Johnson in my head, I glanced in my rearview mirror and saw two police vehicles with flashing lights coming up on me fast. I thought, "How'd they find out I was speeding? I'm going the limit now." When I looked back at the road, a coyote was crossing right in front of the car. I put on my brakes—I had enough experience on this twisted road dodging deer, elk, bear, and cougar to know enough not to slam on my brakes—and that gave her enough time to cross the road. But she slowed down as she reached the other side and watched me. She seemed to be looking for my gaze—trying to catch my eye, as it were. But I had two cops barrelling down on me. I had to get out of the way. And suddenly I was past the coyote, and the cops raced by me.
Coyotes are prevalent here. I sometimes hear their howls in the distance as I fall to sleep. When I lived away from town, I used to see them regularly, around dusk. But seeing a coyote in the middle of the day, at noon, was very unusual. If I'd been looking for signs, I might have wondered. But I knew this coyote had not been put on the Earth to run in front of my car to give me a sign. Yet just like the Woman in White I had encountered in the morning (see earlier post), the coyote was appearing at a rather odd moment. I remembered a recent scene I had written for my book Forks in the Road. In my fiction I rarely write about myself (or anyone like me) but in Forks in the Road, the main character, Bel, is very much like me. In the scene below, she's alone in Santa Fe late one night:
I stared at a Day of the Dead skeleton playing guitar in a window near the Los Alamos courtyard. When I looked up, a coyote sat on the sidewalk not twenty feet from me, watching me.
I glanced around. I was alone—humanwise. I folded my arms across my chest and looked at the coyote.
"I don't believe in you," I said. "You haven't helped me. None of you. I still suffer. And suffer. You know earlier, I said I didn't want Roderick to be sick, but I wondered why I was. Well, I've changed my mind. He should have suffered. Some people deserve sickness and suffering. Some don't. And I fucking well don't deserve nearly two fucking decades of suffering. And you show up here as this grand symbol of what? What?"
The coyote still stared.
I wondered if it was hurt.
Or rabid.
Or really there.
The bell tolled on the cathedral. I glanced toward the sound and shook my head.
"No, I don't believe in that either. Definitely not. I don't think I believe in anything. The only thing I know to be absolutely true is that suffering exists. Isn't that a terrible thing to know? And I know—" My voice caught in my throat. "—I know why my grandfather killed himself. I know that eventually people reach the limit of what they can suffer. Even if that suffering seems slight to someone else. You know what I mean?"
The coyote got up and padded away. I stared into the darkness after it.
----
It was interesting to me that a coyote showed up in my life in the daylight hours a few days after I had written this scene. As I kept driving, I thought, "Well, that was Bel, not me. I still believe in you." I believe in the coyotes, crows, trees, river. I don't believe they can cure me any more, I suppose. But they're a part of my life. The magic part. Just as the blues are part of my life.
I crossed the bridge and went to Mother's. They had brown bananas. Oh joy! When I got home, I'd freeze them—just like ice cream. On the way home, I turned up the radio loud and went the speed limit. I watched for coyotes but saw none. It didn't matter. I felt better. A day with coyotes and the blues couldn't be all that bad—even if it was laced with pain. And I knew at home, Mario was waiting for me. Blue Magic. 0 comments
I slowed the car as the highway changed from a straightaway to a snake. Still I went too fast. I was a menace. I'm rarely a menace. I'm always thinking about the consequences of my actions. I'm always anticipating. (I would make a great accident reconstruction person. Because I can walk into almost any place or situation and tell you how it could go bad and go bad quickly.) Slowin' down made me think of the blues. Not sure why. Martin Scorsese's The Blues is showing on PBS all next week. I was looking forward to that. I was made for the blues. I was born in the deep south; my father was in the service at Barksdale Air Force Base in Louisiana at the time. I do believe the blues must have been playing when I popped out of my momma's womb and took my first breath. I'm sure at that moment I breathed in the blues and voodoo dust. So I believe in the blues, and I believe in voodoo magic.
The blues can be summed up in one song. Listen to Robert Johnson singing "Drunken Hearted Man," and you will understand the blues. "I'm a drunken hearted man, my life seem so misery," he sings with a passionate quavering voice, "and if I could change my way of livin' it t'would mean so much to me." The blues are not romantic. The blues are about the fact that life is hard, and then we die. I can relate!
With Robert Johnson in my head, I glanced in my rearview mirror and saw two police vehicles with flashing lights coming up on me fast. I thought, "How'd they find out I was speeding? I'm going the limit now." When I looked back at the road, a coyote was crossing right in front of the car. I put on my brakes—I had enough experience on this twisted road dodging deer, elk, bear, and cougar to know enough not to slam on my brakes—and that gave her enough time to cross the road. But she slowed down as she reached the other side and watched me. She seemed to be looking for my gaze—trying to catch my eye, as it were. But I had two cops barrelling down on me. I had to get out of the way. And suddenly I was past the coyote, and the cops raced by me.
Coyotes are prevalent here. I sometimes hear their howls in the distance as I fall to sleep. When I lived away from town, I used to see them regularly, around dusk. But seeing a coyote in the middle of the day, at noon, was very unusual. If I'd been looking for signs, I might have wondered. But I knew this coyote had not been put on the Earth to run in front of my car to give me a sign. Yet just like the Woman in White I had encountered in the morning (see earlier post), the coyote was appearing at a rather odd moment. I remembered a recent scene I had written for my book Forks in the Road. In my fiction I rarely write about myself (or anyone like me) but in Forks in the Road, the main character, Bel, is very much like me. In the scene below, she's alone in Santa Fe late one night:
I stared at a Day of the Dead skeleton playing guitar in a window near the Los Alamos courtyard. When I looked up, a coyote sat on the sidewalk not twenty feet from me, watching me.
I glanced around. I was alone—humanwise. I folded my arms across my chest and looked at the coyote.
"I don't believe in you," I said. "You haven't helped me. None of you. I still suffer. And suffer. You know earlier, I said I didn't want Roderick to be sick, but I wondered why I was. Well, I've changed my mind. He should have suffered. Some people deserve sickness and suffering. Some don't. And I fucking well don't deserve nearly two fucking decades of suffering. And you show up here as this grand symbol of what? What?"
The coyote still stared.
I wondered if it was hurt.
Or rabid.
Or really there.
The bell tolled on the cathedral. I glanced toward the sound and shook my head.
"No, I don't believe in that either. Definitely not. I don't think I believe in anything. The only thing I know to be absolutely true is that suffering exists. Isn't that a terrible thing to know? And I know—" My voice caught in my throat. "—I know why my grandfather killed himself. I know that eventually people reach the limit of what they can suffer. Even if that suffering seems slight to someone else. You know what I mean?"
The coyote got up and padded away. I stared into the darkness after it.
----
It was interesting to me that a coyote showed up in my life in the daylight hours a few days after I had written this scene. As I kept driving, I thought, "Well, that was Bel, not me. I still believe in you." I believe in the coyotes, crows, trees, river. I don't believe they can cure me any more, I suppose. But they're a part of my life. The magic part. Just as the blues are part of my life.
I crossed the bridge and went to Mother's. They had brown bananas. Oh joy! When I got home, I'd freeze them—just like ice cream. On the way home, I turned up the radio loud and went the speed limit. I watched for coyotes but saw none. It didn't matter. I felt better. A day with coyotes and the blues couldn't be all that bad—even if it was laced with pain. And I knew at home, Mario was waiting for me. Blue Magic. 0 comments
Hanging by a Thread
Woke up feeling disconnected from everything this morning—probably because I was in great pain. Sickness and pain does that, disconnects us. It's as if Lachesis has temporarily cut all the threads that hold us close to the visible world, and we are left freefalling through life.
I got up and took a walk, hoping the pain would fade. The world of dawn was suffused with this glorious golden light—sweet light—yet everything seemed black and white to me. I heard only crows calling out as I passed by, not looking up from whatever charmed them in the gray dirt. Beyond them and the mudflats, a flock of white doves floated in the curve of the stream. Above a vulture rode the thermals. A black cat walked across a yard as I passed by. I walked to the bridge over Rock Creek and looked down, hoping to see some salmon trying to reach their spawning beds. Saw only still mossy water. Kept walking.
A woman dressed in white walked toward me. The sunlight lit her from behind. I had to shield my eyes to actually see her. I wondered what it was like to get up in the morning and dress like her and go out into the day beautiful, perky, and businesslike. And then I realized she was coming to me. "Excuse me," she said. She held papers close to her chest. I held up my hands. "If you're selling something I'm not interested." "I'm not selling anything," she said. The papers were copies of the Watchtower. "But I do have something that might interest you." I suppose if I believed in signs—and I often do—I would have thought, "Gee, you're feeling disconnected, Kim, and here is this woman trying to connect with you. You should listen." But I was not reading the signs this painful morning. "I'm not Christian, and I'm not interested." I kept walking. I suppose I should have been nicer to her, but I was as nice as I could manage. I almost screamed, "Can't you see I'm in agony! Leave me alone!" Many expletives added. And I am fully capable of saying such things outloud. But I left her alone to take her crazy talk to someone else. I might have been hanging by a thread, but I wasn't interested in grasping onto whatever she was selling.
And speaking of connections, I kept thinking of Spider Woman, even as the Woman in White was trying to sell me the word of Jesus Christ. Spider Woman is all about connections, even though I couldn't find any myself this morning. A while ago I wrote Spider Woman's story. Various versions of Spider Woman exist in different cultures all over the planet. The version below relies heavily on the Navajo story of Spider Woman.
Spider Woman Has a Thought
Spider Woman walked around the emptiness and yawned. She had not yawned before and thought about what it meant. While she thought about the yawn, she held out her palm. From the center of her right palm golden thread emerged. She let the thread drop on the ground—like a line of tiny golden bread crumbs—going from the East to the West.
“Interesting,” she thought.
She held out her other hand. From the center of the palm of her left hand shiny blue-black thread unraveled, dropping on the ground—like a line of tiny crow feathers—going from South to North and intersecting the line of golden thread.
Everything shifted then. And was the same, only different.
“Ahhh,” Spider Woman said. “Out of emptiness we have order. Out of thought we have intersection.”
Spider Woman walked around the ordered world for a time. Then she felt another yawn coming on. No, not a yawn. Something else. A stretch, like after a long sleep.
“Mmmm,” Spider Woman thought. She realized she wished to bring joy into the world. She looked down and saw two medicine bundles on the ground before her. She squatted next to them. How lovely they were. Round and soft. She began to sing. It was a wonderful sound, this song Spider Woman created. It was a chant like no other chant. The ordered universe pulsed with this wondrous sound.
After a time, the two medicine bundles began to stretch and expand. Spider Woman watched with delight as she continued to chant. It was like watching a pumpkin grow from a flower to a tiny pumpkin to a huge orange gourd. Or a tree sprout from a seed to a sapling to a full grown tree. Soon Nau’ts’ity and Ic’sts’ity, the Divine Sisters, sprang from the medicine bundles and were still the bundles of medicine, dancing and chanting with Spider Woman.
As they danced and chanted and Spider Woman thought, danced, and chanted, all kinds of thing popped into existence. The Universe. This Galaxy. That Galaxy. The Moon. Sun. Stars. Milky Way. The Earth. Trees. Coyotes. Crows. Rabbits. Turtles. Lakes. Hills. Mountains. Clouds.
The whole of existence shook with the sound of chanting, dancing, and creation.
“Look,” the Divine Sisters cried, and held out their hands for Spider Woman to see. They had scooped up clay from the Earth. Clutched in Nau’ts’ity’s left hand was black clay, in her right white clay. Ic’sts’ity showed Spider Woman the yellow clay oozing through the fingers of her left hand and the red clay dripping between the fingers of her right hand.
Spider Woman clapped. She knew exactly what she wanted to do with these colorful pieces of clay. She and the Divine Sisters began rolling the clay into interesting two-legged shapes. When each one looked as though it could make its way in this world, Spider Woman put it in her mouth and rolled it around in her life-giving saliva. Then she plucked it from her mouth, carefully licking open the soft spot at the top of its head and attaching her thread to it.
She whispered a message just for it before she set it on the ground and it became a real live two-legged, running away from Spider Woman and the Divine Sisters, all too big and awesome and wonderful for the two-leggeds to see, except for a momentary glimpse remembered in dream time.
For a time, all was as it should be. Joy blossomed everywhere. In fact, everything blossomed everywhere. The two-leggeds remembered their connection with Spider Woman, chanted each day as she had instructed, and kept the doors of their minds open and pulsing with life. But somehow as time went by, many of the two-leggeds thought about other things, forgetting completely about Spider Woman, closing their minds to her and Nature and the Divine Sisters. They still walked the Earth, but they were less than dead. This made Spider Woman very unhappy. Creation had not turned out as she had planned. Not that she had really planned it. It had been a thought, actually. Maybe not a complete plan. In any case, it was not what she had had in mind. She did not like the weave of this particular web.
So she unraveled the web of this life, sparing all those who had kept an open mind, and she began another web, another thought, another chant, another dance.
Again, for a time, all was joy. But then the web once again shook with the living dead. So she unstuck the sticky thread, raveled the thread she had unraveled, unwove the web she had woven. She created a third web, whispered to a new set of two-leggeds, admonishing them to keep their minds open, to keep their connection to her and the world.
This third time, the web seemed to hold. Spider Woman and the Divine Sisters were happy. The world pulsed with Joy...
...Yet even today, Spider Woman will remind you that what she created she can destroy. Step onto the path that goes by her nest unprepared for her instructions, step onto that path as if you are bound for a picnic, and she will flick her fingers across the thread that binds you to her, that connects you to this world, reminding you that you had better pay attention.
And when she is feeling charitable, she might drop down onto your shoulder, or even your earlobe, and give you exactly the advice you need...
Only remember this: She does not come when she is called, and always expect the unexpected. Who do you think taught Coyote the ways of the trickster?
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I got up and took a walk, hoping the pain would fade. The world of dawn was suffused with this glorious golden light—sweet light—yet everything seemed black and white to me. I heard only crows calling out as I passed by, not looking up from whatever charmed them in the gray dirt. Beyond them and the mudflats, a flock of white doves floated in the curve of the stream. Above a vulture rode the thermals. A black cat walked across a yard as I passed by. I walked to the bridge over Rock Creek and looked down, hoping to see some salmon trying to reach their spawning beds. Saw only still mossy water. Kept walking.
A woman dressed in white walked toward me. The sunlight lit her from behind. I had to shield my eyes to actually see her. I wondered what it was like to get up in the morning and dress like her and go out into the day beautiful, perky, and businesslike. And then I realized she was coming to me. "Excuse me," she said. She held papers close to her chest. I held up my hands. "If you're selling something I'm not interested." "I'm not selling anything," she said. The papers were copies of the Watchtower. "But I do have something that might interest you." I suppose if I believed in signs—and I often do—I would have thought, "Gee, you're feeling disconnected, Kim, and here is this woman trying to connect with you. You should listen." But I was not reading the signs this painful morning. "I'm not Christian, and I'm not interested." I kept walking. I suppose I should have been nicer to her, but I was as nice as I could manage. I almost screamed, "Can't you see I'm in agony! Leave me alone!" Many expletives added. And I am fully capable of saying such things outloud. But I left her alone to take her crazy talk to someone else. I might have been hanging by a thread, but I wasn't interested in grasping onto whatever she was selling.
And speaking of connections, I kept thinking of Spider Woman, even as the Woman in White was trying to sell me the word of Jesus Christ. Spider Woman is all about connections, even though I couldn't find any myself this morning. A while ago I wrote Spider Woman's story. Various versions of Spider Woman exist in different cultures all over the planet. The version below relies heavily on the Navajo story of Spider Woman.
Spider Woman Has a Thought
Spider Woman walked around the emptiness and yawned. She had not yawned before and thought about what it meant. While she thought about the yawn, she held out her palm. From the center of her right palm golden thread emerged. She let the thread drop on the ground—like a line of tiny golden bread crumbs—going from the East to the West.
“Interesting,” she thought.
She held out her other hand. From the center of the palm of her left hand shiny blue-black thread unraveled, dropping on the ground—like a line of tiny crow feathers—going from South to North and intersecting the line of golden thread.
Everything shifted then. And was the same, only different.
“Ahhh,” Spider Woman said. “Out of emptiness we have order. Out of thought we have intersection.”
Spider Woman walked around the ordered world for a time. Then she felt another yawn coming on. No, not a yawn. Something else. A stretch, like after a long sleep.
“Mmmm,” Spider Woman thought. She realized she wished to bring joy into the world. She looked down and saw two medicine bundles on the ground before her. She squatted next to them. How lovely they were. Round and soft. She began to sing. It was a wonderful sound, this song Spider Woman created. It was a chant like no other chant. The ordered universe pulsed with this wondrous sound.
After a time, the two medicine bundles began to stretch and expand. Spider Woman watched with delight as she continued to chant. It was like watching a pumpkin grow from a flower to a tiny pumpkin to a huge orange gourd. Or a tree sprout from a seed to a sapling to a full grown tree. Soon Nau’ts’ity and Ic’sts’ity, the Divine Sisters, sprang from the medicine bundles and were still the bundles of medicine, dancing and chanting with Spider Woman.
As they danced and chanted and Spider Woman thought, danced, and chanted, all kinds of thing popped into existence. The Universe. This Galaxy. That Galaxy. The Moon. Sun. Stars. Milky Way. The Earth. Trees. Coyotes. Crows. Rabbits. Turtles. Lakes. Hills. Mountains. Clouds.
The whole of existence shook with the sound of chanting, dancing, and creation.
“Look,” the Divine Sisters cried, and held out their hands for Spider Woman to see. They had scooped up clay from the Earth. Clutched in Nau’ts’ity’s left hand was black clay, in her right white clay. Ic’sts’ity showed Spider Woman the yellow clay oozing through the fingers of her left hand and the red clay dripping between the fingers of her right hand.
Spider Woman clapped. She knew exactly what she wanted to do with these colorful pieces of clay. She and the Divine Sisters began rolling the clay into interesting two-legged shapes. When each one looked as though it could make its way in this world, Spider Woman put it in her mouth and rolled it around in her life-giving saliva. Then she plucked it from her mouth, carefully licking open the soft spot at the top of its head and attaching her thread to it.
She whispered a message just for it before she set it on the ground and it became a real live two-legged, running away from Spider Woman and the Divine Sisters, all too big and awesome and wonderful for the two-leggeds to see, except for a momentary glimpse remembered in dream time.
For a time, all was as it should be. Joy blossomed everywhere. In fact, everything blossomed everywhere. The two-leggeds remembered their connection with Spider Woman, chanted each day as she had instructed, and kept the doors of their minds open and pulsing with life. But somehow as time went by, many of the two-leggeds thought about other things, forgetting completely about Spider Woman, closing their minds to her and Nature and the Divine Sisters. They still walked the Earth, but they were less than dead. This made Spider Woman very unhappy. Creation had not turned out as she had planned. Not that she had really planned it. It had been a thought, actually. Maybe not a complete plan. In any case, it was not what she had had in mind. She did not like the weave of this particular web.
So she unraveled the web of this life, sparing all those who had kept an open mind, and she began another web, another thought, another chant, another dance.
Again, for a time, all was joy. But then the web once again shook with the living dead. So she unstuck the sticky thread, raveled the thread she had unraveled, unwove the web she had woven. She created a third web, whispered to a new set of two-leggeds, admonishing them to keep their minds open, to keep their connection to her and the world.
This third time, the web seemed to hold. Spider Woman and the Divine Sisters were happy. The world pulsed with Joy...
...Yet even today, Spider Woman will remind you that what she created she can destroy. Step onto the path that goes by her nest unprepared for her instructions, step onto that path as if you are bound for a picnic, and she will flick her fingers across the thread that binds you to her, that connects you to this world, reminding you that you had better pay attention.
And when she is feeling charitable, she might drop down onto your shoulder, or even your earlobe, and give you exactly the advice you need...
Only remember this: She does not come when she is called, and always expect the unexpected. Who do you think taught Coyote the ways of the trickster?
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Tuesday, September 23, 2003
Ashcroft Calls Librarians Hysterical....Them's Fightin' Words
Here's a good piece in the Memphis Flyer taking to task Ashcroft and the Patriot Act (PDF file). Every time Ashcroft opens his mouth he reveals himself as utterly reprehensible. This time he essentially says librarians are hysterical. Once again we can see that he either hates women or fears them (or both). He probably imagines librarians as docile little old gray-haired ladies—you know, that old stereotype. (Some of us might be little old gray-haired ladies, but we ain't docile!) "Hysteric" is one of those words used primarily to put down women. The word hysteria comes from the Greek word for uterus. For a long while, the medical community believed the womb detached itself—somehow, can you picture it?—and wandered around the body causing (you guessed it) hysteria. In any case, Mr. Ashcroft, those of us with Wandering Wombs are watching you. And no matter what you say: We do not trust you.
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Monday, September 22, 2003
Top 10 Censored Stories...and 1 More Reason Americans Are So Well-Loved All Over the Planet
Project Censored's list of Top Ten Censored Stories is out. As usual, the list is stunning and infuriating. Unfortunately, I am no longer surprised by what this administration does. I am surprised that more people are not rising up and screaming, "Enough is enough!" Here's the list:
1. The Neoconservative Plan for Global Dominance
2. Homeland Security Threatens Civil Liberties
3. US Illegally Removes Pages from Iraq UN Report
4. Rumsfeld's Plan to Provoke Terrorists
5. The Effort to Make Unions Disappear
6. Closing Access to Information Technology
7. Treaty Busting By the United States
8. US/British Forces Continue Use of Depleted Uranium Weapons Despite Massive Evidence of Negative Health Effects
9. In Afghanistan: Poverty, Women's Rights and Civil Disruption Worse then Ever
10. Africa Faces New Threat of New Colonialism
The 15 runners-up are:
#11: U.S. Implicated in Taliban Massacre
#12: Bush Administration Behind Failed Military Coup in Venezuela
#13: Corporate Personhood Challenged
#14: Unwanted Refugees a Global Problem
#15: U.S. Military's War on the Earth
#16: Plan Puebla-Panama and the FTAA
#17: Clear Channel Monopoly Draws Criticism
#18: Charter Forest Proposal Threatens Access to Public Lands
#19: U.S. Dollar vs. the Euro: Another Reason for the Invasion of Iraq
#20: Pentagon Increases Private Military Contracts
#21: Third World Austerity Policies: Coming Soon to a City Near You
#22: Welfare Reform Up For Reauthorization, but Still No Safety Net
#23: Argentina Crisis Sparks Cooperative Growth
#24: Aid to Israel Fuels Repressive Occupation in Palestine
#25: Convicted Corporations Receive Perks Instead of Punishment
And in an unrelated bonehead story ....Drunken U.S. soldiers apparently mistook a rare Bengal Tiger in the Iraq Zoo for an Iraqi civilian, and they shot and killed it. The tiger was identified as a terrorist when it injured a soldier who was feeding it through the bars of its cage. So here's the question: who was stupider? The guy who killed the tiger or the guy who was feeding the tiger? Yee-haw! Good ol' boys really rock, don't they? 0 comments
1. The Neoconservative Plan for Global Dominance
2. Homeland Security Threatens Civil Liberties
3. US Illegally Removes Pages from Iraq UN Report
4. Rumsfeld's Plan to Provoke Terrorists
5. The Effort to Make Unions Disappear
6. Closing Access to Information Technology
7. Treaty Busting By the United States
8. US/British Forces Continue Use of Depleted Uranium Weapons Despite Massive Evidence of Negative Health Effects
9. In Afghanistan: Poverty, Women's Rights and Civil Disruption Worse then Ever
10. Africa Faces New Threat of New Colonialism
The 15 runners-up are:
#11: U.S. Implicated in Taliban Massacre
#12: Bush Administration Behind Failed Military Coup in Venezuela
#13: Corporate Personhood Challenged
#14: Unwanted Refugees a Global Problem
#15: U.S. Military's War on the Earth
#16: Plan Puebla-Panama and the FTAA
#17: Clear Channel Monopoly Draws Criticism
#18: Charter Forest Proposal Threatens Access to Public Lands
#19: U.S. Dollar vs. the Euro: Another Reason for the Invasion of Iraq
#20: Pentagon Increases Private Military Contracts
#21: Third World Austerity Policies: Coming Soon to a City Near You
#22: Welfare Reform Up For Reauthorization, but Still No Safety Net
#23: Argentina Crisis Sparks Cooperative Growth
#24: Aid to Israel Fuels Repressive Occupation in Palestine
#25: Convicted Corporations Receive Perks Instead of Punishment
And in an unrelated bonehead story ....Drunken U.S. soldiers apparently mistook a rare Bengal Tiger in the Iraq Zoo for an Iraqi civilian, and they shot and killed it. The tiger was identified as a terrorist when it injured a soldier who was feeding it through the bars of its cage. So here's the question: who was stupider? The guy who killed the tiger or the guy who was feeding the tiger? Yee-haw! Good ol' boys really rock, don't they? 0 comments
There's No Place Like Home, No Place Like Home
Went to the Emerald City this weekend for a Coyote Cowgirl book reading at Elliott Bay Book Company. It was a small and eclectic group that gathered in a circle in the basement of the store. Eleven of us, ages 5 months to 70-something. I decided to chuck my regular humorous spiel about Coyote Cowgirl, and instead we talked about creativity and how artists can make their way in this society. Most artists are hardwired to create their art (writing, painting, dancing, healing) for the community. When we don't have an outlet for that expression, we are crazy-making. (In the process of going crazy.) If a writer can't get her work published, or a musician can't get anyone to listen to his music, something goes haywire. I told the group that all my work is about trying to find home, to find a place where people live in community and accept one another. Everyone in that red-bricked basement room nodded in agreement. I wondered then if we are we all looking for the same thing, and we just don't know how to connect any more. We need to sing, dance, make ecstasy together. It's no wonder so many of us drug, drink, or throw-up. We are missing that ecstatic creative link with community. For an hour or so Saturday night, male and female, young and old, black and white, homeless, middle-class, hitchhikers, and an infant created a strange little community as we searched for the answers of how one lives in this world and remains whole...
The next day, Mario and I went to the Salmon Homecoming on the Seattle Waterfront. We got there early, so not much was happening. Salmon is the soul of the Pacific Northwest, and I was glad to be in a place where Salmon was being honored. As we walked around watching vendors set-up for the day, we heard the sounds of drumming, so we walked until we found the source. We sat nearby as three Native American men sang and drummed. I stared up at the highrises beyond and the pale blue sky and was completely enchanted to be in this place at this time listening to the drumming. For a moment, I felt completely and inexorably at home. Then the men stopped drumming and began laughing and talking with one another.
Mario and I stayed a few minutes longer, then got up and left. I wondered, as I looked down into the bay, if anyone ever felt at home for very long. I hoped so. I hoped most people knew what it was like to be home in their bodies and on the land. The Salmon certainly knew where home was. After cruising in the ocean for a few years, they knew when it was time to return home, and they knew right where to go. No question about it. Something to be said for biology. I once dreamed that my hand was pressed against the Earth, and suddenly the rich cinnamon-colored dirt came up through my fingers and held my hand and said, "This is home." I wept when I awakened. I was never sure if the dream was telling me my body or the Earth was my home. Details, details.
As Mario and I left the Emerald City, I shouted a Welcome Home to the Salmon, then I clicked my heels together three times. 0 commentsAll photographs and written material copyright © 2003-2007 by Kim Antieau unless otherwise indicated. May not be used without permission.
The next day, Mario and I went to the Salmon Homecoming on the Seattle Waterfront. We got there early, so not much was happening. Salmon is the soul of the Pacific Northwest, and I was glad to be in a place where Salmon was being honored. As we walked around watching vendors set-up for the day, we heard the sounds of drumming, so we walked until we found the source. We sat nearby as three Native American men sang and drummed. I stared up at the highrises beyond and the pale blue sky and was completely enchanted to be in this place at this time listening to the drumming. For a moment, I felt completely and inexorably at home. Then the men stopped drumming and began laughing and talking with one another.
Mario and I stayed a few minutes longer, then got up and left. I wondered, as I looked down into the bay, if anyone ever felt at home for very long. I hoped so. I hoped most people knew what it was like to be home in their bodies and on the land. The Salmon certainly knew where home was. After cruising in the ocean for a few years, they knew when it was time to return home, and they knew right where to go. No question about it. Something to be said for biology. I once dreamed that my hand was pressed against the Earth, and suddenly the rich cinnamon-colored dirt came up through my fingers and held my hand and said, "This is home." I wept when I awakened. I was never sure if the dream was telling me my body or the Earth was my home. Details, details.
As Mario and I left the Emerald City, I shouted a Welcome Home to the Salmon, then I clicked my heels together three times. 0 comments